BORDER STORIES, LIVING ON THE HYPHEN

187 Reasons Mexicanos Can't Cross The Border

Breaking news: Juan Felipe Herrera Receives PEN West Poetry Award and the PEN Oakland National Literary Award for 2008! For his collection of verse spanning over three decades, 187 Reasons Mexicanos Can't Cross the Border, Juan Felipe Herrera has been awarded this year's PEN West award for outstanding poetry. City Lights congratulates the "wildly inventive" (New York Times) Juan Felipe Herrera's writings are charged with theatrical and athletic energies. A hybrid collection of texts written and performed on the road, gathered from more than thirty-five years of work in various genres, these "undocuments" are the record of an epic journey across many different borders: boundaries of nations, state lines, city limits, edges of farmland, crossings and mixtures of languages and literary forms. From Mexico City to San Francisco, from Central America to central California, Herrera remembers everything and gives back to his native places and to the family, friends and compañeros of his Mexican/American/Chicano odyssey a scrapbook, a logbook, a journal, a multiform confession of proud hybridity and indigenous optimism. A sustained manifesto of resistance and affirmation, these rants, manifestos, newspaper cut-ups, bits of street theatre, anti-lectures, love poems and riffs tell the story of what it's like to live outlaw and brown in the United States. Illustrated throughout with photos and artwork.

Almost a Woman

Following the enchanting story recounted in When I Was Puerto Rican of the author’s emergence from the barrios of Brooklyn to the prestigious Performing Arts High School in Manhattan, Esmeralda Santiago delivers the tale of her young adulthood, where she continually strives to find a balance between becoming American and staying Puerto Rican. While translating for her mother Mami at the welfare office in the morning, starring as Cleopatra at New York’s prestigious Performing Arts High School in the afternoons, and dancing salsa all night, she begins to defy her mother’s protective rules, only to find that independence brings new dangers and dilemmas.

Border Visions

The U.S.-Mexico border region is home to anthropologist Carlos Vélez-Ibáñez. Into these pages he pours nearly half a century of searching and finding answers to the Mexican experience in the southwestern United States. He describes and analyzes the process, as generation upon generation of Mexicans moved north and attempted to create an identity or sense of cultural space and place. In today’s border fences he also sees barriers to how Mexicans understand themselves and how they are fundamentally understood. From prehistory to the present, Vélez-Ibáñez traces the intense bumping among Native Americans, Spaniards, and Mexicans, as Mesoamerican populations and ideas moved northward. He demonstrates how cultural glue is constantly replenished by strengthening family ties that reach across both sides of the border. The author describes ways in which Mexicans have resisted and accommodated the dominant culture by creating communities and by forming labor unions, voluntary associations, and cultural movements. He analyzes the distribution of sadness, or overrepresentation of Mexicans in poverty, crime, illness, and war, and shows how that sadness is balanced by creative expressions of literature and art, especially mural art, in the ongoing search for space and place. Here is a book for the nineties and beyond, a book that relates to NAFTA, to complex questions of immigration, and to the expanding population of Mexicans in the U.S.-Mexico border region and other parts of the country. An important new volume for social science, humanities, and Latin American scholars, Border Visions will also attract general readers for its robust narrative and autobiographical edge. For all readers, the book points to new ways of seeing borders, whether they are visible walls of brick and stone or less visible, infinitely more powerful barriers of the mind.

Borderwall as Architecture

Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.

By the Lake of Sleeping Children

By the Lake of Sleeping Children explores the post-NAFTA and Proposition 187 border purgatory of garbage pickers and dump dwellers, gawking tourists,and relief workers, fearsome coyotes and their desperate clientele. In sixteen indelible portraits, Urrea illuminates the horrors and the simple joys of people trapped between the two worlds of Mexico and the United States - and ignored by both. The result is a startling and memorable work of first-person reportage.

