On Wednesday, November 7, Adeena Karasick treated her graduate and undergraduate Artist Book students to an intensive Riso workshop at Lucky Risograph in Dumbo. The space is dedicated to working with local and international creators to reinterpret risograph printing through art books, zines, prints, and community projects. During the 2 hour workshop they learned about riso printing; how it’s a sustainable printing method that uses stencils and spot colors to produce vibrant, tactile prints from their b/w images – and then created a collaborative 2 color zine which they all got to go home with.
Date and Time: Nov 11, 6:00 PM – 10:00 PM
Location: Millennium Film Workshop, 167 Wilson Ave, Brooklyn, NY 11237, US
join us for an evening of short documentaries that focus on women and labor. This event will also kickoff a crowdfunding campaign for the film Mujeres Atrevidas, by Cynthia Tobar. This evening's theme will be centering women and women-identified Latin voices as we reflect on their roles and impact on the labor movement in the US via grassroots documentary film/media. Mujeres Atrevidas (Bold Women) centers on immigrant women's experiences directly informing this moment in the labor movement. Weaving together moving interviews and vérité footage that tell of their daily working lives and struggles, Mujeres Atrevidas takes the audience through the journey of how these female delivery workers, construction workers, and day laborers find community and empowerment to overcome obstacles and tap into their inner strength to organize for themselves. With this film, our ultimate goal to intertwine participatory documentary and participatory design methods for female-identifying, low-income immigrant workers to embrace wonder in reimagining what gig worker technology platforms could and should look like to foster well-being and agency. We'll start the evening with music by Rebecca McCartney, a screening of the short work-in-progress of Mujeres Atrevidas, followed by a panel discussion moderated by cinema studies scholar and educator Gina Marchetti with film director Cynthia Tobar, cinema & media studies scholar Diana Flores Ruíz, writer, scholar and editor Mónica-Ramón Ríos and the Workers Justice Project. Women & Labor Mujeres Atrevidas Fundraiser Sat, Nov 11 at 6PM Millennium Film Workshop 167 Wilson Ave, Brooklyn, NY 11237 Music + Screening + Q&A Tickets $15 Mujeres Atrevidas A film by Cynthia Tobar Executive Producer: Brett Halperin
More Info: https://www.millenniumfilm.org/event-details/women-labor-mujeres-atrevidas
Event details
Saturday, November 11, 2023
2–3 pm
Dia Beacon
3 Beekman Street
Beacon, New York
Free with museum admission, registration is recommended.
Blind Dates Recursive is a series of participatory public
conversations held in conjunction with Rita McBride: Arena Momentum. Taking place on McBride’s Arena (1997), each month an invited facilitator poses a question to instigate participant responses and conversation. Like a game of Telephone, Blind Dates Recursive generates iterative gatherings and an evolving public dialogue over the course of the exhibition. Blind Dates Recursive 01 is facilitated by artist Timmy Simonds.
Emily Beall moderated the launch of Arlene Keizer's Fraternal Light.
Dear Friends and Fans,
Dear Colleagues, Dear Sponsors,
It's time to celebrate awards, upcoming performances and publications! As announced earlier this year, now is the time to harvest the fruits of our efforts, so be ready with a glass of prosecco in one hand and a sweet strawberry in the other hand...
Cheers, Zum Wohl, L'Chaim!
With warmth,
Oxana & Layla
PERFORMANCE STUDIES international Enrichment Bursary Award 2023
Oxana Chi received the Enrichment Bursary Award at the PSi#28 Conference Uhambo Luyazilawula: Embodied Wandering Practices. The ceremony was held on August 2, 2023 at the beautiful Wits Theatre at the University of Witswatersrand, School of Arts, in Johannesburg, South Africa. The Conference was a rich and unique experience across the city and she enjoyed sharing the performance I Step On Air on this journey.
