A lot of science fiction productions that were filmed in England in the 1970s and 1980s had a specific visual hallmark in their set design – heavy grids or gratings employed as floors, ceilings, and sometimes walls. These things showed up all over the place!
Check out this iconic (yes; a wildly overused word but appropriate here) spaceship corridor from Alien.
So, what were these grids? Custom-crafted, bespoke-manufactured, and plasma-cut steel platforms? Nope!
Very simply, they were shipping pallets! Heavy, moulded plastic, shipping pallets made by Craemer GmbH. The things you stick a bunch of stuff on and pick up with a forklift truck, for transporting somewhere else. Pallets are typically made from wood, but plastic ones are also common.
Indeed, you can see the areas on the underside of the pallet that are spaced to accommodate a lifting vehicle’s forks. This type of pallet is known as an open or four-way pallet.
Repurposed for filmmaking as set decoration, the plastic pallets were a brilliant solution to a problem. How do you fill out your spaceship rooms convincingly and at low cost?
Enter these shipping pallets. Not only were they sturdy, but they could easily be cut up and screwed together in different configurations, forming large complicated-looking grids. The holes and boxes gave a sense of visual busyness and a linear texture that’s perfect for science fiction sets.
Usually moulded in orange plastic, they were sometimes backlit for a spacey glow, or simply painted grey, brown, or green, and screwed into place. They looked functional and real – they weren’t like ice cube trays glued to the wall or anything like that. They were heavy chunks of plastic with a slight texture to the moulding, so they looked convincingly like beat-up metal when painted – there was a subtle irregularity to the surfaces.
On the floor they formed a fairly solid grid to walk on, but since they were plastic they absorbed much of the noise of actors’ footsteps, making things easier for the teams recording on-set dialogue. (for suitably industrial-sounding clanky metal footsteps, foley teams would come in during post-production and add properly timed footstep sound effects) Fastened to the wall and backlit through smoke, they cast evocative rays of shadows. The pallets had front and back surfaces which looked quite different, doubling their visual usefulness.
And they were cheap. Very cheap.
Genius.
Here’s my 3D model of one of the Space Pallets of the 1970s.
It all started with a tightly budgeted 1977 film called Star Wars, which appears to have been the first production to use the pallets. It seems it was set decorator Roger Christian who found them and started using them, incorporating the pallets into a number of memorable sets.
They appeared in Star Wars as:
The floor of the Millennium Falcon hold. (painted grey)
The floor and walls of Princess Leia’s Blockade Runner side corridors (which isn’t surprising since they were the Millennium Falcon hold set repurposed).
Possibly the bridge leading to Luke’s homestead garage (grey). The garage floor (over which the Leia hologram appears) looked similar to the pallets, but was actually a different material.
The floor of the hexagonal detention block corridors. (orange, lit from below)
The floor of the detention block anteroom. (orange)
The ceiling of the Death Star prisoner cell/torture chamber. (orange, lit from above)
Death Star corridor ramp.
In fact, an entire grey-painted pallet is clearly visible in the shot where Princess Leia is zapped by a stormtrooper, albeit only for a couple frames of film.
“Let’s pack her up on a standard UK pallet and ship her to Lord Vader!”
The floor of the Falcon’s hold set was largely covered with pallets, in both ANH and ESB.
This is one of the few glimpses we get a view of the hold’s back wall in ANH. The vertical panels look similar to the pallets, though I don’t think they are. They appear to be closer to the stuff used to make the homestead garage floor.
The ESB Falcon set did not look like this. Instead of a flat wall covered with junk, a round doorway/arch was added, along with a vertical stacks of barrels.
One point of interest about the prison corridor set is that it was built in forced perspective. In other words, the corridor was constructed at a normal size with seven pairs of cell doors, and from there it rapidly narrowed, with increasingly smaller hexagonal wall panels. This trick made the corridor seem much longer than it really was. The Princess’ cell was the third door along on the right.
The floor panels were also faked where the forced perspective began. This screenshot, from the original 1977 movie, shows that the floor is much lighter in colour at that point.
Here’s the same scene from the Special Edition. You can see the floor colour and slope have been digitally fixed, and the corridor has been made to look even longer.
And for fun, here’s a view of the corridor seen off-axis, again from the original 1977 film. This view clearly reveals the fakery of the forced perspective set, which only looked right from one specific place at the front. The set design was an ingenious solution for a limited budget, but also restricted camera angles considerably. This was another shot fixed for the Special Edition.
The pallets had basically three different densities of strips, which is quite apparent when backlit. This helps contribute to the visual complexity of the detailing.
This close-up reveals, for 2-3 frames anyway, a lot of details of the pallet floor. Note how some of the holes in the bars are circular rather than rectangular, indicating one of two specific types of pallet that were used. Note also the exposed plywood to the upper right. Yes, the Death Star was made of plastic shipping pallets and plywood!
Alien (1979)
The most memorable use of the pallets, other than in Star Wars, has to be Alien. Another show decorated by Roger Christian, incidentally. The pallets were widely seen lining the Nostromo’s industrial corridors and storage hangar walls. Billowing clouds of steam (CO2, really) with spotlights shining through the grids of the orange pallets – awesome stuff.
