Did you include:
A narrative and/or a linear structure set out in clear paragraphing.
Reflection on and discussion of travel as a concept, i.e. broadening our horizons/knowledge of the world, different cultures, places.
A reflective tone, or possibly a use of the present tense with pauses for reflection to give a sense of ‘as it happens’.
Commentary on the methods of travel, and reflection on the ideas behind travel to include revelations or commentary on self (and others’) perceptions, and similarities and differences in societies.
Semantic fields of travel – including the use of foreign names and places,
reported speech given in other languages.
Use of evocative language to convey the ‘sights, sounds and smells’ of a particular
location or locations, and the use of language that appeals to the senses
Use of highly descriptive language, extended use of adjectival structures, use of simile and metaphor.
Language used to engage the reader, including use of humour, rhetorical devices and direct address.
Use of comparative language, i.e. drawing comparisons and contrasts by setting more familiar places against less familiar ones, usually in reference to the writer’s own background, nationality and/or culture.
Use of intercultural referencing – similar to points of comparison above; reflecting on similarities and differences of the writer’s culture and the one they are travelling through.
Read the text 'Sea and Sardinia':
What is the overall tone/mood of the piece?
What are the features that characterise this text as a travelogue?
What is the intention of the text? How do you know? How successful is it in achieving this?
To what extent does the text incorporate spoken language features? What voice/personality is crafted?
How does the context influence the writer? How has the text been crafted to meet the expectations of the implied and assumed audience? Can you apply reception theory?
You can make this fictional, from a character perspective/voice, or non-fiction, giving a first-hand account of the place you are writing a travellogue for.
Remember to include:
Assured, accurate and highly effective language
Demonstrate an effective understanding of the stylistic features of the genre
Have a clear understanding of audience and mode
Write using an individual voice that clearly targets a specific audience and mode
Highly engaging content
Sophisticated selection of techniques