DANCE STUDIES ASSOCIATION Oscar G. Brockett Prize for Dance Research 2023
Dr. Layla Zami was awarded the Honorable Mention in the Brockett Prize for the book Contemporary PerforMemory. The Virtual Awards Ceremony will be held in October.
The book is a model of creative disciplinary innovation, demonstrating how dancing itself is at once fully contemporary and fully historical,
a methodology that helps us to work through and with the past. Brockett Prize Selection Committee.
14th STREET Y THEATER
LABAlive Season Opening
THUR Sep 14, 2023
7.30 pm
World Premiere for Layla as a playwright! Broken Bet was developed as part of a yearlong Fellowship with LABA: A Laboratory for Jewish Culture in NYC in 2021-2022, and we can't wait to be back in town to finally share the work alongside other LABA artists! Come and enjoy Oxana's new choreography and Layla's tragicomic theater performance about the foldable meanings of ‘home’, with a pinch of Kabbalah theory and Dada absurdity, followed by a celebratory reception.
Discount code available upon request - reach out if needed!
344 E 14th St
Btw 1st & 2nd Ave
Manhattan, NYC
WEEKSVILLE HERITAGE CENTER
I STEP ON AIR
SAT Sep 23, 2023
6pm (time tbc)
Weeksville Heritage Center is one of our favorite spots in New York! A place to enjoy culture, history, and food, to chill, and connect with people, especially on Saturdays at the Weeksville Green Market. We will perform I Step On Air choreographed and danced by Oxana Chi, with live-music and sounds by Layla Zami, and a text by Afro-German poet and activist May Ayim. The evening will round up with a concert by a local band. Stay tuned for a detailed schedule coming up soon, and come over!
158 Buffalo Avenue
Brooklyn, NY 11213
Learn more (Event info will be online soon)
THE KITCHEN
SONGBOOK: THE QUOTIENT OF DESIRE
WED Sep 27, 2023
7pm
The Kitchen L.A.B. Research Residency primary researcher Romi Ron Morrison hosts a roundtable discussion and live performances around the music and life of Julius Eastman. Morrison created a graphic score and commissioned invited artists to develop a new work in response to it. The in-person event comprises a collaborative performance with dance by Oxana Chi and music composed and performed by Layla Zami (saxophone, loops). The other invited artists are Mendi+Keith Obadike and Kumi James aka Bae Bae.
Collapsable Hole
155 Bank St
New York, NY 10014
TANZNACHT
FRI Sep 08, 2023
2.30pm
The conference imagining future coexistence: dramaturgy & choreography as aesthetic and social practices is organized by FU Berlin in cooperation with Tanznacht Berlin at the Uferstudios. Dr. Layla Zami and Oxana Chi are invited to present and perform at the session on "Challenging Methodologies", and to participate in a panel discussion with Dr. Jonas Tinius and Jun.-Prof. Dr. Kirsten Maar.
Uferstudios
Studio 1
Uferstrasse 23
Berlin Wedding
INTERVENING ARTS
FRI Nov 10, 2023
5.30pm
The annual conference of the collaborative research centre Intervening Arts (SFB 1512), hosted in cooperation with the Institute for Cultural Inquiry (ICI Berlin), will feature the German premiere of our short play Broken Bet. The session will include a reading by artist-theorist Brandon LaBelle and a conversation with performance scholar Prof. Dr. Doris Kolesch (FU Berlin). Ausklang with food and DJ sets.
Pfefferberg Haus 13
Schönhauser Allee 176
10119 Berlin
KUNSTUNIVERSITÄT GRAZ
FRI Dec 15, 2023
11am
The Centre for Gender Studies and Diversity at the University of Music and Performing Arts Graz invites Oxana Chi & Layla Zami in the realm of the lecture series
Aktion(s)kunst:
Aktuelle Perspektiven aus Kunst und Forschung.
Zami will present a talk on sonic interventions, followed by Chi's performance Killjoy.
