Cereal Box
I've not come across any examples of the box so far and have even checked with the Museum of Brands, Packaging and Advertising - see Links. However, we're incredibly lucky to have a picture of the Haunted Manor artwork from the back of the box. We also have a very good idea of what the rest looked like, based on pictures of other Sugar Puffs boxes from around the same time, memories and the comic advert for the Luminous Spooks.
A. BACK OF PACK
Haunted Manor Artwork
The first picture below is from the back of the pack. It came from Peter Watson, who kindly contacted me in response to a letter from Kim in the December 2008 edition of Plastic Warrior magazine, asking for help in getting further information about the Luminous Spooks. Peter made a high quality colour photocopy of the Haunted Manor picture, which I then scanned.
For comparison, next to it/below it, is the Haunted Manor scene from the advert in my copy of TV 21 comic.
9/2025 ***
A few comments about the two representations of the Haunted Manor:
the cutting line on the right banister rail is present in both versions,
the overall shapes of key features are quite close, but they don't all align at the same time, indicating that one was copied (traced?) in outline, in sections, from the other,
present in the packet artwork, but not the comic ad, above the windows, there is a skull and antlers covered in cobwebs,
similarly, there is an oak chest (quite distinctive and presumably painted from a real object) behind the broken banister rail,
also in the packet artwork, some of the Spooks illuminate the walls, windows or door.
***
Although in general the second picture is less detailed, there is one feature not present on the cereal packet, as Stewart points out: Did you see in your scan that there is a hole in the landing ? As Alf is directly beneath, is he the ghost of whoever fell through ? There are lots of tales waiting to be told there. Every Spook has their own story.
(And I'd thought that the object above Alf was some strange light fitting!)
Why go to the trouble of making two pictures, though? Some thoughts from Stewart on this: comics have deadlines too. The artwork for a full-page ad might have had to be submitted weeks ahead. So the poor Promos Team have to get an advert in before they have been given copy of the box art. "What do we send ? How about this rough cut for the box art ? It's near enough, send it. What's next ? Peephole theatre. What do we do with that ?" And so on...
So I think deadlines, and the fact this was never expected to be remembered a year later, let alone decades, are the reason for all the scrappiness we now see. I have one other theory that may say more about my attitudes than those of my imagined Promo Crew. Maybe someone said, if the Manor is going to be in the advert, let's not use the full artwork. That rough draft will do. This is about selling boxes of cereal so if they want to build the model, they mustn't be able to make it out of the advert. (Of course we know better.)