Canícula

Winner of the Premio Aztlán Literary Prize Canícula, 'the dog days,' a particularly intense part of the summer when most cotton is harvested in South Texas. In Norma Cantú’s fictionalized memoir of Laredo in the 1940s, 1950s, and early 1960s, it also represents a time between childhood and a still-unknown adulthood. Snapshots and the author's re-created memories allow readers to experience the pivotal events of this world's births, deaths, injuries, fiestas, and rites of passage. In celebration of the twentieth anniversary of the original publication, this updated edition includes newly written pieces as well as never-before-published images culled from hundreds of the author's family photos adding further depth and insight into this unique contribution to Chicana literature.

Corridos in Migrant Memory

Corridos are ballads particular to Mexican traditions that are used to analyze or recall a particular political, cultural, and natural event important to the communities where they are performed. As part of the cultural memory, many of the most popular corridos express the immigrant experience: exploitation, surveillance, and dehumanization stemming from racism and classism of the host country. The corrido helps Mexican immigrants in the United States to humanize, dignify, and make sense of their transnational experiences as racial minorities. Corridos in Migrant Memory examines the role of corridos in shaping the cultural memories and identities of transnational Mexican groups. These narrative songs, dating from the earliest colonial times, recount the historical circumstances surrounding a model protagonist whose history embodies the everyday experiences and values of the community. The everyday experiences and cultural expressions of Mexican-Americans and Mexican immigrants have not found their way into textbooks in Mexico or in the United States. Martha Chew Sánchez's study provides a foundation upon which to build an understanding of the corrido.

Desert America

A brilliantly illuminating portrait of the twenty-first-century West—a book as vast, diverse, and unexpected as the land and the people, from one of our foremost chroniclers of migrationThe economic boom—and the devastation left in its wake—has been writ nowhere as large as on the West, the most iconic of American landscapes. Over the last decade the West has undergone a political and demographic upheaval comparable only to the opening of the frontier. Now, in Desert America, a work of powerful reportage and memoir, Rubén Martínez, acclaimed author of Crossing Over, evokes a new world of extremes: outrageous wealth and devastating poverty, sublime beauty and ecological ruin. In northern New Mexico, an epidemic of drug addiction flourishes in the shadow of some of the country's richest zip codes; in Joshua Tree, California, gentrification displaces people and history. In Marfa, Texas, an exclusive enclave triggers a race war near the banks of the Rio Grande. And on the Tohono O'odham reservation, Native Americans hunt down Mexican migrants crossing the most desolate stretch of the border. With each desert story, Martínez explores his own encounter with the West and his love for this most contested region. In the process, he reveals that the great frontier is now a harbinger of the vast disparities that are redefining the very idea of America.

Dying to Cross

On May 14, 2003, a familiar risk-filled journey, taken by hopeful Mexican immigrants attempting to illegally cross into the United States, took a tragic turn. Inside a sweltering truck abandoned in Texas, authorities found at least 74 people packed into a "human heap of desperation." After months of investigation, a 25-year-old Honduran-born woman named Karla Chavez was found responsible for leading the human trafficking cell that led to this grisly tragedy in which 19 people died.Through interviews with survivors who had the courage to share their stories and conversations with the victims' families, and in examining the political implications of the incident for both U.S. and Mexican immigration policies, Jorge Ramos tells the story of one of the most heartbreaking episodes of our nation's turbulent history of immigration.

Enrique's Journey

An astonishing story that puts a human face on the ongoing debate about immigration reform in the United States, now updated with a new Epilogue and Afterword, photos of Enrique and his family, an author interview, and more—the definitive edition of a classic of contemporary America Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject. Enrique’s Journey recounts the unforgettable quest of a Honduran boy looking for his mother, eleven years after she is forced to leave her starving family to find work in the United States. Braving unimaginable peril, often clinging to the sides and tops of freight trains, Enrique travels through hostile worlds full of thugs, bandits, and corrupt cops. But he pushes forward, relying on his wit, courage, hope, and the kindness of strangers. As Isabel Allende writes: “This is a twenty-first-century Odyssey. If you are going to read only one nonfiction book this year, it has to be this one.” Look for special features inside. Join the Random House Reader’s Circle for author chats and more. “Magnificent . . . Enrique’s Journey is about love. It’s about family. It’s about home.”—The Washington Post Book World “[A] searing report from the immigration frontlines . . . as harrowing as it is heartbreaking.”—People (four stars) “Stunning . . . As an adventure narrative alone, Enrique’s Journey is a worthy read. . . . Nazario’s impressive piece of reporting [turns] the current immigration controversy from a political story into a personal one.”—Entertainment Weekly “Gripping and harrowing . . . a story begging to be told.”—The Christian Science Monitor “[A] prodigious feat of reporting . . . [Sonia Nazario is] amazingly thorough and intrepid.”—Newsday

