Recording audio is not a strong suit of mine, as I’ve recently learned how to record better audio through this course. But what I’m certain of is how much I want to learn more about audio recording and mixing, which nudged me to invest a little bit in the equipment I’ll be using, where I’ve recently bought my first-ever microphone and in-ear monitor (IEM) [which I’ll be talking about on the Logistics part of this page]. As I was saying, I had so much fun with my microphone, where I’ve tried various things like speaking and listening to the audio produced, then recording myself talking and singing. This gave me an idea of “what-if” self-projects to do, which is mostly about composing an original song or producing audio stories. As I was torn what to do between the two, I want to identify what I want to do and its purpose. What is audio for me?
Audio is something that we encounter every day — from the ring of our phone alarms, the sizzling of a freshly cooked breakfast, and the sound of nature that welcomes a new day ahead of us. Decoding audio enables us to understand discussions and conversations we have with others or even feel certain emotions depending on the sounds we hear (soft/loud, calming/irritating, etc.) or the music we listen to. Audio has that kind of power to make us feel certain emotions or even help us understand what is happening around us. Which is why I’ve got this thought: what if we capture moments in life using audio? And what is a better way to capture real life than telling a story, but in this case, creating an audio story!
Writing stories is something I’m fond of doing, whether for a course project, a self-project I’m doing in my free time, or something that just comes to my mind like a “eureka moment.” Some of my draft stories turn into short comics or even long-term comic projects that I’m planning to publish in the future (I hope so, haha). But what if I try to translate these stories into an audio format? As someone who likes to listen to podcasts and audio stories like “Kwentong Takipsilim (Pinoy Tagalog Horror Story)” and “Barangay Love Stories,” which dramatize and narrate true stories or fictional ones, making it seem like it's happening and being “experienced” through their descriptive way of storytelling to their audience. It would be nice to explore other ways to express the stories that I’ve written or am currently writing that can help me grow in writing and the audio recording/mixing aspects.
“The World I See in You” (Short Comic)
A short comic about breaking diversity through using multimedia and technology.
“Soul-Less” (Short Animation Project)
A short 2D animation that tackles the feeling of burnout that can make a person feel numb – much like a body with a “dead” soul or being "soul-less".
We can see how some of my short stories turned to other multimedia formats like comics and animation, which is why I wanted to try the possibility of making my story into audio. Recording audio is not my field of expertise, which is why I’m still trying to practice recording myself talking as well as recording other ambient sounds that might be helpful in making my audio story feel “alive” and realistic!
Since I’m planning to write an original story for this project, it would give me some leeway to adjust the audio that will be used for the project (if needed). The stories that I’m currently drafting are about sleep paralysis, stories about the dangers of the night, or the feeling of sleeplessness/insomnia that causes paranoia. These are some topics that I’m currently considering writing about, but also keeping in mind the audio that I might be using for the project.
For the audio that I will be recording, I'll be the one who will voice the narrations and dialogue made by the main character of the story. For the other characters, I'll try to minimize the number of characters and their dialogues so that it will be easier to ask my siblings for help on recording their voices for the project. Currently, I'm still debating over the background music as I want it to set an eerie mood if I proceed with a horror/thriller type of audio story. I'm planning to use some apps like My Piano Phone (digital piano), Real Guitar (digital guitar), and Remixlive (digital soundboard), as my keyboard broke recently, while the other digital instruments can help me produce background music that suits the audio story. As for the ambient sounds, I'm currently searching online for tutorials on how to recreate horror sound effects at home (like this video, but I'll be finding some feasible materials that can recreate the sounds I need). But some ambient sounds like water splashing/flowing/dropping, footsteps, knocking on the door, and other furniture creaking are feasible to do!
As for the story writing, I’ve recently been into the horror and thriller genre, which I wanted to try out, considering the topic of the drafts I’m currently writing. I’m leaning more towards the story about sleeplessness or insomnia since I’ve been often staying up all night recently, and it inspired me to create something from this experience of being “afraid of the night,” where unpredictable things may happen. Since I’m currently crashing on my sibling’s condo unit, the dark hallways, the balcony, the peephole, and the sounds you can hear through the other units or neighbors are something that are normally experienced in this type of setting. I wanted to give these things a twist and dramatize them into something more, which is to instill the feeling of inability to sleep at night due to the “scary” things that may happen in the dead of the night. Some inspirations that made me want to do this audio story are the Webtoon comic “The Guy Upstairs,” the recent Korean movie “Wall-to-Wall,” and my recent favorite Korean drama “Strangers From Hell,” which captured that certain feeling of being cautious and paranoid about the uncertain and unfamiliar things we observe in our surroundings that we think are dangerous or alarming. Anyway, since I’ll be doing this project mostly by myself, I can adjust some of the schedules that I’ve plotted in my timetable, but hopefully I’ll be able to follow it!
