Assignment 6: End Blog - One Shot Summary
Assignment 6: End Blog - One Shot Summary
A picture can be worth far more than a thousand words. Some photographers have created single images that have encapsulated the very essence of a person's life or a turning point in history. Successful pictures that sum up an event or milestone work at a symbolic or iconic level, using visual universals understood by all.
--Tom Ang, The Complete Photographer
To understand the significance of this camera, we must first consider what it means to “capture a moment.” A moment, by nature, is fleeting as it passes as quickly as it arrives. And yet, with a photograph, we attempt to hold it still, to translate impermanent into permanence.
When I saved up for my Fujifilm X-T100 after my third paycheck (adult yay), I knew I was investing in a tool that promised to preserve something that, by definition, resists preservation.
This camera is not extraordinary in its technical specifications. It is not even in the list of top fujifilm cameras. It is, in many ways, an ordinary object.
But its value lies in what it represents for me: my struggle to make meaning, my resolve to go back to analog, to capture nostalgia in memories amidst false ones... all of these just to frame something of the passing time and to express myself visually.
This end blog, above being simply a visual and textual record, is my small attempt at understanding myself through the assignments we've had throughout MMS 173.
A self, briefly made visible. My reflection and story.
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I began this class knowing less than the basics. Photography before was, defaulted to flash and automatic mode, because they were what worked at the time. I was less a photographer and more an illustrator.
To be asked to direct light, space, and movement felt beyond me, honeslty. I pressed buttons. I had a persisting stubbornness to not learn beyond point-and-shoot. And even then, the camera still responded. That was enough at first, but not anymore.
My unspoken goal, though I couldn’t articulate it at the time, was to learn how to see. To understand why an image worked, and how I might replicate or build upon that. I didn’t want to depend on mere luck anymore, I craved intention in my photography. I wanted to take pictures on purpose.
I thought back to my vacation in Hong Kong last year, in October.
I brought my camera with me the whole time, hoping to capture everything: the metro/city, the food, and of course the view.
But most of all, I was hoping to shoot something like in a Wong Kar-wai movie- except... Wong Kar-wai is intentional. His use of light, color, and composition all serve a deeper emotional rhythm. Mine, at the time, lacked that sense of control and understanding. Aperture? Didn't know her. ISO? The only ISO I knew was the Valorant Agent Iso.
When I reviewed the photos after the trip, most of them felt flat. I wont call them bad photos, they were in fact very normal. I was just letting the camera do the seeing for me. I may have been lucky for some of the photos, but next time, I promised to myself to shoot more intentionally. And that's when I took MMS 173.
There are things I wish had been different. I wish I had more time to practice. Had more discipline learning about the Exposure Triangles. I wish I had done better at both quizzes.
But most of all, I regret not being able to attend the face-to-face session (and a mini one too). Laguna was simply too far from where I am (and at the time I was recovering from a surgery, was on bed rest for days, and can only practice home photography for a few weeks). I imagine I would have learned more about the technical aspects, perhaps even discovered answers to questions I didn’t yet know how to ask if I had attended the offline session.
So I just did my own practice sessions.
Afterall, online communication is both a bridge and a wall. DFs, emails, and messenger group chats felt limiting to me as an introvert. I participated when I could, but shyness always takes over. Still, I took quiet joy in seeing my coursemates send photos and them asking for feedback. Asking which photo was better, some people even giving advice for post-processing. It reminded me of when I ask my close friends which photo to post on Instagram and what sequence/order.
As for photography itself, I love it even more now. Before this, if one looked through my instagram feed, my photos were about posing still, in my best angle, being composed, flash on, and being little-miss-perfect. Very artificial even though it looked good.
Now that I’ve learned that movement is a form of posing, I'm yearning for the fluidity that can be more honest than stillness. I still struggle with traditional posing, but I’ve begun to let my body move and trust that the camera will follow somehow.
Equally important is my shift in awareness. Before, my bad habit was that I shot images and hoped for the best. Now, I think about composition before I press the shutter. The framing. I’ve learned that a good photograph needs to be done with thought and care.
To tell a story.
That is my biggest takeaway. A photograph, at its core, is all about narrative. Much like an illustration. It says: this happened, this mattered, this is how I saw it. And perhaps more importantly: this is how I want you to see it, too. That kind of intentionality changes how I see the camera.
This class has taught me to witness better. So while I may have started in automatic mode, I leave this course with a deeper sensitivity to light, to motion, to depth (hello Exposure Triangle). I am still learning, of course... and perhaps that is the beginning of becoming not just a better photographer, but a better version of me.
And now...
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Above all, this course asked me to turn the camera inward.
To see beauty in myself. To explore my story and express the real me.
At the beginning of the course, I was still relying on auto but somewhere along the way, I stopped letting the camera decide everything. I started asking what I wanted the photo to say and how to make that happen.
This photo works so well as the overall photo that represents my journey because it's the first time I've done something like this, and that is, in itself, a success. It captured something I’ve been trying to express all this time, the movement, feeling, and a photo that finally tells a story.
This shot is messy in a way that I like. I'm a lover of noise. Of abberrations and haziness. Of values and tones. That's the artist in me speaking. But I can finally say I’ve learned to pay attention. Of the light. Of the composition. And the emotion. And through that, I’ve started to see myself more clearly too.
That's what I'm really thankful for.
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Thanks to everything we’ve done in this course, I realized that I actually want to keep pursuing photography more seriously.
Three goals I have in mind:
Own a photography studio (and combine it with my passion for makeup and fashion)
Astrophotography
Capture all mountains in the Philippines (the last two are more of hobby goals because I love nature)
And because I believe in manifestation, maybe 10 years from now I'll suddenly remember of this blog we did for a photography class. Maybe, I'll be in my own photography studio in the Metro, resting after my 50th mountain summit, and I'm a successful artist. Who knows? 😅
I hope that you had fun reading my end blog for this course as much as I had fun writing it. To end this blog, here's a poem I've cooked up just now.
some memories never leave.
you'll remember how it felt,
as the brain swears by what it sees,
and the eyes declares its biases.
but in the end, we become stories.
i've recorded my heart in the stars,
so when i look at the photograph,
the moment is alive again.