Readings

    • Agmon, Eytan. 1989. “A Mathematical Model of the Diatonic System.” Journal of Music Theory 33, no. 1: 1–25.

    • Carey, Norman, and David Clampitt. 1989. “Aspects of Well-formed Scales.” Music Theory Spectrum 11, no. 2: 187–206.

    • Carey, Norman, and David Clampitt. 1996b. “Regions: A Theory of Tonal Spaces in Early Medieval Treatises.” Journal of Music Theory 40, no. 1: 113–47.

    • Clampitt, David and Thomas Noll. 2011: "Modes, the Height-Width Duality, and Handschin’s Tone Character" Music Theory Online, Volume 17, Number 1, March 2011.

    • Clough, John, and Jack Douthett. 1991. “Maximally Even Sets.” Journal of Music Theory 35: 93–173.

    • Clough, John, and Gerald Myerson. 1985. “Variety and Multiplicity in Diatonic Systems.” Journal of Music Theory 29, no. 2: 249–70.

    • Douthett, Jack. 2008. "Filtered Point-Symmetry and Dynamical Voice-Leading". In: Jack Douthett et al. (eds.) Music Theory and Mathematics: Chords, Collections, and Transformations. University of Rochester Press.

    • Hook, Julian. 2008. Signature Transformations. In: Jack Douthett et al. (eds.) Music Theory and Mathematics: Chords, Collections, and Transformations. University of Rochester Press.

    • Noll. Thomas. 2013. "Wer H spielt, muß auch B spielen: Mathemusikalische Spiele mit dem Dresdner Tonkreisel" in: Lehmann, Andreas, Ariane Jeßulat and Christoph Wünsch (eds): Kreativität, Struktur und Emotion. Collected Papers from the Joint Meeting of the DGM and GMTH in Würzburg 2010. Würzburg: Königshausen & Neumann.