The prop makers also used sliced-up chunks of pallet to make Ripley’s cat carrier box.
Doctor Who (1979)
Wall and floor panels, painted pale grey and metallic grey, adorned the beastly Nimon’s techno-lair in the famously not very good Tom Baker series The Horns of Nimon.
Behold my mighty oversized papier-mâché head! Fear my scrawny arms, my children, fear and tremble!
Pallets as flooring, with an additional layer of metal grid over top.
Janet Ellis (later to be Blue Peter TV presenter and the mother of singer Sophie Ellis-Bextor) at left and Simon Gipps-Kent right.
My agent promised me it would revitalize my career!
Graham Crowden tears up the scene.
The Empire Strikes Back (1980)
The Hoth hangar’s overhead gantries.
The Falcon hold floor again, but not the walls.
The Falcon’s kissing booth ceiling.
The floor of the Star Destroyer corridor.
The Bespin light sabre duel gantry.
Saturn 3 (1980)
This execrable film was initially directed by Star Wars designer John Barry, before he was kicked out and replaced by Stanley Donen (famous for directing a ton of classic Hollywood musicals, such as Singin’ in the Rain). It contains a number of items used as set dec in Star Wars.
You want to see Farrah Fawcett straddling a recycled Star Wars crate? An ageing Kirk Douglas thinking he can play the sexy leading man with a vastly younger woman? Harvey Keitel, badly dubbed, chewing up the scenery? An awful looking random killer robot? Then this is the movie for you!
Strangely enough, it's never been viewed by Mystery Science Theater 3000, though it should be.
Outland (1981)
Sean Connery engagesh in a brutal shpace fight next to a huge grid of shipping palletsh. Jusht look at them all!
The Hitch-Hiker’s Guide to the Galaxy, TV show (1981)
The BBC TV adaptation of Douglas Adams’ Hitch-Hiker’s Guide to the Galaxy featured a ton of pallets used as the walls of the Vogon spaceship corridor. Though because the show was done on a miniscule budget they just slapped rows of pallets in an empty studio, which looked a little barren and unconvincing.
Simon Jones and David Dixon as Arthur Dent and Ford Prefect.
Return of the Jedi (1983)
The floors of the Imperial bunker on Endor were all palletized.
The Falcon hold set and its floor was reused and filmed, but wasn’t seen in the final cut of the movie.
Aliens (1986)
The corridor floors and ceilings of the colony base and the Sulaco spaceship sets. Famously seen in closeup when Newt’s fingers desperately reach out for Ripley.
You can see how the paint that was applied to the pallets doesn’t stick very well to the slightly flexible plastic, and is flaking off everywhere as props and equipment are dragged around the sets. That exposes the orange HDPE plastic beneath.
The side corridors in the photos below seem to use a different, though related, Craemer pallet type.
Carrie Henn as Newt.
Red Dwarf (1988-89)
Various episodes in the first two series (the “grey wall” sets) of the BBC TV comedy, which were all taped in Manchester, feature the pallets all over the place.
Left: series 1, “Confidence and Paranoia”. Craig Ferguson (later the late-night TV host) as Confidence and Craig Charles as Lister. Right: series 2, “Kryten”. Danny John-Jules as Cat.
Shipping pallets, or as they say in Esperanto, sendo de paletoj, aboard the Red Dwarf.
There has been a lot of discussion over the years about who actually manufactured the pallets. And it appears that Craemer GmbH, a German pallet manufacturer, made them in Herzebrock-Clarholz, Germany (which was West Germany at the time these films and shows were made, of course). There’s no evidence they were made in Britain – Craemer did not have a UK subsidiary at the time.
According to Craemer, the Space Pallets were model C 4 B/81 32 17 11, NPe, rotbraun. That was the “red-brown” version, which was essentially a dark orange colour. They were also sold in untinted plastic as “natur” which was effectively off-white.
The side pallets from Aliens look like they might have been C 4 C/81 41 11 10 pallets, though I can’t say for sure.
Here’s a page from an old catalogue, courtesy Craemer GmbH. Our main Space Pallet is the type marked as 2 below. The possible Aliens one is marked as 1 below.
In May 2026 Craemer posted some information on the space pallets, even generously providing a pair of highly accurate downloadable 3D models! Pretty cool. The 3D model was produced by a Craemer employee who’s a film fan, using measurements from an actual surviving vintage pallet.
Nobody (including Craemer) is manufacturing pallets to the same design today, even though tons of companies manufacture plastic pallets. There’s a specific look to the original 1970s SF pallets, especially the rows of bars perforated with small rectangular holes, that you can’t find anymore.
The ones seen in classic SF movies were 1000mm x 1200mm x 145 mm in size, based on information provided by Craemer. This is a common UK pallet size. They weighed 13.5 kg and were made from HDPE (high-density polyethylene).
This UK size differs from the standard Euro/EUR/EPAL pallet, which is 800mm x 1200mm in size. Or common American/Grocery Manufacturers Association/GMA pallets, which are 48" x 40" (1219mm x 1016mm) in size.
