By the end of this lesson, students will be able to:
Identify and define the key sections and characteristics of rondo form including main and contrasting sections, refrains, episodes, and auxiliary sections.
Describe the difference between a five-part rondo and sonata rondo.
Analyze musical excerpts to identify the sections of rondo form and their thematic content. Create a form diagram to summarize the analysis.
Compare and contrast rondo form with musical forms and structures discussed in previous lessons.
Rondo (Open Music Theory)
Standard Forms in a Multimovement Classical Piece (Music Theory for the 21st Century Classroom)
Diagramming Form with Cookies
Binary, Ternary, Sonata, Variation, and Rondo form represented in cookie form. See the handout here.
Rondo Form Structure
(Source: Open Music Theory, “Rondo Form”)
Rondo Form Key Areas
(Source: Kaitlin Bove, “Form Review”)
Definitions: Describe how a rondo form works. Identify the key elements and outline a few of the common formal layouts. Include the following terms in your response: main section, contrasting section, refrain, and episode.
Compare & Contrast: Explain the difference between a five-part rondo and a sonata rondo. Compare and contrast these forms with forms from previous lessons including sonata, binary, and ternary forms.
Form Types in Context: In the second reading, Hutchinson summarizes the forms that are commonly found in multimovement Western classical works. List the forms commonly found in each movement:
Mvt. 1: ______ Mvt. 2: ______ Mvt. 3: ______ Mvt. 4: ______
Guided Analysis:
Joseph Bologne, String Quartet, Op. 1, II, Rondeau (ca. 1771)
Ludwig van Beethoven, Rondo, WoO 49 (1783)
4 guided questions with hints & solutions. See Activity 37-4 in Fundamentals, Function and Form.
Haydn, Piano Sonata No. 50 in D major (Hob. XVI:37) (1795)
Two pieces by Haydn and Mozart: Theory for Today's Musician Workbook, pp. 339–359
Rondo Form: See the “Rondo” section in the anthology for examples incorporating both 5-part and 7-part rondos.