AUTOBIOGRAPHY, BIOGRAPHY, MEMOIR

A Dream Called Home

From bestselling author Reyna Grande—whose remarkable memoir The Distance Between Us has become required reading in schools across the country—comes an inspiring account of one woman’s quest to find her place in America as a first-generation Latina university student and aspiring writer determined to build a new life for her family one fearless word at a time. When Reyna Grande was nine-years-old, she walked across the US–Mexico border in search of a home, desperate to be reunited with the parents who had left her behind years before for a better life in the City of Angels. What she found instead was an indifferent mother, an abusive, alcoholic father, and a school system that belittled her heritage. With so few resources at her disposal, Reyna finds refuge in words, and it is her love of reading and writing that propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now once again estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream. Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to “a fierce, smart, shimmering light of a writer” (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist “speak[ing] for millions of immigrants whose voices have gone unheard” (Sandra Cisneros, author of The House on Mango Street); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna’s exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure.

A House of My Own

"From the beloved author of The House on Mango Street: a richly illustrated compilation of true stories and nonfiction pieces that, taken together, form a jigsaw autobiography: an intimate album of a literary legend's life and career."

Almost A Woman

Following the enchanting story recounted in When I Was Puerto Rican of the author’s emergence from the barrios of Brooklyn to the prestigious Performing Arts High School in Manhattan, Esmeralda Santiago delivers the tale of her young adulthood, where she continually strives to find a balance between becoming American and staying Puerto Rican. While translating for her mother Mami at the welfare office in the morning, starring as Cleopatra at New York’s prestigious Performing Arts High School in the afternoons, and dancing salsa all night, she begins to defy her mother’s protective rules, only to find that independence brings new dangers and dilemmas.

Crux

A daughter’s quest to understand her charismatic and troubled father, an immigrant who crosses borders both real and illusory—between sanity and madness, science and spirituality, life and death
Winner of the PEN/FUSION Emerging Writers Prize Throughout Jean Guerrero’s childhood, her father, Marco Antonio, was an erratic and elusive presence. A self-taught genius at fixing, creating, and conjuring things—and capable of transforming himself into a shaman, dreamcaster, or animal whisperer in his enchanted daughter’s eyes—he gradually began to lose himself in his peculiar obsessions, careening wildly between reality and hallucination. In time, he fled his family and responsibilities—to Asia, Europe, and eventually back to Mexico. He succumbed to drug- and alcohol-fueled manias, while suffering the effects of what he said were CIA mind-control experiments. As soon as she was old enough, Jean set out after him.
Now a journalist, she used the tools of her trade, hoping to find answers to the questions he left behind. In this lyrical, haunting memoir, Jean Guerrero tries to locate the border between truth and fantasy as she searches for explanations for her father’s behavior.
Refusing to accept an alleged schizophrenia diagnosis at face value, she takes Marco Antonio’s dark paranoia seriously and investigates all his wildest claims. She crisscrosses the Mexican-American border to unearth the stories of cousins and grandparents and discovers a chain of fabulists and mystics in her lineage, going back to her great-great-grandmother, a clairvoyant curandera who was paid to summon spirits from the afterlife.
As she delves deeper and deeper into her family’s shadowy past, Jean begins mirroring her father’s self-destructive behavior. She risks death on her adventures, imperiling everything in her journey to redeem her father from the underworld of his delusions. In the tradition of engrossing family memoirs like The Liar’s Club and The Glass Castle, Crux is both a riveting adventure story and a profoundly original exploration of the human psyche, the mysteries of our most intimate relationships—and ourselves.

Days of Obligation

Rodriguez's acclaimed first book, Hunger of Memory raised a fierce controversy with its views on bilingualism and alternative action. Now, in a series of intelligent and candid essays, Rodriguez ranges over five centuries to consider the moral and spiritual landscapes of Mexico and the US and their impact on his soul.

Dear America

Literary Nonfiction. Memoir. Wendy C. Ortiz was an only child and a bookish, insecure girl living with alcoholic parents in the San Fernando Valley of Los Angeles in the late 1980s and early 1990s. Her relationship with a charming and deeply flawed private school teacher fifteen years her senior appeared to give her the kind of power teenagers wish for, regardless of consequences. Her teacher—now a registered sex offender—continually encouraged her passion for writing while making her promise she was not leaving any written record about their dangerous sexual relationship. This conflicted relationship with her teacher may have been just five years long, but would imprint itself on her and her later relationships, queer and straight, for the rest of her life. In EXCAVATION: A MEMOIR, the black and white of the standard victim/perpetrator stereotype gives way to unsettling grays. The present- day narrator reflects on the girl she once was, as well as the teacher and parent she has become. It's a beautifully written and powerful story of a woman reclaiming her whole heart.