Submission Deadline: September 3
I’ve been recording my works (whether audio or video) in our shared room with my sister, where I tried to reorganize the placement of my study table and make some furniture placement adjustments for better audio recording results. My desk used to have the parallel walls behind it, which is not good as it may contribute to more echo bouncing off its hard surface. As such, I tried to rotate my desk away from the wall and then cover the window behind me with a blackout curtain (that is a thick cloth) to help absorb sounds, as it's a fibrous material that can reduce some echoes and reflections compared to hard surfaces like walls. I’ve also added some stuffed toys around my workstation, which may help a little in absorbing sound waves (but not as effectively as acoustic panels, of course). I’ve also added some hanging clothes behind where my laptop and microphone stands to reduce hard surfaces bouncing off the sounds when recording.
Study Table
This is the current setup of my study table, where my laptop and microphone will be placed when recording my audio. Since my microphone has a cardioid polar pattern, I opt to place the microphone facing behind possible noise that can be captured (such as electric fan noise) when recording. I’ve also added some stuffed toys as well as hung clothes (my tank tops in this pic) that cover the microphone and an electric fan to reduce unnecessary noise captured by the microphone.
Where the Microphone Faces
This is the back part of the desk where the microphone faces the thick blackout curtain behind me when I’ll be talking and recording using the mic. Behind the blackout curtain is another curtain for the window behind it that is usually noise-free and some ambient sound (like birds chirping) that can seldom be heard.
Whole Room
Lastly, here’s the whole room where my setup is located. As you can see, there are curtains, clothes, and other fibrous materials surrounding the setup to help with sound absorption. Some furniture, like the bed, can’t be moved, as well as the cabinets. I’m still thinking about covering the cabinet with a blanket when I’m recording, but not yet decided how the setup will go or if the hassle can contribute to a more treated setup.
Recently, I’ve been contemplating whether my equipment is enough to enjoy the MMS 172 experience. And the answer is, NO. I used to record my audio using a non-branded earphone that I bought somewhere for 250php, and you can imagine how much it conditioned me over the years to think that this earphone is enough for my audio recording on my projects. But after starting this course, I realized how much the quality of an audio recording can be improved by having a proper setup and tools, which nudged me to reward myself with a microphone and IEM by using some of my savings! I didn’t choose to buy a high-end one as I’m still unsure whether if I will need it in the future, which is why I opted to get budget-friendly and still get the work done equipment for this course.
Maono PD100X: USB/XLR Dynamic Microphone
This microphone has USB and XLR connectors, which can be connected to a laptop or even an interface. This type of microphone has a cardioid polar pattern where the highest sensitivity will be sounds coming directly from the microphone (0°) while no sensitivity for sounds coming directly behind (180°) while there is reduced sensitivity to sounds coming from the sides (90º/270º) which is perfect for my setup as it is not that suitable for recording or do not have the qualities to reject background noise.
Cardioid polar pattern
40Hz-16kHz frequency response
24-bit/48kHz sample rate
Mute button
Gain Knob
RGB Lighting (which is cool to have for aesthetic purposes haha)
QKZ AK6 Pro (IEM)
Since the earphones that I used to have are “ancient” in terms of quality and specs they provide, I wanted to get a new pair that is within budget but also of good quality. I tried to search online and read some Reddit posts about the earphones that they bought during sales, and I ended up with QKZ AK6 Pro IEM! Below are the specs of the IEM:
11mm dynamic driver,
frequency response range: 20Hz-20kHz,
impedance of 16Ω
sensitivity: 98dB
System Used | Laptop: HP Victus
Processor: AMD Ryzen 5 5600H with Radeon Graphics, 3.30 GHz
Installed RAM: 16.0 GB
System Type: 64-bit operating system, x64-based processor
Display: AMD Radeon(TM) Graphics
Display Type: 1920 x 1080, 144 Hz | Display Resolution
Digital Audio Workstation
For the software, I will be using Audacity since it's free and available for Windows. I’m still new to the software and still trying to explore its tools and functions to know my limitations and things that are possible to do for this project.
Vocals such as narration and dialogues of characters in the story will be recorded separately with the background sounds and effects.
Audio will be recorded using Maono PD100X: USB/XLR Dynamic Microphone on the described setup for better audio recording quality.
Recorded audio will be saved in the HP Victus laptop for tagging purposes as well as editing.
The audio recorded will be pieced together and edited using Audacity and other DAW software to process, mix, master, and polish the audio.
The edited and finished product will be saved on the laptop.
Listen to the audio recorded and check whether there are parts that need to be retaken or edited again.
Upload to online media platforms, mainly, YouTube and my art portfolio, where all of my written works are adapted to short comics or animation!
Listen to the audio story uploaded using earphones or speakers.
Audio will then be heard by the audience. Enjoy the audio story!
I’m really thrilled but also anxious about how this project will turn out since it’s a new territory for me, and I’m not quite an expert when it comes to dealing with audio. But still, I’m aiming to create a decent to good quality audio story despite possible challenges in recording, such as recreating ambient sounds, preventing unnecessary sounds to be capture while recording, narrating and talking to the microphone, and other things to record that can help capture the certain mood and tone that I want the audio story to have. I’m still practicing using the Audacity software as well as how I talk to the microphone to express certain emotions since it’s important with audio stories, as it can help the audience be immersed and understand what the characters in the story are currently experiencing or feeling. At the end of this project, I’m looking forward to learn more about how I can translate my stories into something more than just text, but also understand how audio can be used to tell stories in ways we can’t imagine!