Embedded Files
Detail from Mithila Mural, Kathmandu Triennale 2077.
Bahadur Shah Baithak video tour.
Videography credit: Katha Haru
Bahadur Shah Baithak.mp4Nepal Art Council video tour.mp4Nepal Art Council video tour.
Videography credit: Katha Haru
Patan Museum video tour.
Videography credit: Katha Haru
Patan museum video tour.mp4Taragaon museum video tour.mp4Siddhartha Art Gallery video tour.
Videography credit: Katha Haru
Taragaon Museum video tour.
Videography credit: Katha Haru
Sidhartha art gallery video tour.mp4
Screenshot of Instagram page of the Nepal Pavilion at the Venice Biennale. Click through to access.
Image of catalogue of Nepal Art Now: Contemporary Nepalese Art, Weltmuseum Wien, 2019.
Click through to access the original website.
Installation view, Lain Singh Bangdel: Moon over Kathmandu, 2021.
Photo by Philip Hinge.
Courtesy of Yeh Art Gallery.
Click through to access the original website.
Pacita Abad, Torments of a Filipino overseas worker, 1995,
Acrylic, oil on stitched and padded canvas. Courtesy of the Pacita Abad Art Estate.
Aziz Hazara, Rehearsal, 2020, single-channel video, 1’ 5”.
Courtesy of the artist and Experimenter, Kolkata.
Ana Mendieta, Untitled: Silueta Series, video, 1978.
Courtesy of The Estate of Ana Mendieta Collection, LLC and Galerie Lelong & Co., New York.
Emma Kunz, Work No. 030, 1892-1963, Pencil, crayon, and oil crayon on brown scale paper (white with raster).
Courtesy of the Emma Kunz Foundation.
Jivarama, Leaves 1-3, on the reverse side of artist’s sketchbook, ink and water-based pigment on paper, Nevar Samvat 555 (CE 1435).
Mae Clark, The Emergence, textile, 1998-1999. Courtesy of the artist.
Indu Tharu, Documentation of the Tharu Movement which began in Kailali district in the Far West of Nepal, photograph, 2012.
Courtesy of the artist.
Mireille Delice, Catastrophe de 12 Janvier, sequins and beads on fabric, 2010.
Courtesy of the artist and Indigo Arts Gallery.
Citra Sasmita, Timur Merah Project II: The Harbor of Restless Spirits [detail].
Puran Khadka, from The Wholeness series, acrylic paint on canvas, 2015.
Simon Soon, Ocean of Wisdom from the Gendun Chopel Passion Project, animated poster [still], 2021. Courtesy of the artist. Accessed: https://www.instagram.com/tv/CWLUwveh-_h/?utm_source=ig_web_copy_link
Ashmina Ranjit, Hair Warp - Travel through Strand of Universe 6, charcoal and pastel on Lokta paper, 2000. Courtesy of the artist.
Chija Lama, Collection of rung nga (buti/amulets), woodcut block printed on rice paper.
Courtesy of the artist
Nikau Hindin,Te Whetu Rehua (Antares), 2021,
kōkōwai (red ochre) and ngārahu (soot pigment) on aute (paper mulberry).
Courtesy of the artist
Cian Dayrit, The Land Which Outlives, 2021, objects and embroidery on textile
Courtesy of the artist and Nome Gallery, Germany.
Olga Chernysheva, Anxiety, 2021, watercolour and pencil on paper.
Courtesy of the artist and Galerie Volker Diehl in Berlin.
Seema Sharma Shah, Krishna Leela, 2018, Unique print.
Courtesy of the artist.
Liliana Angulo, Hairballs, 2017. Hairdresser: Susana Preciado. Model: Ana Milena Ponce Hurtado. Location: Tumaco.
Courtesy of the artist
Anil Shahi, The Humming of the Chakravyuh, 2021, Oil on canvas.
Courtesy of the artist.
Subas Tamang, Golé Kaila, 2020,
woodcut print on lokta paper, superimposed on Koko Mhendo (Oroxylum indicum).
Courtesy of the artist, Kumudini Gurung Shrestha, and Prabal Gurung
Sheroanawe Hakihiiwe, Uwauwami/May Butterfly, 2019,
monotype on mulberry paper.
Courtesy of the artist and ABRA gallery.
Chet Kumari Chitrakar
Newa block print, 2021,
powder colour on Lokta paper.
Courtesy of the artist and Arttree Nepal.
Vvzela Kook, Columbus of Horticulture, 2019.
Single-channel video 4’50” with stereo sound and 3D-printed objects, glass dome, acrylic board, and tea tree seeds (Camellia sinensis).
Courtesy of the artist
Manjula Thakur
Hung Fai, Wild Grass XVI, 2019.
John Pule, Site of old myths, 1995.
Daniel Boyd, Untitled, 2017.
References:
James C. Scott, ‘The Art of Not Being Governed’, Yale University Press, 2010.
https://yalebooks.yale.edu/book/9780300169171/art-not-being-governed
Tom Brass, Scott's “Zomia,” or a Populist Postmodern History of Nowhere, Journal of Contemporary Asia, Vol 42, No. 1, pp. 123-133, February 2012.
https://www.tandfonline.com/doi/abs/10.1080/00472336.2012.634646?journalCode=rjoc20
Robert Marshall, ‘The dark legacy of Carlos Castaneda’, Salon, April 2007. https://www.salon.com/2007/04/12/castaneda/
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