Theater im Palais
Leonhardstraße 19
8010 Graz
Austria
From South Germany to South Africa... this summer we also performed and facilitated a workshop at the Peace Summer School in Augsburg, Bavaria and we continued to do research in exchange with local artists in Johannesburg, South Africa for the podcast Sonic Interventions.
We wish you a smooth transition into autumn season!
Photo Credits:
1. Oxana Chi at PSI#28, Photo by Layla Zami
2. Layla Zami Headshot, Photo by Mirjam Klingl
3. Oxana Chi & Layla Zami, 14th Street Y Theater, New York, Photo by Philip Treviño, Costume by Claire Fleury, Oxana Chi & Layla Zami
4. I Step On Air, Photo by Adriano Vannini
5. Oxana Chi and workshop participant at the Peace Summer School, Photo by Layla Zami
6. Sky Dladla and Layla Zami at the Blueprint Studio Johannesburg, Photo by lichi
Shankar, Karin. "Amar Kanwar: Neoliberalism on Trial." PAJ: A Journal of Performance and Art (2023) 45 (3 (135)): 1–13.
Amar Kanwar's The Sovereign Forest attends to the violence of dispossession in the Eastern Indian state of Odisha, specifically the impact of mining operations in the Niyamgiri hills by multinational corporations. Kanwar's multivalent moving image installation is simultaneously artwork, library, memorial, archive, and an “open call” for visitors to offer more evidence in a public trial: “The Sovereign Forest vs. The Republic of India.” This article shows how in The Sovereign Forest, art is made inseparable from evidence of crimes of dispossession, offering a potentially transformative milieu for both art and justice.
Dear President, Dear Dean and (former) Chairs, dear Colleagues,
I hope this email finds you in good health and in good spirits.
I just wanted to inform you that my first book received the Honorable Mention in the competitive 2023 Oscar G. Brockett Book Prize for Dance Research.
Attached is a visual and below is an excerpt of the selection committee's review. Some of the writing and editing has happened on the Brooklyn campus, and the book launch happened at Pratt virtually in the beginnings of the pandemic so this book is deeply connected to NYC in my memory, and I am grateful that Pratt was the home for my diasporacentric research for several years.
I would like to express much gratitude to you all for the various forms of support that you have given to my research, teaching, and more!
Attached is a visual of the announcement and below is an excerpt from the Brockett Prize Selection Committee at the Dance Studies Association
Contemporary PerforMemory is a rigorously crafted exploration of dance as an epistemological practice of cultural memory in relation to historical trauma. Organized around seven contemporary dance pieces, it places the body at the center of archival enquiry, less as an object to be studied than an active subject that remembers, imagines, reclaims and sometimes resignifies injurious pasts. The book is a model of creative disciplinary innovation, demonstrating how dancing itself is at once fully contemporary and fully historical, a methodology that helps us to work through and with the past.
I can't believe it's been a year since I left the US! Luckily, I will be visiting very soon and premiering a performance in Manhattan which I developed in NYC as a Fellow in LABA: A Laboratory for Jewish Culture in 2022-2023. More info here:
https://www.14streety.org/event/labalive-i-homeland-taboos/
Warm greetings from Berlin :)
Layla
Saul Anton Update
In 2023, Saul Anton is publishing two peer-reviewed articles, “Rousseau’s Shameless Beginnings,” in Parallax, Vol. 29, No. 2 (May 2023) and “The Anarcheological Museum: Description and History in Diderot,” in Diderot et l’archéologie, edited by Fayçal Falaky, Zeina Hakim, and Lorenz Baumer, Paris, Classiques Garnier, 2023. In 2022, his work on eighteenth-century aesthetics and politics also included a review of Hall Bjørnstad, The Dream of Absolutism: Louis XIV and the Logic of Modernity (Chicago: University of Chicago Press, 2021), Eighteenth-Century Studies, Summer 2022.
