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the foundation Beelden in Beweging investigates visions at local, provincial and national level, develops concepts and provides tangible forms of expression in the "real" world. The foundation creates a platform for new insights and realizes several sub-projects that connect to socially relevant themes that connect. One of the last major projects was "Destination Roermond", a project, visited by 4300 people in 2 weeks, that showed how people ended up in their hometown Roermond.
The foundation Beelden in Beweging would like to offer services as a foundation to enable you to have an exciting international exhibition program at your own venue.
Our foundation Stichting Beelden in beweging (stgBIB) can contribute to the research, conceptualization and organization of exhibitions in fine contemporary art. Since its existence in 2005, the foundation BiB realized several exhibitions in Roermond, Messe Dusseldorf, Sittard, Maastricht and other cities..
Sometimes this concerns the art glass movement, the local art of the region or for example sculptures with the theme of humor. As a foundation we received support and cooperation from the Belgian Embassy in The Hague, Province of Limburg, Roermond, Sittard, Museums in Lommel, Coesfeld-Lette, Amstelveen and companies / individuals.
The Foundation has not only a very large international network which is built since 1974 but also practical tools on the presentation of the exhibition and in-depth knowledge to the virtual presence. To give an impression of our exhibitions, we have a link to photos of various exhibitions we organized at home and abroad.
Goal
The foundation aims to present specific works by contemporary visual artists in the Netherlands and abroad at extraordinary locations and art fairs. This from the historical perspective of the Roermond glazier Joep Nicolas as an innovator of stained glass art and in connection with the more than one hundred and seventy-year-old art studio, also located in Roermond. The art to be presented focuses on innovative glass art in the broadest sense of the material. In addition, the foundation presents related art disciplines, cultural education and other spatial works of art and everything that is related to and can be conducive to leading.
Support
Foundation's activities are in support of the objectives of cultural / tourism or natural meeting centers. By facilitating its knowledge in the field of research, exhibition organization and policy, centers can attract a new group of visitors. We also teach about the theory and practice of making exhibitions.
The activities of st.BIB enrich the regional cultural infrastructure in which professional artists can develop and realize innovative activities if desired. Thus, unique locations where special events are organized contribute to the strengthening of the productive environment in the region. The cooperation of the various organizations and Stg BIB lays the seeds of cross-cultural dissemination.
The public will be able to know art, and deepen its knowledge. It is possible to give explicit attention to young people both by the choice of actions as exhibiting artists especially for young audiences. This will be achieved by educating group visits from nearby schools, universities and art academies. The cooperation of Stg BIB with cultural / tourism or natural meeting places get in the end a full and professional execution of a custom-made research --> concept --> event.
We would like to talk to achieve a closer and possible cooperation.
Photo examples:
Sincerely,
chairman of the foundation Beelden in Beweging: Olivier Samuel van Wijk (linkedin)
http://www.flickr.com/photos/glass-art/sets/72157622567368706/
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8th Biannual contemporary art exhibition
From Saturday, 10/07/2010 to Sunday, 19/09/2010
Corridors & Cross Convent Garden, Diocese of Roermond
Swalmerstraat 100, Roermond, Holland
More then 300 sculptures and paintings.
For the eighth time Gallery Mariska Dirkx is organizing in cooperation with Foundation Roving Art a great and versatile art exhibition in the cloisters of the former Carthusian monastery at Roermond. In this more than 60 meters long corridors glass, paintings and sculptures are presented in the serene light . In the garden, you experience the wonderful silence in the middle of this old city and tell their story in images. The participating artists work for some time with Mariska Dirkx. They have great affinity with their materials and show their latest works, which are also represented in art collections from museums and private art collectors around the world. But also some young talents in this exhibition make their entrance.Hours: Saturdays and Sundays from 13:00. to 17.00.!
about Joep Nicolas: A Master of Light and Color in Stained Glass and Beyond
Joep Nicolas (born Josephus Antonius Hubertus Franciscus Nicolas on October 6, 1897, in Roermond, Limburg, Netherlands) was an eclectic and influential Dutch-born French ecclesiastical artist whose artistry in stained glass left a lasting legacy. While he was best known for his pioneering work in stained glass, his creative talents spanned a broad range of mediums, including sculpture, mural painting, book illustration, costume design, and portraiture. Throughout his career, Nicolas managed to blend tradition with modernism, creating a distinct artistic voice that resonated both in the sacred and secular realms.
