Example:
A poster with a large, bold title at the top creates emphasis. The viewer’s eye is drawn to the title first.
Balance: refers to how visual weight is distributed in a design. Visual weight can be attributed to size, color, texture, or shape.
There are three main types:
Symmetrical balance: Elements are mirrored on both sides of a central line (formal and orderly).
Asymmetrical balance: Elements differ but still create a balanced feeling (modern, dynamic).
Radial balance: Elements radiate outward from a central point (like a flower or mandala).
Example:
A website layout with a large image on one side and text on the other can still feel balanced even if the sides are not identical.
Common contrasts include:
Light vs. dark
Large vs. small
Smooth vs. rough
Bold vs. thin
Example:
White text on a dark background shows strong contrast and is easy to read.
Example:
Using the same font style and color for all headings in a brochure creates a cohesive look.
Example:
In a drawing of a person, the head should not be too large or too small compared to the body.
Movement can be created using:
Directional lines
Arrows
Color progression
Placement of elements
Example:
A magazine layout might lead the eye from the headline, to the image, to the body text through careful arrangement
Example:
Text aligned neatly in columns is easier to read than text placed randomly on the page.
Balance
Proportion
Movement
Emphasis
rhythm
unity