He teaches, dances and presents choreographies in the independent scene of Buenos Aires and Berlin.
He is a Master of Arts in Solo / Dance / Authorship (SoDA) studied at the Inter-University Center of Dance of Berlin (HZT-Berlin) and Bachelor of Choreographic Composition specialized in Body Expression by the National University of Arts (UNA).
He is author and performer of “Machine of Grace”, premiered at Uferstudios-Berlin (2017); “The Samuelhsons”, a group improvisation work co-directed with Natalia Tencer (2016); “We are going to waste it all including victories” (2014) , and choreographer of “Le Chain” presented in Berlin and Buenos Aires (2018).
He studied theory of dance, contemporary dance techniques and contemporary stage creation. He participated as a performer in “The Show Must Go On” by Jérôme Bel (2008), “Project in Buenos Aires” by Xavier Le Roy and Mårten Spångberg (2009), “Around the table” by Loïc Touzé (FIBA, 2013) and “Workshop” by Marina Abramovic (BP15) and “Primitive Futures” of Luis Garay (2015), also in creative processes and as a performer of the “SI” works of Eugenia Estévez (2009), “Babel Piraña” by Guillermo Angelelli (2010), “We will bury the costumes of the party” Silvina Duna, among others. For seven years, he joined the team of the Research Institute of the Motion Arts Department led by Susana Tambutti (2007-2014) where he edited four books and collaborated in the organization of Research Days that included important figures such as Rebecca Schneider, Hans-Thies Lehmann, Gerald Sigmund, Tim Etchells, André Lepecki, Jose Antonio Sanchez, Richard Maxwell and others.
Three years ago, coinciding with his change of residence from Buenos Aires to Berlin, he developed more exclusively his own investigative lines, exploring for scenic purposes the feelings, the writing, the sculptural elaboration of objects, the somatic techniques and the use of the voice. His latest creations are based on concepts borrowed from Object Oriented Ontology, posthuman and cyborg theory, sex-positive and post-porn practices, and influenced by contemporary visual arts.
He has trained and taken workshops and seminars with more than 70 international teachers in the country and abroad, dance, improvisation, composition, in addition to Feldenkrais and Alexander Method in their respective official formations, tantra, acting, singing, theory of art and philosophy, among others. Some teachers who have influenced their practices are Vera Mantero, João Fiadeiro, Benoît Lachambre, Eugenia Estévez, Guillermo Cacace, Guillermo Angelelli, Matthieu Perpoint and Agustina Sario.