Module One
Studio Lighting
Studio Lighting
Estimated time to complete the module: 30 minutes
Welcome back!
Let's begin the online component for Studio II: Commercial.
This module outlines the safe setup of the Speedotron lighting system used in commercial photography.
By the end of this module, you will learn to:
Safely operate Speedotron lighting equipment with supervision in the studio.
Interpret reflective light meter readings to achieve a specific tonal value.
Please click on the arrows to the right to navigate through the module. If you have any questions, please book a meeting during office hours.
See you in class this week!
Tracy
Studio lighting overview
Speedotron lighting system
Incident vs reflective metering
Complete review questions
Step-by-step setting up of Speedotron equipment in pairs
Discuss incident vs reflective metering
Complete In Class Exercise One - Reflective Metering
Summary activity
Debrief discussion: Reflective metering and exposure
We ended last semester using self-contained studio strobe units. This semester we will use pack & head systems.
A wide variety of studio lighting equipment is available to photographers. Light sources fall into one of two categories, continuous or strobe. Both have benefits and drawbacks.
Continuous light sources are beginner friendly as the photographer can see what they are getting without surprises. In the studio, continuous artificial light sources are exposed and controlled like natural light sources, allowing photographers to transition easily between still and motion capture.
But continuous light sources are deceptively low in output. Before LED lighting systems, artificial continuous light sources were too dim to photograph people. Ironically, more powerful modern LED light systems have outputs capable of use with portrait photography, but their intensity is uncomfortable for most people. For these reasons, photographers typically use studio strobes for portrait and fashion shoots.
Electronic studio strobes produce artificial lighting by releasing an electronic discharge in a xenon-filled tube. A single tube can produce a large number of flashes. Strobes produce a short, bright burst of light. When synced with the camera, the strobe flash fires simultaneously with the shutter and makes the exposure.
Pack and Head systems are studio strobes with a centralized power supply (Power Pack) into which multiple lights (Heads) are plugged.
In 1939, Speedotron was one of the first companies to introduce electronic flash lighting and has been considered a commercial photography studio workhorse for over 50 years (Speedotron, n.d.). While not the most sophisticated system on the market, they are sturdy and reliable. Watch the video below for an overview of the safe use of this equipment. You will learn to use them during your Studio II: Commercial class this week.
Power supply packs are electrically or battery-powered. Photographers adjust the output of each head on the power pack rather than the individual heads. One advantage to external power supplies is output, as these systems generally produce a significantly higher light intensity than self-contained units.
Speedotron 102 heads can be used with any Black-Line power supply.
Click on the purple buttons for more information on the head.
With more power comes more responsibility. Please review the following safety information.
Ask for help if you need clarification on any step.
Before doing anything with the power supply, make sure that the Model and Power switches are in the off position.
Plug in the heads, connect the power pack to the wall, and turn on the power and model light.
Allow the capacitor to form – do not flash during this period. The ready light will appear when the capacitor reaches full charge.
Do not connect or disconnect light units or remove flash tubes while the power supply is on.
Do not change power switches(fast/slow) while re-cycling
Avoid kinking or pulling cables. Disconnect cables by pulling on plugs, not the cords. Do not tightly wind any of the cables.
The coiled cables should have a diameter of approximately 10".
Always dump the pack using the test button after turning off the power and before removing the heads.
(Speedotron, n.d.)
The video below will provide information on how to safely set up the Speedotron lighting. This video must be watched before attending your Studio II: Commercial class this week.
Scroll through the slides below to explore how incident and reflective light meter readings impact exposure differently.
You will complete In Class Exercise One - Reflective Metering during your class time this week. The slides below will walk you through the process with interactive questions to assess if you are on the right track. Review the instructions before class so you know what you will be doing.