By the end of this lesson, students will be able to:
Explain how to spell a cadential six-four, how it functions, and where it occurs metrically and within the phrase model.
Analyze examples from the repertoire that include cadential six-four chords, identifying Roman numerals and chord functions.
Demonstrate common-practice voice leading principles for resolving a cadential six-four chord to V or V7 in 4-part SATB chorale and keyboard style voicing.
Compose a T-PD-D-T chord progression with a cadential six-four chord and realize the harmonies in a 4-voice keyboard or chorale style.
Harmonize a melody using a 4-voice accompaniment that includes a cadential six-four chord.
Strengthening Endings with Cadential 6/4 (John Peterson, OMT)
The Cadential Six-Four
Seth Monahan (24 mins)
Also see: Writing Cadential 6/4's and Analyzing Cadential 6/4's
Cadential 6-4 Resolving to V in C Major
Source: School of Composition, "Understanding the Cadential 6-4"
Roman Numearl Notation: Why are cadential 6/4 chords not typically notated as I6/4? What does the difference in notation communicate about the function of the chord? Does a cadential 6/4 chord have tonic or dominant function?
Using a Cadential Six-Four: How is a cadential 6/4 chord used in a phrase? Which chords typically follow and precede it? Where does it occur metrically?
Practice Worksheets:
Worksheet 1: PDF | docx | MuseScore. Partwriting given a bassline and analysis of Emilie Mayer's “Abendglocken." (Open Music Theory)
Worksheet 2 : Short harmonization examples given a melody. (San Francisco Conservatory)
Worksheet 3: Longer harmonization examples and "complete the composition" exercises. (San Francisco Conservatory)
Worksheet 4: Cadential six-four analysis in Mozart and Haydn. (San Francisco Conservatory)
Composition: Compose a chord progression in major and minor that incorporates a cadential 6-4 chord. One progression should end with a half cadence, the other should end with a PAC. Partwrite one progression in keyboard style and the other in chorale style. Label the cadence, Roman numerals, and chord function (T, PD, D). If there's time, also compose a melody for each progression. Perform your progressions for the class.
Analysis: Analyze examples from the repertoire in the Anthology section below. Identify Roman numerals and chord function (showing the tonic prolongation at the beginning of each phrase). Also identify the cadence by type as PAC, IAC, or HC. Identify all non-chord tones as P, N, IN, App, E, S, R, or Ant.
Cadential Six-Four Chords: See the first section on the page, "Cadential Six-Four Chords: Examples that only use I, ii, ii6, IV, and inversions of V7."