Frida

Hailed by readers and critics across the country, this engrossing biography of Mexican painter Frida Kahlo reveals a woman of extreme magnetism and originality, an artist whose sensual vibrancy came straight from her own experiences: her childhood near Mexico City during the Mexican Revolution; a devastating accident at age eighteen that left her crippled and unable to bear children; her tempestuous marriage to muralist Diego Rivera and intermittent love affairs with men as diverse as Isamu Noguchi and Leon Trotsky; her association with the Communist Party; her absorption in Mexican folklore and culture; and her dramatic love of spectacle.Here is the tumultuous life of an extraordinary twentieth-century woman -- with illustrations as rich and haunting as her legend.

Hollywood Notebook

Hollywood Notebook is a prose poem-ish memoir of fragments. Ortiz takes us through the streets of Los Angeles and the internal maps she's charting as she moves from her twenties to her thirties in a studio apartment in Hollywood. A cartography of love, loss, and transformation, Hollywood Notebook is a portrait of the author's psyche overlaid on a map of the city she makes her home.

Hunger of Memory

Hunger of Memory is the story of Mexican-American Richard Rodriguez, who begins his schooling in Sacramento, California, knowing just 50 words of English, and concludes his university studies in the stately quiet of the reading room of the British Museum. Here is the poignant journey of a “minority student” who pays the cost of his social assimilation and academic success with a painful alienation — from his past, his parents, his culture — and so describes the high price of “making it” in middle-class America. Provocative in its positions on affirmative action and bilingual education, Hunger of Memory is a powerful political statement, a profound study of the importance of language ... and the moving, intimate portrait of a boy struggling to become a man.

In the Country We Love

The star of Orange is the New Black and Jane the Virgin presents her personal story of the real plight of undocumented immigrants in this country Diane Guerrero, the television actress from the megahit Orange is the New Black and Jane the Virgin, was just fourteen years old on the day her parents were detained and deported while she was at school. Born in the U.S., Guerrero was able to remain in the country and continue her education, depending on the kindness of family friends who took her in and helped her build a life and a successful acting career for herself, without the support system of her family. In the Country We Love is a moving, heartbreaking story of one woman's extraordinary resilience in the face of the nightmarish struggles of undocumented residents in this country. There are over 11 million undocumented immigrants living in the US, many of whom have citizen children, whose lives here are just as precarious, and whose stories haven't been told. Written with bestselling author Michelle Burford, this memoir is a tale of personal triumph that also casts a much-needed light on the fears that haunt the daily existence of families likes the author's and on a system that fails them over and over.

In the Dream House

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other PartiesIn the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships. Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

Living to Tell the Tale

No writer of his time exerted the magical appeal of Gabriel García Márquez. In this long-awaited autobiography, the great Nobel laureate tells the story of his life from his birth in1927 to the moment in the 1950s when he proposed to his wife. The result is as spectacular as his finest fiction. Here is García Márquez’s shimmering evocation of his childhood home of Aracataca, the basis of the fictional Macondo. Here are the members of his ebulliently eccentric family. Here are the forces that turned him into a writer. Warm, revealing, abounding in images so vivid that we seem to be remembering them ourselves, Living to Tell the Tale is a work of enchantment.

Man Up

Inspired by the award-winning poet and actor's acclaimed one-man play, a powerful coming-of-age memoir that reimagines masculinity for the twenty-first-century male. Award-winning poet, actor, and writer Carlos Andrés Gómez is a supremely gifted storyteller with a captivating voice whose power resonates equally on the live stage and on the page. In one of his most moving spoken-word poems, Gómez recounts a confrontation he once had after accidentally bumping into another man at a club. Just as they were about to fight, Gómez experienced an unexplainable surge of emotion that made his eyes well up with tears. Everyone at the scene jumped back, as if crying, or showing vulnerability, was the most insane thing that Gómez could possibly have done. Like many men in our society, Gómez grew up believing that he had to be ready to fight at all times, treat women as objects, and close off his emotional self. It wasn't until he discovered acting that he began to see the true cost of squelching one's emotions and how aggression dominates everything that young males are taught. Statistics on graduation rates, employment, and teen and young-adult suicide make it clear that the young males in our society are at a crisis point, but Gómez seeks to reverse these ominous trends by sharing the lessons that he has learned. Like Hill Harper's Letters to a Young Brother, Man Up will be an agent for positive change, galvanizing men but also mothers, girlfriends, wives, and sisters to rethink and reimagine the way all men interact with women, deal with violence, handle fear, and express emotion.

Mean

True crime, memoir, and ghost story, Mean is the bold and hilarious tale of Myriam Gurba's coming of age as a queer, mixed-race Chicana. Blending radical formal fluidity and caustic humor, Gurba takes on sexual violence, small towns, and race, turning what might be tragic into piercing, revealing comedy. This is a confident, intoxicating, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously. We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating. Being mean isn't for everybody. Being mean is best practiced by those who understand it as an art form. These virtuosos live closer to the divine than the rest of humanity. They're queers. Myriam Gurba's a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.

