Episode 12
Prabhakar Pachpute, installation view from Van Abbe Museum, 2013. Courtesy: Experimenter.
Prabhakar Pahchpute, Rattling Knot, 2020 and Close Observer, 2020, acrylic and charcoal pencil on canvas.
Courtesy the artist and Experimenter Gallery, Kolkata. Installation view: Artes Mundi 9. Photo credit: Stuart Whipps.
Please click through to view the artworks on the Artes Mundi 9 website.
Prabhakar Pahchpute, The March Against the Lie (1A) 2020, acrylic and charcoal pencil on canvas.
Courtesy the artist and Experimenter Gallery, Kolkata. Installation view: Artes Mundi 9. Photo credit: Stuart Whipps.
Please click through to view the artworks on the Artes Mundi 9 website.
Prabhakar Pahchpute, The March Against the Lie (1B), 2020, acrylic and charcoal pencil on canvas.
Courtesy the artist and Experimenter Gallery, Kolkata. Installation view: Artes Mundi 9. Photo credit: Stuart Whipps.
Please click through to view the artworks on the Artes Mundi 9 website.
Prabhakar Pachpute, installation views of Beneath The Palpable, 2020.
Image Courtesy: Experimenter.
Please click through the link to view more of the images on the gallery website.
Prabhakar Pachpute, Dark Clouds of the Future, 31st São Paulo Biennale, 2014.
Image Courtesy: Experimenter.
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Prabhakar Pachpute, Resilient Bodies in the Era of Resistance, 4th Kochi-Muziris Biennale, 2018.
Image Courtesy: Kochi Biennale Foundation.
Please click through to look at more photographs from the 2018 Kochi Biennale.
Prabhakar Pachpute, installation view ofWhat We Have Left is the Blue Water, 14th Istanbul Biennale, 2015.
Image Courtesy: Experimenter.
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Prabhakar Pachpute, exhibition view, 8th Asia Pacific Triennial, 2015.
Image Courtesy: Experimenter.
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Prabhakar Pachpute, exhibition view of no it wasn't a locust cloud, 2016, NGMA Mumbai.
Image Courtesy: Experimenter.
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Salvador Dalí, Figure and Drapery in a Landscape, 1934.
Image source: Wikiart.
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Yves Tanguey, Tomorrow, 1938.
Image source: Wikiart.
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Remedios Varo, Valley of the Moon, 1950.
Image source: Wikiart.
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Prabhakar Pachpute, Museum Menageries, oil on paper, 2020.
Courtesy the artist and Experimenter Gallery, Kolkata. Installation view: Artes Mundi 9. Photo credit: Stuart Whipps.
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Prabhakar Pachpute & Rupali Patil, The Act of Deception, 2017.
Image courtesy: Artefact Festival.
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Prabhakar Pachpute, Museum Menageries, 2020.
Image Courtesy: Anna McNay, Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happening in real life’, Studio International, 2 Feb. 2021.
Please click through the link to access the original article.
Prabhakar Pachpute, Death of Dharma, 2018.
Image courtesy: Experimenter via Ocula.
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Prabhakar Pachpute, installation view of Broken Varaha in progress, MCAD Manila, 2016. Courtesy: Twitter @MCAManila. Uploaded 28 Nov. 2016.
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Screening of films at the Jameel Arts Centre, Dubai.
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Kiona N. Smith, 'Probable Roman shipwrecks unearthed at a Serbian coal mine', Ars Technica, 9 April 2020.
Image courtesy: Ars Technica
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Prabhakar Pachpute, Canary in a Coalmine, 2012. Uploaded 4 Sept. 2013.
Courtesy: Clark House Bombay Youtube channel.
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Procession, 1999-2000. Set of 26 bronze figures, dimensions variable between 15 3/4 × 11 × 10 3/5 inches and 13 × 10 × 6 7/10 inches.
Courtesy of the artist
© William Kentridge.
Image source: Art21.
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Drawing for What Will Come (has already come) (Two Heads). Installation at Marian Goodman Gallery, New York. 2007. Charcoal on paper, cold rolled steel table and mirrored steel cylinder. Paper diameter: 47 1/4 inches, Cylinder higher: 11 1/2 inches, diameter: 6 1/2 inches, Overall: 41 1/4 × 48 × 48 inches.
Courtesy: Marian Goodman Gallery, New York.
© William Kentridge.
Image source: Art21.