In the past twelve months, Saul has also given two conference presentations: “Commerce and Theater in Diderot’s Writings on Russia,” for a panel on “Enlightened Masses, Enlightened Elites,” American Society for Eighteenth-Century Studies, March 9–12, 2023 and “Naming, Flowers: The Imperative of Unworking in Rousseau and Nancy,” a panel on “Political Botany,” American Comparative Literature Association, June 15–18, 2022. He has also chaired the Research Recognition Award for the Pratt Academic Senate in 2022-23. He will be on sabbatical next year.
Art To Get Carried Away With
DreamTrain: a piece commissioned by American Composers Orchestra that we premiered on June 11. Our work begins around minute 16 and is about 27 minutes long.
SlowDrag: a mobile sound installation for the Counterpublic biennial in St. Louis. This is a short video documenting it, with narration by our curator, Allison Glenn.
SLOW FASHIONh
https://www.docsville.com/videos/slow-fashion-56-min-docsville-copy-eme
ion
56m
Slow Fashion is a documentary that explores cultural appropriation of indigenous designs in Mexico by an international fashion designer and the way weavers and block printers in Laos and India are working with new sustainable designers, whose principals and practices are based on equality, not hierarchy. A major fashion designer from Paris has been appropriating traditional designs in the community of Tlahuitoltepec in the highlands of Oaxaca, Mexico. In response to this and other instances of global appropriation, Mexico's Ministry of Culture has asked global fashion brands for “a public explanation on what basis it could privatize collective property". Can credit and compensation be given to indigenous communities where the designs come from? Given the vast economic disparity between local communities of origin and the global companies, who are appropriating their designs; it becomes a matter of not only collective property rights, but also human and cultural rights. In Laos, craftmanship and the value of culture is examined by Nanci Takayama, professor/sustainable fashion activist. Working with communities of Laotian weavers, she raises the subject of empowerment of women artisans and weavers and explores alternative socially conscious ways of working with them in collaboration. She focuses on how designers should respect culture and not just take the artisans’ heritage, their designs, but also to give something back in return. In Jaipur, India; Mireia Lopez, a New York City progressive eco-designer, demonstrates how to respect artisans by working in a just and fair manner. Hierarchies disappear and true collaboration occurs, as a people-over-profit philosophy is practiced. Mirea, demonstrates how a fashion designer can practice fairness and collaboration. Metamorphosis is possible and real solutions occur as sustainable practices are chosen. Ultimately, fashion designers must be inclusive and rooted in local needs, resources, and culture. It must include women and give voice to communities, who have been long marginalized by colonial models.
Welcome to Fall 2022!
I want to extend a warm welcome to all new and returning HMS faculty. Most of us will be back on campus this semester, and I know we’re all eager to get to know our students and new colleagues. This email provides information for both new and returning faculty and staff, but it may be a little long. It includes sections on communication, meetings, COVID-19 protocols, student support and other useful items. I am indebted to Emily Beall for doing the heavy lifting to put all this together, and we both want to thank Joshua Tan for helping to fill in many of the gaps about facilities and technical help.
If you need to contact me at any time, email may be the best first step—gmarchet@pratt.edu. I’m still sharing Emily’s office, so you will be able to find me (and/or Emily) in Dekalb 304. If you’d like to know more about me, feel free to read this Pratt news item: https://www.pratt.edu/news/gina-marchetti-named-chair-of-humanities-and-media-studies/
Information and resources to support teaching and learning are below; please read carefully and save this email for easy reference! (All information will also be on the HMS@Pratt webpage.)
HMS Intranet
We will continue to make use of the HMS Intranet site for faculty/staff announcements and other information. So, if this email gets too long for you, please go to
https://sites.google.com/pratt.edu/hms/home
This page provides a slew of valuable information (including forms) to support your teaching, research, and service in HMS. We will update this page regularly (so please let us know if you see any outdated information).