Everyone Knows You Go Home

From the acclaimed author of Chasing the Sun comes a new novel about immigration and the depths to which one Mexican American family will go for forgiveness and redemption. The first time Isabel meets her father-in-law, Omar, he's already dead--an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar's family--especially his wife, Elda--to let him redeem himself. Isabel and Martin settle into married life in a Texas border town, and Omar returns each year on the celebratory Day of the Dead. Every year Isabel listens, but to the aggrieved Martin and Elda, Omar's spirit remains invisible. Through his visits, Isabel gains insight into not just the truth about his disappearance and her husband's childhood but also the ways grief can eat away at love. When Martin's teenage nephew crosses the Mexican border and takes refuge in Isabel and Martin's home, questions about past and future homes, borders, and belonging arise that may finally lead to forgiveness--and alter all their lives forever.

Gente Decente

In his books The Great Plains , The Great Frontier , and The Texas Rangers, historian Walter Prescott Webb created an enduring image of fearless, white, Anglo male settlers and lawmen bringing civilization to an American Southwest plagued with "savage" Indians and Mexicans. So popular was Webb's vision that it influenced generations of historians and artists in all media and effectively silenced the counter-narratives that Mexican American writers and historians were concurrently producing to claim their standing as "gente decente," people of worth. These counter-narratives form the subject of Leticia M. Garza-Falcon's study. She explores how prominent writers of Mexican descent-such as Jovita Gonzalez, Americo Paredes, Maria Cristina Mena, Fermina Guerra, Beatriz de la Garza, and Helena Maria Viramontes -have used literature to respond to the dominative history of the United States, which offered retrospective justification for expansionist policies in the Southwest and South Texas. Garza-Falcon shows how these counter-narratives capture a body of knowledge and experience excluded from "official" histories, whose "facts" often emerged more from literary techniques than from objective analysis of historical data.

Homelands: Four Friends, Two Countries, and the Fate of the Great Mexican-American Migration

When Alfredo Corchado moved to Philadelphia in 1987, he felt as if he was the only Mexican in the city. But in a restaurant called Tequilas, he connected with two other Mexican men and one Mexican American, all feeling similarly isolated. Over the next three decades, the four friends continued to meet, coming together over their shared Mexican roots and their love of tequila. One was a radical activist, another a restaurant/tequila entrepreneur, the third a lawyer/politician. Alfredo himself was a young reporter for the Wall Street Journal.Homelands merges the political and the personal, telling the story of the last great Mexican migration through the eyes of four friends at a time when the Mexican population in the United States swelled from 700,000 people during the 1970s to more than 35 million people today. It is the narrative of the United States in a painful economic and political transition.As we move into a divisive, nativist new era of immigration politics, Homelands is a must-read to understand the past and future of the immigrant story in the United States, and the role of Mexicans in shaping America's history. A deeply moving book full of colorful characters searching for home, it is essential reading.

In the Country We Love

The star of Orange is the New Black and Jane the Virgin presents her personal story of the real plight of undocumented immigrants in this country Diane Guerrero, the television actress from the megahit Orange is the New Black and Jane the Virgin, was just fourteen years old on the day her parents were detained and deported while she was at school. Born in the U.S., Guerrero was able to remain in the country and continue her education, depending on the kindness of family friends who took her in and helped her build a life and a successful acting career for herself, without the support system of her family. In the Country We Love is a moving, heartbreaking story of one woman's extraordinary resilience in the face of the nightmarish struggles of undocumented residents in this country. There are over 11 million undocumented immigrants living in the US, many of whom have citizen children, whose lives here are just as precarious, and whose stories haven't been told. Written with bestselling author Michelle Burford, this memoir is a tale of personal triumph that also casts a much-needed light on the fears that haunt the daily existence of families likes the author's and on a system that fails them over and over.

