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Cross-disciplinary seminar. Explores the continuity of cultural traditions through a study of major works of history, literature, philosophy, social thought, fine arts, and the sciences. Compares and contrasts modes of inquiry characteristic of those disciplines. Organized around the theme of the postmodern world.
The last few centuries have seen an explosion in human knowledge of and questions about art, history, science, politics, and language - this has occurred in two distinct eras: modernity and postmodernity. Much of this knowledge building has focused on understanding one creature in particular, the human being, and how humans interact with each other.
In this course, we will look at sources in the arts, history, philosophy, film, poetry, and other media and how different people viewed two concepts in particular: equality and equity. We will ask intriguing questions: are human beings all equal to each other? If so, in what ways? Does equality mean “sameness”? How do people challenge the concept of human equality? What are the differences between equality and equity? How do they relate to each other? How have these concepts changed over the last century? How do we ensure humans receive what they need to flourish? How do the humanities respond to and interpret a rapidly changing world?
Antecedents of postmodernism: From the European "Enlightenment" era through 20th-century
Modernism
Communication
Education
Intellectual networks
Oral traditions
Physical artifacts
Transportation
Social structure
Urbanization
Modes of production
Class structure
Patronage
Religion
Scientific community
Loci of power
The humanities heritage
Significant works
Art and architecture
Music and theater
Philosophy and science
Letters
Significant issues
Race
Gender
Intellectual freedom and expression
Artistic freedom and expression
What it means to be human
The postmodern world's relationship with its heritage
Absorption
Rejection
Deconstruction
Transformation
Students participating in this class will:
Recognize, analyze, and discuss a number of diverse scholarly perspectives concerning the postmodern world and its intellectual heritage.
Complete a close, critical reading of primary texts and artifacts related to the postmodern world and its intellectual heritage.
Examine explicit models and techniques of reasoning used since the Western Enlightenment.
Conceptualize research problems and prepare a documented research paper based on an argumentative thesis, including an abstract and supported by an annotated bibliography of primary and other scholarly sources, concerning as aspect of the postmodern world or its intellectual heritage.
Prepare a hermeneutical analysis of a masterwork of the period; this may be done via representational passages for larger works.
Discuss and analyze the artistic significance of a major artifact of the period.
Orally present a research paper in an academic conference environment.
Distinguish and evaluate the advent and growth of the sciences, including the social sciences, as seen by such disciplines as history, art history, and philosophy.
Evaluate political conflict as seen by such disciplines as history, art history, and philosophy.
Isolate and evaluate the key ideas that have changed the course of historical events, as seen by such disciplines as history, art history, and philosophy.
This class will use the Zero Textbook Cost (ZTC) option.
Readings will be provided from:
McHale, B., The Cambridge Introduction to Postmodernism, Cambridge University Press. 2015
Cunningham, L., Reich, J., Fichner-Rathus, L., Culture and Values: A Survey of the Humanities, Vol II, 9th Ed. Cengage Learning. 2018. (Material Fee 0.00
Supplements are provided through Canvas to students.
TU 300 (Free; 0 unit course)
Library Workshops (Free through the Saddleback College Library)
RefWorks Account (Free through the Saddleback College Library)
With the invention of the written word came efforts to control the impact of those words. Censorship has had a long and full history in limiting our understanding of the past and the literature that has shaped beliefs and movements along with our understanding of the world around us. You will read and view material that may contain difficult themes or express views you dislike. By exposing ourselves to these views, it will provide us a richer understanding of rhetorical analysis and the need to create meaningful dialogue when faced with contrary views.
Please note that this class may cover readings and discussions that include adult themes and issues. We may read, view, and discuss mature subject matter (relating to the arts, entertainment, sexuality, race, class, immigration, war, religion, politics, nature, science, crime, violence, etc., as well as a range of points of view on those issues). Students may be exposed to work that makes them uncomfortable, that challenges the norms of contemporary culture, or that challenges the norms of their own upbringing. As challenging as those subjects may be, you are encouraged to remain in the class, to learn about diverse points of view, and to--tactfully and respectfully--contribute your point of view.
Please note that hate speech is prohibited (definition: “any advocacy of national, racial, or religious hatred that constitutes incitement to discrimination, hostility, or violence”). Always talk humanely about other human beings.
Given the situation described above, we will strive to maintain an inclusive and equitable environment, including an emphasis on curiosity, tolerance, and experimentation. If students have concerns about any material that they are reading, please reach out to us immediately.
Active Engagement
The Humanities
Modernism and Postmodernism
Thinking
Introduction to (Post-)Modernism
Who are we?
What do we mean by “equality” and “equity” in 2022?
Crisis World
We’re Moving to the City
The City as Site of Modernity
Hands of Power
Modern Social Structures
The Abuse of Power
Progress?
What is Progress?
Modern “Progress”
Progress in the World
Postmodernism and the City
The City Changes
The City Falls Apart
Postmodern Religion
We’re All God Now
Gender
Gender as Performance
Race
Remembering the Past
Imagining the Future
Learning How to Be Human
Education, Power, and the Self
Imagining the Future
Science or Science Fiction
Technology
All the World’s a Simulation
Technology and the Self
The End?
Post-postmodern? What is coming?
You will access your course by logging into Saddleback’s Canvas. All your course materials, assignments and other information will be in Canvas. Canvas works best on Chrome.
You will log on with your Saddleback student username and password. If you have any problems logging on, be sure to contact Student Technical Support for assistance.
If you’ve never used Canvas before, I highly recommend you check out these great video tutorials!
New to Canvas? I highly recommend checking out the video tutorials before getting started.
Saddleback Student Technical Support - Canvas, password, and email assistance
Library - online databases and librarian assistance
Additional help links will be provided with course assignments
Expect to check our course Canvas site or your official Saddleback College email address for correspondence, announcements, and/or assignments.
Canvas: Canvas: https://canvas.instructure.com
Applications through Canvas
TurnItIn: Canvas will connect you automatically
RefWorks: RefWorks: http://www.refworks.proquest.com (Sign up using Saddleback email)
Google Drive/Gmail Account: Google: http://drive.google.com/ All papers are to be written in and maintained through Google Drive. NOTE: Students are expected to respect each other’s work; any student caught messing with another student’s or group’s paper(s) or assignment(s) will automatically earn a zero on the assignment in question.
Zoom: https://conferzoom.us/
Padlet: https://padlet.com/ (a free account should be fine: used in class to document discussions)
Kahoot! App (Recommended to install on your phone; we play 5-6 games throughout the semester)
Monosnap: https://monosnap.com/ (download the free app; don’t sign up; useful for creating videos and screenshots for homework)
Trello: https://trello.com/ (free account; we use this 2-3 times in the semester)
See also:
Canvas Help