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Richard Wilson
  • Home
  • Table of Contents
  • CDs
  • Publications
  • Works for Solo Piano
  • Richard Wilson, pianist
  • Talks
  • Solo Pieces on YT
  • Aethelred, the opera
  • String Quartets
  • Four Solitudes
  • Works Featuring Clarinet
  • Works with Viola
  • Works with Flute
  • Orchestral Works
  • Songs
  • The Second Law
  • On an 80th Birthday
  • Bio
  • Berlioz Festival Talk
  • Convocation Speech
  • Writings
  • Memories
  • Retirement Event ONE
  • Retirement Events TWO
  • Retirement Events THREE
  • Small Chamber Ensemble
  • Piano Trio Reviews
  • DeCoda
  • The Cello Has Many Secrets Texts
  • Choral Works
  • Leon Botstein
  • Blanca Uribe
  • Todd Crow
  • Joe Genualdi
  • Gallery: with composers
  • Gallery: with musicians
  • Discography
  • Reviews for CRI Recordings
  • A Conversation with Bruce Duffie
  • Fanfare Profile
  • Reviews Affirmations CD
  • Compositions-list/links
  • MODFEST
    • MODFEST webplanning
    • HUAC and McCarthyism
      • Hallie Flanagan
    • Art, Dance, Music and Words 2011
    • MODFEST: Foreign Language Events
  • Contact
Richard Wilson
  • Home
  • Table of Contents
  • CDs
  • Publications
  • Works for Solo Piano
  • Richard Wilson, pianist
  • Talks
  • Solo Pieces on YT
  • Aethelred, the opera
  • String Quartets
  • Four Solitudes
  • Works Featuring Clarinet
  • Works with Viola
  • Works with Flute
  • Orchestral Works
  • Songs
  • The Second Law
  • On an 80th Birthday
  • Bio
  • Berlioz Festival Talk
  • Convocation Speech
  • Writings
  • Memories
  • Retirement Event ONE
  • Retirement Events TWO
  • Retirement Events THREE
  • Small Chamber Ensemble
  • Piano Trio Reviews
  • DeCoda
  • The Cello Has Many Secrets Texts
  • Choral Works
  • Leon Botstein
  • Blanca Uribe
  • Todd Crow
  • Joe Genualdi
  • Gallery: with composers
  • Gallery: with musicians
  • Discography
  • Reviews for CRI Recordings
  • A Conversation with Bruce Duffie
  • Fanfare Profile
  • Reviews Affirmations CD
  • Compositions-list/links
  • MODFEST
    • MODFEST webplanning
    • HUAC and McCarthyism
      • Hallie Flanagan
    • Art, Dance, Music and Words 2011
    • MODFEST: Foreign Language Events
  • Contact
  • More
    • Home
    • Table of Contents
    • CDs
    • Publications
    • Works for Solo Piano
    • Richard Wilson, pianist
    • Talks
    • Solo Pieces on YT
    • Aethelred, the opera
    • String Quartets
    • Four Solitudes
    • Works Featuring Clarinet
    • Works with Viola
    • Works with Flute
    • Orchestral Works
    • Songs
    • The Second Law
    • On an 80th Birthday
    • Bio
    • Berlioz Festival Talk
    • Convocation Speech
    • Writings
    • Memories
    • Retirement Event ONE
    • Retirement Events TWO
    • Retirement Events THREE
    • Small Chamber Ensemble
    • Piano Trio Reviews
    • DeCoda
    • The Cello Has Many Secrets Texts
    • Choral Works
    • Leon Botstein
    • Blanca Uribe
    • Todd Crow
    • Joe Genualdi
    • Gallery: with composers
    • Gallery: with musicians
    • Discography
    • Reviews for CRI Recordings
    • A Conversation with Bruce Duffie
    • Fanfare Profile
    • Reviews Affirmations CD
    • Compositions-list/links
    • MODFEST
      • MODFEST webplanning
      • HUAC and McCarthyism
        • Hallie Flanagan
      • Art, Dance, Music and Words 2011
      • MODFEST: Foreign Language Events
    • Contact

Works Featuring Clarinet

Click on the titles or the photos for links to the YouTube videos.

Aethelred's Exit for Bass Clarinet  Solo

taken from the ending of Richard Wilson's comic opera AETHELRED THE UNREADY--at which point the hero has driven away his tormentors and sinks into a state of blissful relief. 

performed by Benjamin Fingland

Clarinet Quintet played by DECODA

Moran Katz, clarinets 

Anna Elashvili and Owen Dalby, violins 

Nathan Schram, viola

Yves Dharamraj, cello

Gnomics  for flute, oboe, and clarinet

 Randy Bowman, flute

Laura Ahlbeck, oboe

Laura Flax, clarinet

Sample Pages: Gnomics

Reed Actions Three Movements for Clarinet and Bassoon

Paul Cho, clarinet

Brad Balliett, bassoon

Dithyramb  

Randall Wolfgang, oboe

Larry Guy, clarinet 

Timeshare  

Moran Katz, clarinet

 Sophie Shao, cello

Figuration

Allen Blustine, clarinet

Sophie Shao, cello

Richard Wilson, piano

Sample Pages: Figuration

Outswappings

 for clarinet quartet, was composed in 2016 and dedicated to clarinetist Larry Guy, a long-term colleague and friend.  An additional movement was added in 2017, V. DeCh, dedicated to our friend Jacqueline deChollet.  It uses only the pitches D, E, C, and B (=H in German).

