By the end of this lesson, students will be able to:
List the defining characteristics of compound ternary form, including its structure and common examples in Western art music.
Explain the difference between simple ternary and compound ternary form, focusing on the internal formal designs of the sections.
Identify pieces that use compound ternary form in the repertoire, explaining the reasoning behind their classification.
Analyze pieces from the repertoire, classifying the form as binary, ternary, or a composite binary or ternary form, justifying the classification based on structural elements.
Diagram a piece using compound ternary form, indicating the internal structures of each section and their relationships.
Compound Ternary Form (Multimodal Musicianship)
Distinguishing between Rounded Binary and Ternary (Music Theory for the 21st Century Musician)
Structural Analysis: Define compound ternary form and explain how it differs from simple ternary form. Discuss the concept of nested forms within compound ternary form. Provide examples of compound ternary form in Western art music. How do the smaller forms within the larger A and B sections contribute to the overall structure and complexity of a piece?
Compound Ternary Form Analysis: Answer questions about these two pieces by Hadyn that use compound ternary form:
Partita in E major, Hob.XVI:13, movt. 2, Menuet & Trio. Complete Activity 37-3 (from Fundamentals, Function, and Form). Solutions and hints are included.
Keyboard Sonata in C major, Hob. XVI: 3, mvt. 3. Read the "Cues for Analysis," then work through Exercise 35-1 (from Multimodal Musicianship)
Compound Ternary Form: See the section “Compound Ternary”
Analyze the excerpts, identifying keys, Roman numerals, cadences, and phrases as specified by your instructor.
ID and diagram the form. Be prepared to specify which musical elements informed your decisions.