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From I am not me, the horse is not mine (A Lifetime of Enthusiasm). 2008. Production stills, dimensions variable.
Photo by John Hodgkiss.
Courtesy of the artist
© William Kentridge.
Image source: Art21.
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Casspirs Full of Love. 1989-2000. Copper drypoint and engraving on Velin. Arches Crème paper65 3/4 × 37 inches.
Courtesy of the artist
© William Kentridge.
Image source: Art21.
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Drawing for WEIGHING…and WANTING, 1997, Charcoal, poster paint and pastel on paper, 47 1/4 × 63 inches.
Courtesy of the artist
© William Kentridge
Image source: Art21.
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From 9 Drawings for Projection (1989-2003): Felix in Exile, 1994, Production stills, dimensions variable.
Photo by John Hodgkiss.
Courtesy of the artist
© William Kentridge.
Image source: Art21.
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Workshop for The Nose, Johannesburg, 2008.
Courtesy of the artist
© William Kentridge.
Image source: Art21.
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William Kentridge, Mine, stop motion animation, 1991. Uploaded 22 June 2021.
Courtesy: Lillian Gray YouTube channel.
Please click to watch the film on the original YouTube channel.
Chris Drury, Carbon Sink, 2011. Uploaded 17 Nov. 2011.
Courtesy: Wyoming Videos YouTube channel via the Artworks for Change website.
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Sun Xun,
Above: Coal Spell, 2008.
Top right: Time Spy 07, 2016.
Bottom right: Mythological Time 17, 2017.
Images courtesy: ShanghART Gallery
Please click through the link to view more images and read about the artist on the gallery website.
Robert Smithson, Island of Coal, 1969.
Image courtesy: Wikiart.
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Left: Piotr Dumala, Franz Kafka, 1991. Uploaded 2008. Courtesy: shortanimatedworks.blogspot.com on Dailymotion. Please click through to view the video on the original Dailymotion channel.
Right: Dan Perjovschi, installation view of Project 85: Dan Perjovschi, 2007. Courtesy: MOMA. Image source: Jane Lombard Gallery. Please click through to access the original website and view more works.
Robin Rhode. Blackness blooms. Digital type-C print (a-h). 41.6 x 61.6 cm (each) (framed). Collection of the artist, Berlin and Lehmann Maupin, New York and Hong Kong. © Robin Rhode. Courtesy: The artist and Lehmann Maupin Gallery, New York and Hong Kong.
© All rights reserved. Robin Rhode, Australia 2013.
Image Source: Art.BASE
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Nalini Malani, Can You Hear Me? 2020. Uploaded 16 Dec. 2020.
Courtesy: Whitechapel Gallery YouTube channel.
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Jimmie Durham, “Head” (2006), wood, papier-mâché, hair, seashell, turquoise, metal tray, 10 x 16 x 16 in, Fondazione Morra Greco, Naples, Italy (courtesy of kurimanzutto, Mexico City).
Image courtesy: Sheila Regan, 'Jimmie Durham Retrospective Reignites Debate Over His Claim of Native Ancestry', Hyperallergic, 28 Jun. 2017.
Please click through the link to access the original article.
León Ferrari, Western and Christian Civilisation, 2008. Courtesy: São Paolo Biennale 2014.
Photo © mariefeliziani
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Anselm Kiefer, installation view of Anselm Kiefer, 2018. Courtesy: Galleria Lia Rumma.
Image source: Wall Street International
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Francis Alÿs, Paradox of Praxis 1 (Sometimes making something leads to nothing), 1997.
Courtesy: Francis Alÿs' Vimeo channel.
Please click to watch the film on the original Vimeo channel.
Francis Alÿs, The Silence of Ani, 2015, in collaboration with Antonio Fernández Ros, Julien Devaux, Félix Blume, and the teens of Kars.
Courtesy: Francis Alÿs' Vimeo channel.
Please click to watch the film on the original Vimeo channel.
References:
Manik 'Grace' Godghate, 'Ti Geli Tehva Rimjhim', Chandramaadhaviche Pradesh , 1977.
Lajja Shah, 'The Wall Street Journal', ART India, pp. 87-89, Vol. 20, Issue 3, 2017.
Ana Bilbao, 'Mining Colombian contemporary art: histories, scales and techniques of gold extraction', Burlington Contemporary, May 2019.
Kathryn Yusoff, 'Mine as Paradigm', e-flux, June 2021.