[1] A. Chaigne, Reconstruction of hammer force from string velocity, J. Acoust. Soc. Am., Vol. 140(5), 3504-3517, November 2016.

[2] A. Chaigne, J. Chabassier, M. Duruflé, Energy analysis of structural changes in pianos, Proceedings of the Third Vienna Talk on Music Acoustics, pp. 189-196, Vienna, Austria, September 2015.

[3] A. Chaigne, Acoustics of pianos: a historical perspective, Plenary paper 68, ISMRA 2016, pp 1-8, La Plata, Argentina, September 2016.

[4] A. Chaigne, Acoustics of pianos: an update of recent results, Plenary paper, ISMA2017, Montreal, June 2017.

[5] A. Chaigne, M. Hennet, J. Chabassier, M. Duruflé, Comparison between three different Viennese pianos of the nineteenth century, Proceedings of ICA2016, Buenos Aires, Argentina, paper 25, September 2016.

[6] J. J. Tan, A. Chaigne, A. Acri, Contribution of the vibration of various piano components in the resulting piano sound, Proceedings of ICA2016, Buenos Aires, Argentina, paper 171, September 2016.

[7] A. Osses Vecchi, A. Chaigne, A. Kohlrausch, Assessing the acoustic similarity of different pianos using an instrument-in-noise test, Proceedings of ISMRA2016, paper 9, La Plata, Argentina, September 2016.

[8] A. Chaigne and G. Hecher, Measurements on historic pianos, Proceedings of Vienna Talk 2015, p. 155, September 2015 (Abstract).

[9] A. Osses, A. Chaigne, A. Kohlrausch, Meten van Klankverschillen in Klassieke Piano's, Nederlands Tijdschrift voor Natuurkunde, Vol. 87(7), pp. 254-257, Juli 2017.

[10] A. Chaigne, The making of pianos: a historical view , Musique et technique, Vol. 8, p. 10-21, septembre 2017.

[11] P. Donhauser, A. Langer, Streicher: Drei GenerationenKlavierbau in Wien, Verlag Dohr Köln, 2014, ISBN-10: 3868461027.

[12] J. Chabassier, M. Duruflé, P. Joly, Time domain simulation of a piano. Part 2: Numerical aspects. ESAIM: Mathematical Modeling and Numerical Analysis, Vol. 50(1), pp. 93-133, 2014. doi: 10.1051/m2an/2015007.

[13] J. Chabassier, A. Chaigne, P. Joly, Modeling and simulation of a grand piano, J. Acoust. Soc. Am., Vol. 134(1), pp. 648-665, 2013. doi: 10.1121/1.4809649.

[14] J. Chabassier, A. Chaigne, P. Joly, Time domain simulation of a piano. Part 1: model description. ESAIM: Mathematical Modeling and Numerical Analysis, Vol. 48(5), pp. 1241-1278, 2014. doi: 10.1051/m2an/2013136.

[15] J. J. Tan, C. Touzé, and B. Cotté. Double polarisation in nonlinear vibrating piano strings. Proceedings of the Third Vienna Talk on Music Acoustics, pp. 182–187, Vienna, Austria, 2015. urn:nbn:at:at-ubmw-20151022112906940-1443432-4.

[16] Harold A. Conklin. Design and tone in the mechanoacoustic piano. Part II. Piano structure. J. Acoust. Soc. Am., 100(2):695–708, 1996. doi: 10.1121/1.416233.

[17] A. Chaigne, B. Cotté, and R. Viggiano. Dynamical properties of piano soundboards. J. Acoust. Soc. Am., 133(4):2456–2466, 2013. doi: 10.1121/1.4794387.

[18] A. Chaigne, J. Kergomard, Acoustics of musical instruments, 844 pages, Springer-Verlag, New York, ISBN 978-1-4939-3679-3, doi:10.1007/978-1-4939-3679-3.

[19] S. Birkett, Experimental investigation of the piano hammer-string interaction, J. Acoust. Soc. Am 133(4): 2467:2478, 2013. doi:10.1121/1.4792357.

[20] A. Chaigne, J. Chabassier and N. Burban, Acoustics of pianos: physical modeling, simulations and experiments, Proceedings of the Stockholm Musical Acoustics Conference (SMAC 2013), Stockholm, 2013.

[21] M. Latcham, The check in some early pianos and the development of piano technique around the turn of the 18th Century, Early Music, 21(1), pp. 28-38+41-42, February 1993.