Manifest Destinies: The Making of the Mexican American Race

Manifest Destinies tells the story of the original Mexican Americans―the people living in northern Mexico in 1846 during the onset of the Mexican American War. The war abruptly came to an end two years later, and 115,000 Mexicans became American citizens overnight. Yet their status as full-fledged Americans was tenuous at best. Due to a variety of legal and political maneuvers, Mexican Americans were largely confined to a second class status. How did this categorization occur, and what are the implications for modern Mexican Americans?
Manifest Destinies fills a gap in American racial history by linking westward expansion to slavery and the Civil War. In so doing, Laura E Gómez demonstrates how white supremacy structured a racial hierarchy in which Mexican Americans were situated relative to Native Americans and African Americans alike. Steeped in conversations and debates surrounding the social construction of race, this book reveals how certain groups become racialized, and how racial categories can not only change instantly, but also the ways in which they change over time.
This new edition is updated to reflect the most recent evidence regarding the ways in which Mexican Americans and other Latinos were racialized in both the twentieth and early twenty-first centuries. The book ultimately concludes that it is problematic to continue to speak in terms Hispanic “ethnicity” rather than consider Latinos qua Latinos alongside the United States’ other major racial groupings. A must read for anyone concerned with racial injustice and classification today.

Mexican Enough: My Life Between the Borderlines

Growing up in a half-white, half-brown town and family in South Texas, Stephanie Elizondo Griest struggled with her cultural identity. Upon turning thirty, she ventured to her mother's native Mexico to do some root-searching and stumbled upon a social movement that shook the nation to its core. Mexican Enough chronicles her adventures rumbling with luchadores (professional wrestlers), marching with rebel teachers in Oaxaca, investigating the murder of a prominent gay activist, and sneaking into a prison to meet with indigenous resistance fighters. She also visits families of the undocumented workers she befriended back home. Travel mates include a Polish thief, a Border Patrol agent, and a sultry dominatrix. Part memoir, part journalistic reportage, Mexican Enough illuminates how we cast off our identity in our youth, only to strive to find it again as adults -- and the lessons to be learned along the way.

Ringside Seat to a Revolution

El Paso/Juárez served as the tinderbox of the Mexican Revolution and the tumultuous years to follow. In essays and archival photographs, David Romo tells the surreal stories at the roots of the greatest Latin American revolution: The sainted beauty queen Teresita inspires revolutionary fervor and is rumored to have blessed the first rifles of the revolutionaries; anarchists publish newspapers and hatch plots against the hated Porfirio Diaz regime; Mexican outlaw Pancho Villa eats ice cream cones and rides his Indian motorcycle happily through downtown; El Paso's gringo mayor wears silk underwear because he is afraid of Mexican lice; John Reed contributes a never-before-published essay; young Mexican maids refuse to be deloused so they shut down the border and back down Pershing's men in the process; vegetarian and spiritualist Francisco Madero institutes the Mexican revolutionary junta in El Paso before crossing into Juárez to his ill-fated presidency and assassination; and bands play Verdi while firing squads go about their deadly business. Romo's work does what Mike Davis' City of Quartz did for Los Angeles--it presents a subversive and contrary vision of the sister cities during this crucial time for both countries. David Dorado Romo, the son of Mexican immigrants, is an essayist, historian, musician and cultural activist. Ringside Seat to a Revolution is the result of his three-year exploration of archives detailing the cultural and political roots of the Mexican Revolution along la frontera. Romo received a degree in Judaic studies at Stanford University and has studied in Israel and Italy.