Mexican Enough

rowing up in a half-white, half-brown town and family in South Texas, Stephanie Elizondo Griest struggled with her cultural identity. Upon turning thirty, she ventured to her mother's native Mexico to do some root-searching and stumbled upon a social movement that shook the nation to its core. Mexican Enough chronicles her adventures rumbling with luchadores (professional wrestlers), marching with rebel teachers in Oaxaca, investigating the murder of a prominent gay activist, and sneaking into a prison to meet with indigenous resistance fighters. She also visits families of the undocumented workers she befriended back home. Travel mates include a Polish thief, a Border Patrol agent, and a sultry dominatrix. Part memoir, part journalistic reportage, Mexican Enough illuminates how we cast off our identity in our youth, only to strive to find it again as adults -- and the lessons to be learned along the way.

Midnight in Mexico

Since 2006, more than seventy thousand people have been killed in the Mexican drug war. In a country where the powerful are rarely scrutinized, noted Mexican American journalist Alfredo Corchado continues to report on government corruption, murders in Juarez, and the ruthless drug cartels of Mexico. In 2007, Corchado received a tip that he could be their next target. Rather than leave his country, Corchado went out into the Mexican countryside to investigate the threat. As he frantically contacted his sources, Corchado suspected the threat was his punishment for returning to Mexico against his mother's wishes--a curse. His parents had fled north and raised their children in California, but Corchado returned as a journalist in 1994, convinced that Mexico would one day overcome its pervasive corruption. But in this land of extremes, the gap of inequality--and injustice--remains wide. Even after the 2000 election put Mexico's opposition party in power for the first time, the long-awaited defeat created a vacuum of power. The cartels went to war with one another in the mid-2000s, while President Felipe Calderon tried in vain to stop the bloodshed. Meanwhile, the work Corchado lives for could kill him, but he's not ready to leave Mexico--not yet, maybe never.

Remembering Che

For the first time, Aleida March evokes the memories of her partner, Ernesto Che Guevara. She describes their great romance and life together from the days when they first met as fellow guerrillas in Cuba's revolutionary war up to the tragic moment when she learned of Che's assassination in Bolivia less than a decade later. As Che's widow, Aleida writes with passion and poignancy of their shared political dreams for the future and their family. Never before have readers been offered such an intimate insight into the man behind one of the great political symbols of our time. Includes one hundred intimate photos taken from the private family albums of Che with his children and his wife, including the last photos of Che and Aleida together when Che had disguised himself in preparation for his secret mission to Bolivia. Also includes facsimiles of postcards and letters Che sent to his family from abroad, as well as poems written to Aleida and a moving short story sent from Africa. This book reveals Aleida's own great strength and courage as she came to terms with her private loss while under the international spotlight of millions of others who also mourned the death of a world-famous revolutionary, perhaps comparable to Yoko Ono after the death of John Lennon. She also describes her efforts to raise her four children as ordinary children despite their father's legendary status in Cuba and abroad. Aleida March is currently the director of the Che Guevara Studies Center, Cuba.

The Crusades of Cesar Chavez

Cesar Chavez founded a labor union, launched a movement, and inspired a generation. He rose from migrant worker to icon, becoming one of the great leaders of the twentieth century. Two decades after his death, Chavez remains the most significant Latino figure in U.S. history. Yet his life story has been told only in hagiography--until now. In the first comprehensive biography of Chavez, Miriam Pawel offers a searching yet empathetic portrayal. Chavez emerges here as a visionary whose eyes were fixed on a horizon others often could not even see. He was a brilliant strategist who sometimes stumbled, and a streetwise organizer whose pragmatism was often at odds with his soaring dreams. Drawing on thousands of documents, hundreds of hours of audiotape, and scores of interviews, this superbly written life deepens our understanding of one of Chavez's most salient qualities: his profound humanity. Pawel traces Chavez's rise as he empowered the poor and disenfranchised and led farmworkers to historic victories over the agriculture industry. With compassion and compelling detail, she narrates the equally dramatic later years when Chavez's charismatic leadership devolved into a cult of personality, with heartbreaking consequences for his union. The Crusades of Cesar Chavez reveals how this unlikely American hero ignited one of the great social movements of our time--and left a legacy that resonates today, from California to the White House.

The Distance Between Us

“In this poignant memoir about her childhood in Mexico, Reyna Grande skillfully depicts another side of the immigrant experience—the hardships and heartbreaks of the children who are left behind.” —Sonia Nazario, Pulitzer Prize winner, and author of Enrique's JourneyReyna Grande vividly brings to life her tumultuous early years in this “compelling . . . unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.

The Undocumented Americans

One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation. Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she'd tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer's phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants--and to find the hidden key to her own. Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented--and the mysteries of her own life. She finds the nation of singular, effervescent characters often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival. In her incandescent, relentlessly probing voice, Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An expendable. A hero. An American.

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