There seem to have been very few of the original 1970s/80s pallets that have survived. Nobody knows why.
One theory is that the manufacturer recalled them and recycled the plastic, and since they paid a bounty on returned pallets, not many survived in the wild. However Craemer didn’t do this, and HDPE recycling (while technically possible) wasn’t really happening back in the 80s.
Another theory is that the pallets were distributed on a for-hire basis, the way blue pallets in the US are controlled by a monopoly company. These are effectively rented, and not bought by each user. This wasn’t the case either.
Either way, auctioneer Propstore found and bought a set of old partially-painted production-used pallets from a prop rental house (not from a pallet manufacturer) and auctioned them off in 2011. Of course, it’s not known for certain what productions each resold pallet was used in.
Sadly the Disney-era Star Wars films did not use the correct 1970s-era pallets as Millennium Falcon floor panels. They used some other type of pallet that looks very stripey and frankly a bit less cool. Oh well.
I haven’t got any official confirmation of this, but the sequel pallets do look suspiciously identical to Craemer’s H3 pallets.
Production designer Andy Nicholson, responsible for the look of the 2025 Disney TV show Alien: Earth, created new sets which harkened back to the original Nostromo set from the first Alien film. Disney have published a lot of high-resolution photos of the new sets, which look spectacular, and which seem to show very pallety looking pallets. Orange with peeling grey paint, and proper slightly rounded edges. (this latter fact indicating that they weren’t laser-cut acrylic or anything like that)
Accordingly it appears his team had special replica pallets, which appear idealized and cleaned up compared to the original mouldings, made for use in the show to build the doomed Maginot spaceship. A very nice detail.
The show was entirely filmed in Thailand, including all the interior studio work, incidentally. Series 2 has been commissioned and is to film in London. What will happen to the pallets they made?
From what I can tell, Alien Romulus (2024) went for a grid-like vibe in some sets, but did not use pallets or replica pallets.
Probably not. Unless you have over half a million Euros sitting around, and want to do something silly with your cash. Creating a new injection moulding tooling to produce replica pallets would be extremely costly. Modern plastic pallets use very different designs from those dating back to the 70s, and Craemer have said that the original tooling needed to reproduce them no longer exists.
That said, an American company has recreated partial pallets in cut metal, for a private spaceship reenactment. Those wouldn‘t have been cheap, but less expensive than manufacturing new pallets.
https://www.youtube.com/watch?v=IWSeqhvTozM
Craemer GmbH’s page on the pallets, including free downloadable models.
https://www.craemer.com/en/blockbuster-pallet
Two pages from vintage Craemer catalogues that the company kindly sent to me. I’ve made them available for download, with permission.
https://drive.google.com/file/d/1JT5HRD9FJooHsDQdEszhKRqhhk8j33D1/view?usp=sharing
https://drive.google.com/file/d/1rv4Ky9x7qji-OJX_Miqwvnlnu9v_iL4K/view?usp=sharing
An RPF discussion of the floor tiles/pallets. This thread includes a link to a 3D model by member pauljwiz.
https://www.therpf.com/forums/threads/aliens-floor-tile.150618/
The Prop Pallet photostream on Flickr.
https://www.flickr.com/photos/89573038@N04/albums/
A fan model of the top of the pallet. (no internal structure)
https://www.thingiverse.com/thing:5206834
A number of people have built 3D models of the infamous space pallet. Most of which look fine, but are a bit low on the detail side of things.
My pallet
I decided to make a 3D model with a bit more detail than others out there.
My STL is a 1:10 sized model sized in millimetres, and there are a lot of thin walls that would make it rather difficult to print at really small sizes or on a filament printer. But here it is if you want to play around with spacey pallets.
Free downloadable model
https://drive.google.com/file/d/1ogn5w_Gchrqtke5jpVonNgxB5asLA74z/view?usp=share_link
Let me know if you do something fun with it. It’s free, but please link back to this site if you use it. Thanks!
The Craemer model
By contrast the new models provided by Craemer are far more accurate than my model.
However, some of the fine details and fins are really thin when scaled down to small sizes, which makes things tricky to print. Vertical sides are also slightly tapered (the injection mould had a noticeable draft, in other words) which can cause print issues.
I deliberately made some of those details a bit overscale and thicker. Since my version should be very slightly more printable, even though it’s not quite as accurate, I’ve left it here for anyone who wants it.
Version A, 23 Aug 25: first release
Version C, 24 Aug 25: third release, height and detail fixes
Version D, 24 Aug 25: four release, minor details.
Version E, 25 Aug 25: updated side holes and added details.
Version F, 25 Aug 25: fixed narrow ends.
Version G, 26 Aug 25: converted straight chamfers to pencil round.
Version H, 26 Aug 25: minor details – rounded corners on the rectangular holes.
Version I, 22 May 26: total rework to reflect new data from the 3D model published by Craemer.
Version J, 23 May 26: fixing a bunch of internal details.
Text, model, and renderings copyright © 2025-2026 3Dsf.info. Photos/screenshots copyright their respective owners.