This page will also be a first stop for HMS faculty news. If you have a web page or social media account you’d like to share with the department, please let us know. We can put it on this page for your colleagues’ information.
Pratt Website
The new Pratt website is more of a work in progress than we all would like. Pratt is working to correct errors and improve the site. When you have time (no immediate hurry in most cases), please review the HMS landing page and information on your profile and your courses. If you see errors, please send this information to our Assistant to the Chair, Joshua Tan, to keep a running list of these problems.
HMS Video Introduction for New Students
A short introduction to HMS from the chair (me) can be found under “Talks” on OneKey-- https://talks.pratt.edu/media/t/1_gx5d29ck/269360392
This is designed to let new students know about the department and the role Humanities Core plays in their Pratt education. Feel free to let your students know about it. I envision HMS short videos populating this section of “Talks.” If you are so inclined, feel free to produce short videos, illustrated slideshows, personal introductions, or other materials to add to this list.
Department Meetings
Our first HMS meeting will be on Thursday, October 6, 12:30-1:50pm. Please let us know if you have any items you would like to see placed on the agenda for this meeting. We plan to keep these regular meetings on Zoom, and we will send the link to you closer to the date. I plan to meet with coordinators and smaller groups of faculty members after we’ve settled into the semester routine, so please keep that in mind, too.
Return to In-Person Classes!
This semester, nearly all Humanities and Media Studies courses are returning to entirely in-person. Please plan to hold all of your class meetings in-person; students and faculty need to be masked in the classroom. Of course, we’ll all need to remain flexible, so if you need to shift an individual class meeting to online because you had a COVID exposure, for example, please do so.
There will inevitably be issues to work out as we return to in-person teaching for the first time in nearly three years…so please do communicate any safety, facilities, or other issues to the HMS Office, and please also be patient as we work to get things back into ship-shape.
COVID-19 Classroom, Studio, and Field Trip Guidance
Please take some time to review the current Classroom, Studio, and Field Trip Guidance here, on the “Back to Pratt” website: https://www.pratt.edu/coronavirus/covid-19-guidelines-and-policies/
Note that “students and faculty need to be masked in the classroom unless eating or drinking.” Masks are available in the HMS Office, Dekalb 321.
Please also continue to read the weekly “Back to Pratt” newsletter for updates.
Student Support
If a student in your class is having a difficult time with their academic work or with their emotional well-being, support is available for your student. Please use “Starfish” to “raise a flag” – not the best language, perhaps, but what’s important to know is that this will connect them with a person who can provide support. That might be their advisor, the Learning/Access Center, their HEOP counselor, Counseling, etc. as appropriate. These “flags” do not go on students’ transcripts.
In particular, it’s often better to flag when a student has missing or late work sooner rather than later; services such as time management coaching and tutoring are available to all students.
You can find “Starfish” on your one.Pratt.edu homepage, or at the very bottom of the pratt.edu site. You can also email starfish@pratt.edu if you prefer.
Students with Accommodations
You may receive a “Disability Certification Letter” from the Learning/Access Center notifying you that a student in your course is eligible for accommodations. Please read those letters carefully, and work with your student as needed. Keep in mind that students’ disabilities are private, and so the letters do not disclose those disabilities nor should you ask a student to do so. If you have questions about accommodations and how to meet them, please contact the student’s L/AC advisor (listed on the letter), phone the L/AC (also listed on the letter), visit the Faculty FAQ page, and/or speak with your program coordinator or the Assistant Chairperson. In short, if you are working to understand an accommodation and want support, please do ask.
The Center for Teaching and Learning
The Center for Teaching and Learning (CTL) provides a wide range of resources and events to faculty, including support on using Canvas for your courses. https://prattctl.com/
Here’s a sampling of fall semester sessions:
Session 1: Overview, Syllabus, and Modules: Aug 25 12:30-1:30pm
Session 2: Discussions and Assignments: Aug 26, 2:00-3:00 pm.