Signs Preceding the End of the World

Signs Preceding the End of the World is one of the most arresting novels to be published in Spanish in the last ten years. Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there's no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages one from her mother and one from the Mexican underworldIn this grippingly original novel Yuri Herrera explores the actual and psychological crossings and translations people make with their feet, in their minds, and in their language as they move from one country to another, especially when there's no going back. Born in Actopan, Mexico, in 1970, Yuri Herrera studied in Mexico and El Paso and took his PhD at Berkeley. Signs Preceding the End of the World (Señales que precederán al fin del mundo) was shortlisted for the Rómulo Gallegos Prize and is being published in several languages. After publishing Signs Preceding the End of the World, And Other Stories will publish his two other novels in English, starting withThe Transmigration of Bodies (La transmigración de los cuerpos) in 2016. He is currently teaching at the University of Tulane, in New Orleans. Lisa Dillman is based in Atlanta, Georgia, where she translates Spanish, Catalan and Latin American writers and teaches at Emory University. Her recent translations include The Frost on His Shoulders by Lorenzo Mediano, Op Oloop by Juan Filloy (longlisted for the Best Translated Book Award), Me, Who Dove into the Heart of the World by Sabina Berman and Rain Over Madrid by Andrés Barba. She is obsessed with words, running, cooking and her dog, Maya.

The Book of Unknown Americans

Named a New York Times and Washington Post Notable BookWhen fifteen-year-old Maribel Rivera sustains a terrible injury, the Riveras leave behind a comfortable life in Mexico and risk everything to come to the United States so that Maribel can have the care she needs. Once they arrive, it's not long before Maribel attracts the attention of Mayor Toro, the son of one of their new neighbors, who sees a kindred spirit in this beautiful, damaged outsider. Their love story sets in motion events that will have profound repercussions for everyone involved. Here Henríquez seamlessly interweaves the story of these star-crossed lovers, and of the Rivera and Toro families, with the testimonials of men and women who have come to the United States from all over Latin America. The Book of Unknown Americans is a stunning novel of hopes and dreams, guilt and love--a book that offers a resonant new definition of what it means to be American.

The Day the Cisco Kid Shot John Wayne

Told with wit, humor, and occasional irreverence, these stories range from a delightful reminiscence of growing up a "hyphenated American" with roots and heart in both worlds, to the story of a young New Mexican bank clerk who fights his own special struggle between the old ways and the new.

The Devil's Highway

In a new 10th anniversary edition: "The single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic). In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.

The Distance Between Us

In this poignant memoir about her childhood in Mexico, Reyna Grande skillfully depicts another side of the immigrant experience—the hardships and heartbreaks of the children who are left behind.” —Sonia Nazario, Pulitzer Prize winner, and author of Enrique's JourneyReyna Grande vividly brings to life her tumultuous early years in this “compelling . . . unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.

The Injustice Never Leaves You

From 1910 to 1920, Texan vigilantes and law enforcement killed ethnic Mexican residents with impunity. Monica Muñoz Martinez turns to the keepers of this history to create a record of what occurred and how a determined community ensured that victims were not forgotten. Remembering and retelling, she shows, can inscribe justice on a legacy of pain.

The Land of Open Graves

his gripping and provocative debut, anthropologist Jason De León sheds light on one of the most pressing political issues of our time--the human consequences of US immigration policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of "Prevention through Deterrence," the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, this policy has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.

The Last of the Menu Girls

A collection of interrelated short stories that follows the life of a young Chicana girl growing up in a small town in New Mexico.

The Old Gringo

In The Old Gringo, Carlos Fuentes brings the Mexico of 1916 uncannily to life. This novel is wise book, full of toughness and humanity and is without question one of the finest works of modern Latin American fiction.

The Old Gringo (Spanish: Gringo Viejo) is a novel by Carlos Fuentes, written from 1964 to 1984[citation needed] and first published in 1985. Fuentes stated: "What started this novel was my admiration for Ambrose Bierce and for his Tales of Soldiers and Civilians. I was fascinated with the idea of a man who fought in the United States Civil War and dies in a Mexican civil war."[1] The novel addresses themes of death, cultural exchange, and Mexican identity, among others. Its English-language translation became the first novel by a Mexican author to become a U.S. bestseller.[2] The book was one of three nominees for the Ritz Paris Hemingway Award as best novel of 1985.[3]

The Squatter and the Don

The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.

