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https://en.wikipedia.org/wiki/Harikambhoji
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th Melakarta rāgam (parent scale) in the 72 melakarta rāgam system.
Khamaj thaat of Hindustani Music is the equivalent to this rāgam.[1][2] It is known as Harikedāragowla in the Muthuswami Dikshitar school of music.[1][2]
In Western music, Mixolydian mode is this raga's equivalent.
for details on below notation and terms):
?( S R2 G2 M1 P D2 N1 S) ( following HM scheme)
(notes used in this scale are chatushruti rishabham, antara gandharam, shuddha madhyamam, chatushruti daivatam, kaishiki nishadham)
It is a sampoorna rāgam – rāgam having all 7 swarams. It is the shuddha madhyamam equivalent of Vachaspati, which is the 64th melakarta.
Harikambhoji has a lot of janya rāgams (derived rāgams) associated with it, of which Kambhoji is by far the most famous and frequently sung in concerts. The globally famous pentatonic scale Mohanam is also considered a janya of this rāgam. Andolika[2] (also considered as janya of Kharaharapriya), Bahudari, Kamas,Pashupatipriya, Kedaragaula, Natakurinji, Navarasa kannada, Sahana, Senchuruti, Suruti and Yadukula kambhoji are also very popular janyas.
Among the Trinity of Carnatic music only Thyagaraja has composed songs in Harikambhoji. Ramanannu brovara, Entara neethana and Dinamani vamsa are very popular songs composed by Thyagaraja in this rāgam
28 Harikāmbhoji
Harikambhoji's notes when shifted using Graha bhedam, yields 5 other major melakarta rāgams, namely, Kalyani, Sankarabharanam, Natabhairavi, Kharaharapriya and Hanumatodi. For further details and an illustration refer related rāgams section in Shankarabharanam page.
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