Theory & Practice II:
Tonal Harmony & Voice Leading
(MPATC-UE 1311)
Tonal Harmony & Voice Leading
(MPATC-UE 1311)
This course was designed by Sarah Louden and Barbie Matthews (2023) in collaboration with members of the NYU Steinhardt Music Theory Curriculum Committee including Ramin Arjomand, Adem Birson, Paul Frucht, Kevin Laskey, and Youngmi Ha as part of the NYU Music Theory & History Curriculum Redesign Project. Course development support provided by the NYU Steinhardt department of Music and Performing Arts Professions.
Theory and analysis of diatonic common-practice classical repertoire with an introduction to chromatic harmony. Topics include phrase structure, voice leading, sequences, secondary functions, tonicization, modulation, and advanced topics in rhythm and meter in common-practice Western music. The course builds on composition and analysis skills developed in Theory & Practice I, and introduces students to techniques in four-part contrapuntal writing, arranging, and model composition.
Upon successful completion of this course, students will be able to:
Write and analyze harmonic progressions incorporating diatonic harmony, sequences, secondary dominants, and modulation.
Compare and contrast the common-practice harmonic syntax of Western art music with harmonic practice in folk and popular music.
Demonstrate proficiency in four-part contrapuntal writing.
Identify and describe non-chord tones and elements of phrase structure including sentences and periods.
Compose an arrangement of a short song and an original composition employing models and techniques learned in the course.
Write and analyze music using a music notation program.