U.S.-Mexico Borderlands

The U.S.-Mexican borderlands form the region where the United States and Latin America have interacted with the greatest intensity. In U.S.-Mexico Borderlands, Oscar Martinez has brought together both scholarly essays and primary documents that address the protracted conflict rooted in the vast difference in power between Mexico and its northern neighbor. Each of the seven parts of this new reader explores a key issue in borderlands studies and contains several essays followed by documents such as treaties, government reports, newspaper articles, and interviews.

War by Candlelight

Something is happening around the globe: mass movements of peoples, dislocations of language and culture in the wake of war and economic crises -- simply put, our world is changing.
In this exquisite collection, Daniel Alarcón takes the reader from Third World urban centers to the fault lines that divide nations and people. Wars, both national and internal, are waged in jungles, across borders, in the streets of Lima, in the intimacy of New York apartments. These are lives at the margins of the globalized and not-yet-globalized worlds, the stories of those who shuttle between them and never quite feel at home in the cities where they were born: an unrepentant terrorist remembers where it all began, a would-be emigrant contemplates the ramifications of leaving and never coming back, a reporter turns in his pad and pencil for the inglorious costume of a street clown.
War by Candlelight is a devastating portrait of a world in flux, and Daniel Alarcón is an extraordinary new voice in literary fiction, one you will not soon forget.

We Are Not from Here

Pulga has his dreams.Chico has his grief.Pequeña has her pride.And these three teens have one another. But none of them have illusions about the town they’ve grown up in and the dangers that surround them. Even with the love of family, threats lurk around every corner. And when those threats become all too real, the trio knows they have no choice but to run: from their country, from their families, from their beloved home.Crossing from Guatemala through Mexico, they follow the route of La Bestia, the perilous train system that might deliver them to a better life–if they are lucky enough to survive the journey. With nothing but the bags on their backs and desperation drumming through their hearts, Pulga, Chico, and Pequeña know there is no turning back, despite the unknown that awaits them. And the darkness that seems to follow wherever they go.In this striking portrait of lives torn apart, the plight of migrants at the U.S. southern border is brought to light through poignant, vivid storytelling. An epic journey of danger, resilience, heartache, and hope.

We Fed Them Cactus

Prior to statehood, the Llano Estacado, the great plains of northeastern New Mexico and northwestern Texas, were colonized by Hispanic ranchers. Cabeza de Baca's beloved memoir of the era has been reissued as part of the Pasó Por Aquí Series on Nuevomexicano Literature. A member of an old Hispanic family, Cabeza de Baca celebrates her Spanish heritage rather than the Mestizo culture embraced by later writers. She portrays the erosion of Hispanic folkways under American influence, but by recording a combination of oral narrative, autobiography, family history, recipes, and poetry, she has helped to preserve these unique expressions of Hispanic culture.

Who Would Have Thought It?

Maria Amparo Ruiz de Burton's WHO WOULD HAVE THOUGHT IT? (1872) is a historical romance which engages the dominant myths about nationality, race and gender prevalent in society in the United States prior to and during the Civil War. The narrative follows a young Mexican girl as she is delivered from Indian captivity in the Southwest and comes to live in the household of a New England family. Culture and perspectives on national history and identity clash as the novel criticizes the dominant society's opportunism and hypocrisy, and indicts northern racism.

Woman Hollering Creek and Other Stories

This volume is a collection of short stories originally published in 1991 that reflect the author's experience of being surrounded by American influences while still being familiarly bound to her Mexican heritage as she grew-up north of the Mexico-US border. The short vignettes focus on the social role of women and their relationships with the men and other women in their lives. The majority of the characters are stereotypes: men embody machismo while women are naive and generally weak. The author focuses on three feminine clichés: the passive virgin, sinful seductress, and traitorous mother. Not properly belonging to either Mexico or America, the Chicana protagonists earnestly search for their identity, only to discover abuse and shattered dreams. Apart from focusing on these issues of struggling females, this work simultaneously develops the readers' sensitivity towards the lives of immigrants.

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