Line Drawings, for two clarinets

Larry Guy and David Krakauer  

In four movements:      Memory      Action     Portrait     Celebration

Takes its inspiration from the body of pen-and-ink drawings by the late American painter Philip Guston, and from discussions with that artist, a friend of the composer's, about the point of such drawings.


Setting of Lucy Miller Murray's Poem On the Death of Juan Gelman

Courtenay Budd, soprano

Moran Katz, clarinet

Richard Wilson, piano 

Transfigured Goat

Mary Ann Hart, mezzo-soprano

Richard Lalli, baritone

Allen Blustine, clarinet

Richard Wilson, piano 

Joe Orton scenes read by the department ---really fun! For the Transfigured Goat piece which was performed after the skits, Richard used bits from these texts, mixed up, together with what he used to say to our dog, Tracy.

Narrators: Justin Patch, Jim Osborn

Scene 1  (Drew Minter, Jim Ruff) (Orton Text 1)

Scene 2  (Christine Howlett, Michael Pisani) (Orton Text 2)

Scene 3  (Mark Moriarty, Susan Botti) (Orton Text 3)

Scene 4  (Kathryn Libin, Eduardo Navega) (Orton Text 4)

Scene 5  (Jim Ruff, Brian Mann) (Orton Text 5)

Scene 6  (Drew Minter, Jim Ruff, Sarah Canino (Orton Text 6)


TRANSFIGURED GOAT

A Curtainraiser. Text by Richard Wilson, inspired by Joe Orton and our dog Tracy, who sometimes looked like a goat.

1.

Man: What kind of dog is this?

Woman: An outrageous animal.

Man: What sort of fraud do we have here?

Woman: A preposterous charlatan....Have you got an appointment today?

M: The trademark is in the shape of a goat.

W: Have you got an appointment today?

M: A French cheese salesman would be even worse.

W: Have you got an appointment today?

M: Yes, I'm to be at Lincoln Center at eleven. I'm meeting someone behind the

scrim.

W: You always go to such interesting locations. Are you taking the van?

2.

W: There is no telling who my father was.

M: Are you taking the van?

W: I refuse to discuss my financial affairs.

M: Is violence within your means?

W: Are you taking the van?

M: There is no telling who your father was.

W: We grant an exemption only in the case of possession by the Devil.

M: This dog has violated every known rule and regulation.

W: I am shocked beyond expression.

M: You always go to such fascinating locations. Are you taking the van?

W: The trademark is in the shape of a goat.

3.

M: Let me be candid, Ms. Vander Twee. I can't promote you if you're in any

way miraculous. It would be contrary to our tenure policy. You did have a

father?

W: Our dog is some kind of a goat.

M: Are you an exhibitionist?

W: I slept next to one once.

4.

M: Don't go yet. I don't trust myself....

W: Couldn't you just pretend...

M: ...at this time of the evening.

W: ...to have throttled me? Couldn't you just pretend...

M: Don't trust myself at this time...

W: Just pretend to have throttled me?

M: To save face? I don't trust myself.

W: To save face? Couldn't you just pretend...

M: Pretend to save face...

W: I am shocked...

M: You are throttled...

W: No telling...there is no telling...

M: No telling where the dog is...

W. Who my father was...

M: Some kind of baboon...

W: Pretend to throttle...

M: I just don't trust...

W: No telling who was shocked...

M: Who was throttled...

W: What kind of dog...

M: Something is going on here...

W: My father was throttled...

M: And I don't know what...

W: Shocked beyond expression.

M: How refreshing...

W: How refreshing...

M: How refreshing to meet a sensitive artist in today's world of

highly-praised baboons.

W: Don't go yet.

M: I don't trust myself at this time of the evening.

5.

M: Your first was poisoned. Your second collapsed while celebrating

Nixon's resignation. Your third fell from a hot air balloon. Your fourth

took an overdose on the eve of his retirement from Princeton. Your fifth

and sixth husbands disappeared in the subway. Presumed dead. Your last

partner suffered a seizure three nights after marrying you. How do you

account for this?

W: I refuse to discuss my financial affairs.

6.

M: A French cheese salesman would be even worse.

W: You could say she'd gone to Anaheim. That spells death to most people.

M: She's shown no preference for California. Not even under hypnosis.

W: There is some kind of chicanery involved here.

M: I've an appointment at the nude calendar shop. I've been commissioned

to do October.

W: Say she's on a surf-riding holiday. The bizarre culture of the coast

fascinates her. She takes up residence. And, after a decent interval, is

swept into the ocean on a dinghy.

M: Would that suit you?

W: It isn't the death I've dreamt of.

7.

W: Our dog is some kind of impostor.

M: You refuse to discuss your financial affairs.

W: I refuse to discuss my financial affairs.

M: Our dog is a fraudulent animal.

W: What a....

M: Dismal failure...

W: Yes, the trademark is in the shape of a baboon.

M: I refuse to discuss our dog...

W: ...is some kind of a goat...

M: ...does not share your affection for Grieg...

W: Are you some kind of a nut?

M: ...and Rachmaninov; Spohr and Puccini.

W: What are you talking about?

M: Let me be candid, Ms. Vander Twee. I can't promote you if you're in any

way miraculous. It would be contrary to our tenure policy. You did have a

father?

W: Oh, I'm sure I did. My mother was frugal in her habits, but she'd never

economize to that extent.

M: Have you got an appointment today?

W: I've an appointment at the nude calendar shop. I've been commissioned

to do October.

M: You always go to such fascinating locations. Are you taking the van?


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