• Learning Journal - All Learning Journal entries published weekly and Learning Journal Link submitted to Campus Online in week 1.

• CIU212.1 Client & Supervisor Simulated Meeting – Submit a link to your Learning Journal with embedded presentation and reflections on project meetings to week 6. Progress should be documented weekly. Submit to Campus Online due week 6.

• CIU212.2 Project Development – Submit a link to your Learning Journal with your mentor and team production meeting, updates, feedback, problems you have worked through, and a final reflection on the module. Progress should be documented weekly. Submit to Campus Online due week 12.

• CIU212.3 Project Proof of Concept - Submit a link to your Learning Journal with Production Bible embedded. Submit to Campus Online due week 12.

• Final Reflection must be included in your Learning Journal

• Weeks 1-2: Ideation and Collaboration - groups of 3 or more per project

• Weeks 3-4: Pitching your idea - group presentation week 3 or 4 - max 5 mins

• Weeks 5-6: Developing the pitch presentation for “green light”- group presentation week 5 or 6 -max 15 mins

• Weeks 8-9: Defining the Project+ Developing the Project Bible

• Weeks 10-11: Marketing objectives - Project Bible draft due week 10

• Weeks 11-13: Deliverables and Elements - Project Bible Final due week 12

• Week 13: Final reflection of the unit

• Project Initial Pitch group presentation in-class weeks 3 or 4**

• Project Group Presentation for "Green Light" in-class weeks 5 or 6

** Note: You may already have a project in mind so we are happy to hear an initial pitch as soon as you're ready

• Project Bible Draft submitted by week 10

• Project Bible Final Due week 12

• • • Rock Band Setup - 5 track EP

    • EMP Project - 5 track EP, must have recorded elements, using a range mixing approaches

    • Final product published to include artwork and video (for at least one song) - Must engage with third party contributor

    • Must display initiative in a professional freelancer role or as a part of a professional team

Audio for FILM

• • • • 10mins maximum screen time Must display initiative as a professional freelancer role or as a part of a professional team

      • The following audio crew roles must be determined - Location sound mixer, Boom swinger, Audio data wrangler, Dialogue editor, SFX editor, Foley engineer, Foley artist, Atmos Editor, ADR recordist, ADR editor, Mixer, Music Composer/editor/mixer/engineer

      • A full crew tech run for audio post workflow must be completed prior to the shoot

      • Workflow document for Film/Audio Tech run (also below)

      • Post - Production for audio - All Visual turnovers to audio teams must be at 25fps (if video) with timecode burn-in starting at 00.00.00.00 or 24fps (if film).

      • Film projects must be locked off prior to turnover to the audio team and include opening and closing titles - timed to correct length - (a dummy credit roller can be swapped out in film post but must remain at the identical length)

      • All location audio channels must be used in film edit so that an all channel OMF can be turned over to audio at Lock off.

Audio for GAMES

• • • • Teams must use a standard audio tracking sheet to track pre-production and post audio asset creation. implementation and feedback

      • AUDIO Tracking Sheet - in 0. Major Project Student Resources: Students must make a copy of the tracking sheet to use for their project - DO NOT edit in this master resource, please. https://docs.google.com/spreadsheets/d/1vJED60PCoFL4WwIrfQiNLFHym2C8AxqcyxBkPfjqnts/edit?usp=sharing

      • Pre mastered audio files must be implemented in-game prior to week 8 (CIU330). Mastered audio files implemented no later than week 10 (CIU330).

      • QA audio playtest must be completed in week 11 (CIU330) with level amendments completed prior to submission in week 12 (CIU330)

      • Playthrough Video 2 mins (ish) to be created by Games team for Audio submission