Notice how he moves, there's no doubt this is music. The title of the song is "Gives you Hell" - but he never signs the word "HELL"... he says "makes you burn inside". Look for how he handles "I wake up every morning with a big smile on my face" -- how many signs does he use?
Again his moves - the camera operator can't even keep up. What does he sign for "Oh my god!"... and he's using a CL sign for the concept of partying, it's the two 5 hands wiggling out like crowds of people taking to the street.
Oh my! Two genres in one! Religious RAP!! Just be in awe... and notice how she makes different sign choices for repeats in the chorus. It's ok to sign the same thing for each chorus (as you see in Brittany's song), but if it builds, adds or changes meaning, you might want to change the signs as well.
She gives us context before the song starts -- as the characters. This is a DUET - how does she handle the conversation between two characters? Can you see the difference in how she portrays them? How does she handle the metaphor of a "tiger in a cage"? She brings in the sass and the humor and has a great moment with the beat of the music!
This entire song is METAPHOR - the tiger comes at night? Notice how her sign production and prosody match the music and convey the mood. Her signs flow together and she uses her eye gaze to emphasize that flow. She also has a great use of space to show a timeline of events for Dreams being made and used and wasted... I cry at the end every time. (chills)...
She has so much fun with this and makes it visual ... just enjoy...
I told her she was crazy to do this song... music for Deaf people is a big enough of a challenge, but when the song uses music as a metaphor for love?? Why? You get to pick your own song. Well - I show it every year. Look for her "used ta, used ta"... it's a WOW moment.. She makes a face like she messed up at one point - it was because she used the "wrong hand" for her hearts. But if she hadn't made that face we wouldn't know. So don't make the face... the hearts pay off in the end.
This was not the version Sami did for a grade, they did this version for fun (and unrehearsed). Sami makes great idiomatic choices - and makes it fun.
This is one of those songs where she signs during a musical bridge. The music is almost like a scream that's building and when we talked about what she felt like it meant or what images it created in her head when she listened, it was all the built up things that she wanted to say to this guy - so that's what she did. And the end? It's a really nice moment.
Becki did this in a music workshop and I asked her to retape this version for me so I could share it with the classes. Notice again, all the body language, the music, but also just how much is conveyed through her face and non--verbals. The song is from the perspective of the mistress - watch her space as she talks about her relationship and his relationship with his wife. The biggest thing that I want to point out is that the name of the song is STAY, and it's said frequently - but Becki never signs "STAY" -- what does she do instead?
Another song where there is signing just over music -- it's at the very beginning this time. The music really sets a scene of a sad tale coming, we know that without hearing a word. And the lyrics start off without much context - so she creates a picture before the story starts. Watch her space and CL throughout - especially around that willow tree. Which hand makes the tree each time? How does that picture happen?
"But the tigers come at night / With their voices soft as thunder / As they tear your hope apart / As they turn your dream to shame"
She's talking about drugs, living on the street, having to work as a prostitute, give up her daughter, gettings sick, all these things in life that have eaten away at her life to take away this dream that she had of this perfect life. And as we talked about it, she settled on signing "TEMPT POP-UP +++" for the Tigers come at night. Because it all started with her giving in to temptations that pulled her into this darker world and stole her dreams. She used unamed "things" off in space taking her deams and ripping them apart, and dream turning into shame is a lot of non-verbal work with her looking at her hands in shame.
More samples to look at to get an idea!!
Alicia put in THE WORK on this song! It's a song that hides the ABCs in the lyrics, so Alicia wanted to also hide the ABCs in the SIGNS! You don't want them to be too obvious the first time through, but you want to be able to emphasize them the second time. It really forced her to think about meaning and what CL and other signs she could use for concepts. For example "before my life has ended", she needed an "N"... so she choose to "BURY" herself for the concept. You'll want to look at this one line by line and see what she did.
Oh Jilliane! We were entertained! And love the reveal when she turns around (she kept that a secret)! If you've seen Napolean Dynamite you'll love it next level. Talk about speaker style!
A great example of capturing the feeling of the song -- it's happy and her performance makes us happy. And how can you not love her shooka shooka? She has moments of self doubt on her face - but I want you to see how that was all in her own head... nothing was wrong, but she told us it was...
She kiled us. A great example how the same words can have different meaning as the song progresses. Love her use of role shift to tell the story. And the challenge at the end of how to go from present time to a time referred to earlier in the story.
This was dedicated to her grandparents and their love story.
When does she choose form and when does she choose function?
How to make a full drama out of a song that sounds like nonsense, but is about the "machine" of society, and "drinking the Kool-Aid".
Just a ton of fun with props and feet
Keeps the beat of the song throughout
Sets up context before the lyrics start - nice touch points
I think this is the most fun I had with a song -- and kudos to Tera for the light cue at the end. You may notice that I factually almost fall down...
I like a lot about this song.. except for the framing, and I regret being so literal with "One more night".