(Tentative! subject to change)
15-min presentation + 10-min Q&A
9:30-10:00 Breakfast
10:00-10:10 Opening
10:10-11:50 Music Analysis Model (Chair: Satoru Fukayama)
Hiroki Karatsu (AIST / Tokyo University of the Arts,Japan)
A Knowledge Tracing Model for Sight-Singing Based on Skill Decomposition and Multi-View Modeling
Ryoko Arita (The University of Tokyo, Japan)
SymphoMOS: Improved Singing MOS Prediction with Hybrid Speech and Music Self-Supervised Learning Models
Jun-You Wang (National Taiwan Normal University, Taiwan)
Learning Motif-centric Representations for Motive Discovery and Structure Similarity in Symbolic Music Data
Chih-Cheng Chang (Academia Sinica, Taiwan)
Discovering and Steering Musical Features from Neural Audio Codecs via Sparse Autoencoders
11:50-13:00 lunch break
13:00-14:40 Musical Performance (Chair: Masaki Matsubara)
Hsuan-Kai Kao (University of Tsukuba, Japan)
A Large-Scale Dataset for Street Dance Performance Evaluation
Karen Kurotaki (University of Tsukuba, Japan)
Exploring a Sense of Togetherness in Musical Ensemble Performance
Kai Hiraiwa (AIST, Japan)
Graphical interface for visualising changes in flute timbre whilst suppressing variations from pitch differences
Ting-Wei Lin (National Chung Hsing University, Taiwan)
An Automatic Music Performance Animation Generation System for Virtual Violin Performance
14:40-15:00 coffee break
15:00-15:50 15:00-16:15 Musical Performance / Signal Processing (Chair: Chih-Cheng Chang)
Yu-Fen Huang (National Taiwan University of the Arts, Taiwan)
AI-driven Cross-Model Mapping of Musical Cognition and Performance
Kengo Takemoto (The University of Tokyo / AIST, Japan)
Diffusion-Based Synthesis Parameter Estimation using Differentiable Digital Signal Processing Mixture Model
(spare slot)
15:50-16:20 16:15-16:30 coffee break
16:20-17:20 16:30-17:30 Long talk
Li Su (Academia Sinica, Taiwan)
Automatic music transcription: new scopes and approaches
18:30-20:30 social gathering
9:30-10:00 Breakfast
10:00-11:40 Music Generation Model (Chair: Shinji Sako)
Wei-Jaw Lee (National Taiwan University, Taiwan)
MPEcho: A Melody and Phoneme-Aware Generative Framework for Controllable Cover Song Generation
Shunsuke Yoshida (The University of Tokyo, Japan)
A Pilot Study on Batch Sampling Using Clustering in Text-to-Music Generation
Masahiro Shimizu (Nagoya Institute of Technology, Japan)
Automatic BGM generation using play scripts and directions
Chih-Pin Tan (National Taiwan University, Taiwan)
Cover Song Generation: From Symbolic Foundations to Audio-Domain Frontiers
11:40-13:00 lunch break
13:00-14:15 13:00-14:40 Music Modeling / Music Listening (Chair: Satoshi Tojo)
Takaaki Nagoshi (Nihon University, Japan)
Towards Development of Symbolic Music Foundation Model
Mana Morimoto (Nagoya Institute of Technology, Japan)
Improving Music Listening for People with Hearing Loss
Wei-Huai Chen (National Taiwan University, Taiwan)
Introducing a Unified Theory for Harmonic and Rhythmic Perception (HARP)
(spare slot)
14:15-14:40 14:40-15:00 coffee break
14:40-15:55 15:00-16:15 Musicology (Chair: Yu-Fen Huang)
Mequanent Argaw Muluneh (Academia Sinica, Taiwan)
Music Information Retrieval for Ethiopian Orthodox Liturgical Chant: Challenges and Opportunities
Ming Cheng (Academia Sinica, Taiwan)
Understanding the Localization of Production Practice A Cross-Modal Narrative of Post-War Taiwanese Popular Music
Satoshi Tojo (Asia University, Japan)
Composer's Dilemma
15:55-16:20 16:15-16:45 coffee break
16:20-17:20 16:45-17:45 panel discussion
Theme: How to strengthen Asian community of music informatics
Tetsuro Kitahara, Li Su, Satoru Fukayama, Yi-Hsuan Yang
17:20-17:30 17:45-18:00 Closing
(18:30-? Informal dinner)