This Section holds Dresses and coats for weddings and other special events.
Dress
Catalogue No. 1972.012.08
Owned by Louise Osborne
1870 (19th Century)
Outer layer: Gold silk with braided lace trim
Inner layer: white cotton weaved satin (top) and brown glazed muslin (simply weaved fabric) lined with buckram (stiff fabric)
This gold silk dress from the 19th century belonged to Louise L. Ober Osborne, graduate of Mount Holyoke College and wife of businessman and veteran, Rockwell Osborne. This style of dress was a very classic look during the 1870s with the cinched waist and the fabric of the skirt of the dress being pulled to the back. The layers of the dress and the braided lace called bobbin lace were also key elements to 19th century dresses by creating designs that made the dress stand out. However, there is minimal lace detail on this dress to keep the focus on the golden silk fabric of the dress. Louise most likely would have worn this as a going away dress or as a wedding dress to her marriage to Rockwell on August 17th, 1870, creating this idea that this dress was made for very special occasions.
Pink Silk Baby Jacket
Marilyn Wood
1931
Silk
2018.053.04
This pink silk baby jacket would have been worn to celebratory events such as holiday celebrations, birthday parties, and religious celebrations. This specific baby jacket was worn by Marilyn (Bruha) Wood as a child in 1931. In 1931 silk was a rather expensive material to use so a silk baby jacket is very rare.
Dress, Wedding
Mary Dalton Jenks (Worn By)
1857
Silk Taffeta
1983.007.04
A unique wedding dress worn by Mary Dalton Jenks to marry Captain John Jenks. Sadly, she was widowed and went on to marry Thomas P. Benton a La Crosse Businessman. White wedding dresses became popular in the 19th century after Queen Victoria wore a white wedding dress to her wedding with Prince Albert. These white wedding dresses were seen as a status symbol as they reflected both wealth and purity. The wedding dress shown here didn't follow this blooming trend of a white wedding dress.
Blazer "Tsho poj niam"
Catalogue No. 2015.014.044
Hmong
Hand-stitched dark purple fabric with purple, green, pink, orange, light blue, yellow, and white beadwork
This blazer or "tsho poj niam" in Hmong was one of the many textiles and clothing pieces Betty Weeth, one of the most populat volunteers for the Frienship Program of La Crosse (1988-1998). This program strived to help the Hmong families and individuals that escaped persecution after the United States lost the Vietnam War. This piece was created by the hands of someone who finally found asylum from a horrifying genocide and gave this as a gift to someone who had helped them take the first step into settling down in a completely new place. This object symbolizes the special occassion of renewal and hope.
Hmong in Traditional Clothing for the Hmong New Year (Early 1990s)
Thank you for joining us through a walk through history!
Morgan Ellingson, Anna Kral, Carson Kreger, Ilariah McAnally