Early Life and Artistic Roots
Early Life and Artistic Roots
Nicolas was born into a family with a deep tradition in the art of stained glass. His family’s studio, dating back to his grandfather in 1855, became the foundation of his future work. Growing up in this environment, Nicolas was immersed in the world of stained glass from a young age, learning the techniques and styles that would later shape his career. His marriage to Belgian sculptor Suzanne Nijs in 1924 marked the beginning of a partnership that further enriched his work, particularly in the areas of sculpture and design.
Innovations in Stained Glass
Innovations in Stained Glass
In 1935, Joep Nicolas applied for a patent for a glazing technique he called vermurail, which was a significant innovation in the realm of stained glass. This technique introduced new methods of applying color and light to glass, offering more flexibility and creative freedom than traditional methods. Nicolas’s work in stained glass was not merely decorative; he sought to evoke emotions and spiritual reflection through his use of light, color, and form. His abstract and modern approach to stained glass earned him numerous accolades, including grand prix awards at prestigious international expositions: Paris (1925), Milan (1933), and Brussels (1935).
A Journey to America
A Journey to America
Although often described as a refugee from the Nazi invasion of the Netherlands, Nicolas left for the United States before the German invasion, arriving on December 30, 1939, accompanied by German ballet dancer Kurt Jooss. Once in America, Nicolas’s influence on the world of stained glass and design only grew. He became associated with the prominent Rambusch Studios in New York City, where he further honed his craft and gained recognition as a master of ecclesiastical art. One of his notable achievements during this time was designing the cover for Fortune Magazine in December 1940, a reflection of his broad artistic capabilities.
Nicolas’s work was celebrated not only for its technical precision but also for its ability to capture the spiritual essence of sacred spaces. His stained glass installations became significant features in churches across the United States, particularly those looking to incorporate modernist designs into traditional settings.
A Life Dedicated to Art and Innovation
A Life Dedicated to Art and Innovation
Nicolas’s artistic contributions extended beyond stained glass. He worked as a muralist, book illustrator, cartoonist, and portrait painter, showing an impressive versatility in his creative endeavors. His attention to detail and mastery of form were evident across all his works, whether capturing the human figure in portraiture or imbuing abstract design with emotional depth.
Throughout his career, Nicolas received numerous accolades for his artistic achievements. He was a member of the art jury at the 1937 Paris World’s Fair and garnered numerous awards in recognition of his stained glass work. His influence on the next generation of artists was profound, with many students, including U.S. Ambassador J. William Middendorf II, passing through his studio and learning from his expertise.
Legacy and Family
Legacy and Family
Joep Nicolas’s legacy lives on through the work he left behind, but also through his family. His daughter, Claire Theresia Nicolas White, became an accomplished poet, novelist, and translator, and was also a niece of the renowned British writer Aldous Huxley. Claire's own creative achievements were enriched by the artistic environment her father helped foster. Nicolas’s other daughter, Hortensia Margaretha Maria Sylvia Nicolas, continued the family tradition, becoming a stained glass artist herself.
Nicolas’s dedication to his craft and his contribution to the world of modern ecclesiastical art left a lasting impact on both European and American artistic traditions. His work continues to inspire, and his innovations in stained glass paved the way for new generations of artists exploring the potential of color, light, and abstract forms in sacred spaces.
Joep Nicolas passed away on July 25, 1972, at the former American consulate in Rotterdam. His passing marked the end of an era for stained glass artistry, but his contributions continue to shine brightly through his students, descendants, and the works he created.
Joep Nicolas’s life was one of creativity, innovation, and an unwavering dedication to transforming light into art. His work transcended boundaries, blending traditional techniques with modernist sensibilities. Today, his stained glass windows, murals, and sculptures remain poignant expressions of spirituality and artistic mastery, securing his place as one of the twentieth century's most influential ecclesiastical artists.
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