Embedded Files
Moe Satt, F 'n' F (Face and Fingers), 2008-2009.
Image Courtesy: Moe Satt.
Moe Satt, F 'n' F (Face and Fingers), 2008-2009.
Image Courtesy: Moe Satt.
Documentation of the Beyond Pressure International Performance Art Festival, 2014, Yangon.
Image Courtesy: Moe Satt.
Htein Lin, Soap Blocked, 1999/2015.
Image Courtesy: Asia Centre, Japan Foundation.
Please click on the image to go to its original website.
Moe Satt protesting as part of the Association of Myanmar Contemporary Artists, 22 Feb. 2021.
Image Courtesy: Instagram @moe_satt_bp.
Please click on the image to go to Moe Satt's Instagram page.
Htein Lin, Ponsan Tain, 2005
Image Courtesy: Asia Centre, Japan Foundation.
Please click on the image to go to its original website.
Po Po, Red Cube, 1986, oil on canvas, paper collage and gneiss, 218 x 154 x 50 cm. Collection of National Gallery Singapore.
Image courtesy: The artist and Yavuz Gallery.
Please click on the image to go to its original website.
Po Po, Homage to Buddha, 1998.
Image courtesy: The essay 'Po Po: Out of Institution' by Nathalie Johnston, COBO Social, 7 Nov.
Please click on the image to go to the original essay.
Po Po, Terrace, 2009-2010.
Image courtesy: The essay 'Po Po: Out of Institution' by Nathalie Johnston, COBO Social, 7 Nov.
Please click on the image to go to the original essay.
Emily Phyo, Being 365, 2016.
Image courtesy: Myanmar Art Revolution.
Please click on the image to go to its original website.
Kelin Long-Gaye & Dori Cohen, Artist in Exile: A Profile of Chaw Ei Thein, The Free Dimensional Project, 2012.
Please click on the image to watch the short documentary.
Richie Htet, I'm Not Trying to Seduce You, 2018.
Image courtesy: Myanmar Art Revolution.
Please click on the image to go to its original website.
Aung Myint, installation view from the exhibition Aung Myint: Drawings from Myanmar, 2002.
Image courtesy: Kentler International Drawing Space.
Please click on the image to go to its original website.
Aung Myint, World Series: Five Continents - Is the World Nearly Destroyed? , 2009.
Image courtesy: Yavuz Gallery, Singapore.
Please click on the image to go to its original website.
Aung Myint at the 2nd Asiatopia International Performance Art Festival, 1999.
Image courtesy: Facebook page of Asiatopia International Performance Art Festival.
Please click on the image to go to its original website.
Aye Ko, at the 20th Asiatopia International Performance Art Festival, 2018.
Image courtesy: Facebook page of Asiatopia International Performance Art Festival.
Please click on the image to go to its original website.
Moe Satt, 22 Feb. 2021.
Image Courtesy: Instagram @moe_satt_bp.
Please click on the image to go to Moe Satt's Instagram page.
Moe Satt, Hands Around Yangon, 2012.
Image Courtesy: Moe Satt.
Moe Satt, Hands Around Yangon, 2012.
Image Courtesy: Moe Satt.
Moe Satt, Five Questions to Society Where I Live, 2015.
Image Courtesy: Moe Satt.
Bruce Nauman, Human Sexual Experience, 1985.
Image courtesy: National Gallery of Art, USA.
Please click on the image to go to its original website.
Bruce Nauman, Fifteen Pairs of Hands, 1996.
Image courtesy: The essay 'Bruce Nauman’s ‘Fifteen Pairs of Hands’: Meaningful Gestures Up for Interpretation' by Victoria L. Valentine, Arts Observer, 9 Jan. 2012.
Please click on the image to go to the original essay.
Bruce Nauman, Untitled (Hand Circle), 1996.
Credit line:
ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
Copyright:
© Bruce Nauman / Artists Rights Society (ARS), New York and DACS, London 2018.
Please click on the image to go to its original website.
Bruce Nauman, Washing Hands, 1996.
Credit line:
ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
Copyright:
© Bruce Nauman / Artists Rights Society (ARS), New York and DACS, London 2018.
Bruce Nauman, For Beginners (all the combinations of the thumb and fingers), 2010.
Image courtesy: The essay 'Bruce Nauman’s Playing His Hand(s)' by Dorothy Spears, Huffington Post, 6 Dec. 2017.
Please click on the image to go to the original essay.
Lance Mungia, Six- String Samurai, Palm Pictures, 1998.
Please click on the image to watch the full film on the distributor's official YouTube channel.
Moe Satt, One Day, There will be no more Lion (25 Per:Cents), 2018.
Image Courtesy: Moe Satt.
Moe Satt, One Day, There will be no more Lion (25 Per:Cents), 2018.
Image Courtesy: Moe Satt.
Moe Satt, Bo/Kyar/Thanat (Captain/Tiger/Gun), 2018.
Image Courtesy: Moe Satt.
Images of protest art by Burmese artists online and on the streets of Myanmar.
Mg Pyi Thu, drawing featuring Remember, Remember the First of the February, 2021. Image courtesy: The article 'Myanmar coup: How citizens are protesting through art' by Yvette Tan, BBC News, 7 Feb. 2021. Please click on the image to go to the original article.
Graffiti on a streets in Yangon. Image courtesy: Moe Satt.
Moe Satt, Hands against Weapons, 13 Mar. 2021. Image courtesy: Instagram @moe_satt_bp. Please click on the image to go to Moe Satt's Instagram page.
Artwork displayed on the streets during the protests in Myanmar including portraits of Aung San Suu Kyi.
Image courtesy: The article 'How Myanmar's Creatives Are Fighting Military Rule with Art - Despite the Threat of a Draconian Cyber-Security Law' by Surin Hayes, TIME, 12 Feb. 2012. Photo: Ye Aung Thu - AFP/Getty Images
Please click on the image to go to the original article.
Generation Z Burmese using performance as protest against the coup.
Image courtesy: The article 'Myanmar's artists fight back after coup' in Deutsche Welle, 16 Feb. 2021. Adapted from the original German by Manasi Gopalakrishnan.
Please click on the image to go to the original article.
Moe Satt, 5 Feb. 2021.
Image Courtesy: Instagram @moe_satt_bp.
Please click on the image to go to Moe Satt's Instagram page.
The lyongi protest in Myanmar wherein citizens hang up women 's garments or lyongis to keep away the superstitious police and military personnel.
Courtesy: Image from 'Myanmar protesters string up women's clothes to slow down police.' in Hindustan Times, posted by Kunal Gaurav, 6 Mar. 2021.
Please click on the image to go to the original article.
Jamsheed Akrami, A CInema of Discontent, Jam-Hi Productions, 2013.
Please click on the image to watch the trailer on the distributor's official YouTube channel.
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