Session 3 :Gradebook and Attendance: Aug 29, 12:00-1:00 pm.
https://us02web.zoom.us/j/83818711022?pwd=NXZxcWZQekNyOUl0djBLNThuVW92UT09
Diversity/Equity/Inclusion
Pratt has a strong commitment to DEI, and HMS shares that responsibility. Visit https://www.pratt.edu/about/diversity-equity-inclusion/ for updates on news and events. Be certain to tell us about any thoughts you have on inclusive pedagogy and other ways you have of making your courses/research/scholarship inclusive. I want to share your accomplishments with the rest of the department, so think of the best ways we can accomplish this (e.g., blog posts, workshops, or other means).
Classroom Tech
If you need help with the technology in your classroom while you’re teaching, please call or email the Service Desk: 718.636.3765 / services@pratt.edu
They may be able to help you remotely, or send a technician over. This Fall, their desk is staffed until 6pm. If you notice something not working that isn’t urgent, please do email them so they can fix it prior to your next class.
Tents Available for Class Meetings
The tents in the Rose Garden are available for class meetings through November 17th. If you wish to reserve a tent for a particular class meeting or set of meetings, please email Assistant to the Chair Joshua Tan (jtan@pratt.edu).
Course Syllabi
Please submit your course syllabi to Joshua Tan (jtan@pratt.edu) by September 12th. You can find all current syllabus statements, including the Academic Integrity Policy, the Attendance Policy, the Students with Disabilities and Accessibility statement, and the Bias, Discrimination, and Sexual Misconduct statement on the Provost’s Office Course Syllabus Template.
Guests and Special Events
Please keep us posted on any events you’d like us to publicize for you. These include your own talks, seminars, and public appearances as well as any guest lectures of interest beyond your classroom. Be certain, too, to let us know about any publications, conference presentations, special honors or awards you would like us to celebrate.
Thanks for your patience reading through this at the start of the semester. I am looking forward to hearing more about your courses and other activities as the academic year unfolds.
Wishing you the very best,
Gina
HMS Chair
August 1, 2022
FIRST DAY ON THE JOB
This is my first official day as chair of HMS at Pratt, and I am absolutely thrilled to be part of this dynamic department. I’ve already had the chance to speak with many of you, and I look forward to getting to know you all better during the semester. I particularly want to thank our dean, Helio Takai, and the outgoing chair, Suzanne Verderber, for making me feel so welcome and helping me understand the nuts and bolts of what holds the department together. I am also grateful to Emily Beall for keeping everything in good order while she served as acting chair in July. Emily will continue as Assistant Chairperson, and I am delighted she will be on hand to help me with the day-to-day operation of HMS.
Temporary Office and Contact Information
Until my office is ready, I am sharing space with Emily in DeKalb Hall 304. My e-mail address is gmarchet@pratt.edu. Contact me via email or call the HMS office at 718-636-3790. Let me know if you would like to meet in person or on Zoom by emailing me directly. (I don’t have a cell phone, so contacting me via email works best until my office extension line becomes operational.)
Feel free to “friend” me on Facebook, follow me on Twitter, connect on LinkedIn, and add me on Instagram.
New Assistant to the Chair
HMS has a new temporary Assistant to the Chair. Joshua Tan will be on hand until October to help out. He can be reached via email at jtan@pratt.edu or by phone at 718-636-3790. Please extend a warm welcome to Joshua when you come to the office.
Fall Semester 2022
In a few short weeks, we start a new semester on August 29. Keep an eye out for information on any changes in procedures relating to COVID. I realize this may still be a time of some concern, so do not hesitate to reach out to me with any questions you have. If I don’t know how to help, have patience. I will find out.
Faculty Meetings
I realize you are all very busy finetuning your syllabi and getting ready to teach, so I don’t want to burden you with any faculty meetings until things are settled for the semester. I plan to hold our first department meeting in early October via Zoom. More details on our first and subsequent department meetings will be provided closer to the date.
