The trailer for my first book, which explores J.G. Ballard’s The Atrocity Exhibition through the lens of Eugène Minkowski’s phenomenology of psychopathology (1933), and discusses how Ballard’s protagonists inhabit a media-saturated reality that erodes interpersonal connection. Engaging with media theorists such as Paul Virilio (1995), Günther Anders (1956), and Jean Baudrillard (1986), the study examines Ballard’s depiction of sensory reality displaced by its virtual counterpart. It also interrogates the political consequences of this pathological media-audience relationship, focusing on Ballard’s representations of John F. Kennedy’s assassination and Ronald Reagan’s election—events that mark the ascendancy of the media image over politics.
Critical Reception
Italian Science Fiction (2019) and Ideologia e Rappresentazione (2020)
[On Italian Science Fiction] “This is a groundbreaking book that names the right names and mirrors in its discontinuous structure the discontinuity of Italian sf itself, a literature (in its widest sense) whose history must necessarily be non-linear and fractured.” —Umberto Rossi, Science Fiction Studies 47.1 (2020): 120-125.
“The strength of Brioni and Comberiati’s work is that it clarifies how the genre of science fiction is rooted in Italian culture, particularly in Italian cinema and literature. [...] their analysis presents an in-depth reading of how Italian science fiction is deeply connected to identity politics, and therefore reflects the historical and political changes that Italy endured as a nation.” Elisabetta Carraro, Quaderni d'italianistica 40. 2 (2019): 191-193.
“Italian Science Fiction segna [...] un punto importante negli studi internazionali sulla fantascienza, non solo nostrana. [...] il fatto che il genere in questi anni non viva la sua epoca più fulgida sembra anche aver raffreddato un po’ la voglia degli accademici di riaprirne i confini teorici e ristudiarne le configurazioni estetiche.
Magari questo volume potrebbe offrire una salutare scossa.” —Roy Menarini, Studi Culturali 1 (2020): 125-129.
“Simone Brioni e Daniele Comberiati aggiungono una tappa significativa al percorso, ancora in divenire, di precisazione critica intorno alla fantascienza italiana. Accostando alla ricostruzione diacronica la disamina teorico-tematica per singole linee interpretative, i due studiosi discutono una diversificata fenomenologia e si inseriscono appieno nel clima di riscoperta critica del fantascientifico italiano.”— Carlotta Vacchelli, Simultanea 1.1. (2020). Online.
“Questi due volumi hanno il merito di offrire interpretazioni originali di opere poco studiate e di non trattare la fantascienza come un genere isolato dal resto del panorama artistico italiano. […] Si spera che questi volumi, così ricchi di spunti di riflessione, possano indurre altri ad avventurarsi in questi spazi ancora così poco esplorati.” —Elio Baldi, Annali d’Italianistica 1 (2020): 530-531.
“Suggerendo direzioni plurime per l’ampliamento degli studi sul fantascientifico, il libro di Brioni e Comberiati rilancia ancora una volta l’importanza di un genere spesso considerato minore, sottolineandone la crucialità per la comprensione della cultura italiana contemporanea.” —Alessandra Giro, Narrativa 42 (2021). Online
“Brioni and Comberiati’s text is of great interest to both the scholar and the general reader who has more than a passing interest in Italian history and culture, postcolonial studies, and the effective use of science fiction to explore and uncover the important social and political issues to yield insights. […] The book itself is well-grounded in postcolonial theory and by the end readers have seen, as promised, just who “The Other” is via the prism of one nation’s contemporary science fiction and are well-equipped to apply what was learned to other subjects. The authors have provided a sound template to anyone who might do a similar study featuring sf works from another country or region on a particular topic, and they offer up to the scholar suggestions of authors and works for study and possible future translation.” —Sean Memolo, Science Fiction Research Association Review 51.3 (2021): 278-281.
[On Ideologia e rappresentazione] “each chapter manages to rediscover some old and/or forgotten Italian sf novel, film, graphic narrative, or TV series deserving renewed attention and research; the authors connect it in unexpected ways to more recent and famous parts of the Italian sf canon. We are in a pioneering phase of sf studies and the Italian scene. This book, […] is a pathfinder, tracing promising inroads for future research and younger scholars” —Umberto Rossi, Extrapolations 62.3 (2021): 230-234.
[On Ideologia e rappresentazione] “Ideologia e rappresentazione de Brioni et Comberiati offre donc un point de vue innovant qui, en démontrant comment la science-fiction aborde des sujets fondamentaux liés à notre culture contemporaine, permet de réfléchir sur l’histoire italienne, son actualité et la construction de son identité nationale.” —Anna Chiara Palladino, Italies 25 (2021): 422-423.
Books
Simone Brioni and Daniele Comberiati. Ideologia e rappresentazione. Percorsi attraverso la fantascienza italiana. (Milano: Mimesis, 2020).
Simone Brioni and Daniele Comberiati. Italian Science Fiction: The Other in Literature and Film. (New York: Palgrave McMillan, 2019).
Il futuro quotidiano: Saggi su James Graham Ballard (Siena: Prospettiva, 2011). Book Review.
Journal Articles
“La Fantascienza Italiana dalla prospettiva degli studi sulla traduzione e postcoloniali”, trans. By Daniele Comberiati, Narrativa 43 (2021), pp. 19-29.
‘Fantahistorical vs. Fantafascist Epic: “Contemporary” Alternative Italian Colonial Histories’. Science Fiction Studies, 42.1 (2015), pp. 305-321.
Chapters in Books
“L’epopea fantastorica italiana di Enrico Brizzi e la ‘contemporaneità’ del passato coloniale”, in Attraversamenti culturali: Cinema, letteratura, musica e arti visuali nell’Italia contemporanea, trans.by Silvia Camilotti, ed. by Fulvio Santo Orsitto e Simona Wright (Firenze: Cesati 2017), pp. 131-144.
Interviews