I plan meet with course/minor/program coordinators individually as well as with members of key committees earlier. Of course, if any of you have particular concerns or just want to chat, please reach out to me at any time.
HMS Visibility
Pratt launches its new website this summer. I hope to meet with the team involved to keep you posted on our department’s web presence. Please let me know if you have any ideas or concerns involving the website. I also plan to enhance the profile of HMS on social media—including YouTube. I want to highlight the excellent work you are all doing as teachers and scholars. Be certain to contact me with any ideas you have about increasing our online visibility. Perhaps you’d like to make a short video about a new course or post regularly on a topic related to you research? I also would love to work with you on HMS seminars, symposia, screenings, and other special events. So, be certain to keep me posted on any ideas you have along these lines.
Diversity/Equity/Inclusion
Perhaps the one thing I admire most about HMS is its commitment to social justice and equity. I want to strengthen this aspect of the department during my time as chair. Please let me know if you have any thoughts on how HMS can do an even better job.
I am overjoyed to be here at Pratt, and I am honored you have chosen me to share the next chapter of HMS with you. As we begin to find our way in our post-COVID classrooms in HMS at Pratt, let’s hope for a peaceful and productive start to the 2022-23 academic year.
Best regards,
Gina
Happy Fall semester,
All,
We're writing to ask that you let your faculty know about a book club we're hosting starting next week, Tuesday Sept 5 at 3:30pm.
We will be discussing the book, The New College Classroom by Cathy Davidson and Christina Katopodis during this 3-session series.
Physical copies of the book are available to pick up in the Provost's Office (from Peg Fox) and there's a digital copy available through the Pratt Library here.
Part-time faculty qualify for a $250 stipend for attending all 3 sessions. Please let your faculty know that they can still register here for the online series!
Thanks for your support,
Judit, Holly, Zach, and Maura
_____________________________________________________________
Center for Teaching and Learning
PRATT INSTITUTE
200 Willoughby Avenue | Pratt Library, 2nd Fl. | Brooklyn, NY 11205
On Wednesday Oct 9, Adeena Karasick, along with the Pratt Institute Library, Department of Humanities & Media Studies, and the School of Liberal Arts and Sciences, featured a spectacular multidisciplinary performance /reading/talk featuring new and recent books by writer/designer/visual literature pioneer Warren Lehrer and collaborators: poet/Pratt professor Adeena Karasick, actor/author Judith Sloan, and a special appearance by actor Monna Sabouri. The books included: Jericho’s Daughter, Lehrer’s anti-war, feminist reimagining of the biblical tale of Rahab, with images by painter Sharon Horvath; Riveted in the Word, an electronic book depicting a writer’s hard-fought battle to regain language after a massive stroke; and Ouvert Oeuvre: Openings, an ecstatically wrought exploration of re-entering the world after a worldwide pandemic, written by Karasick, visualized by Lehrer. The presentation was followed by book signing, and lavish reception hosted by HMS.
Praise for the books:
“In Lehrer’s books, words take on thought’s very form, bringing sensory experience to the reader as directly as ink on paper can allow.”
Julie Lasky New York Times Book Review
“One of very few books that have changed the way I think about books, Riveted in the Word places the reader, literally, inside the mind of its protagonist… Once again, Warren Lehrer is pioneering a new kind of reading experience.“
Debbie Millman Print Magazine
“Ouvert Oeuvre: Openings is like nothing I’ve seen in recent memory. It’s 21st-century realism. It’s how information flows… Karasick and Lehrer’s collaboration is a joyful meditation connection to our post-everything world… A perfect expression… gritty… beautiful!”
Bill Lessard Heavy Feather Review
“We honor Warren Lehrer, innovator and boundary breaker, for his unique marriage of writing and typography, for extending the often-rarified field of book arts to the broader worlds o contemporary literature, design & art.”
Center for Book Arts