Women's History - Young Adult

Sixteen-year-old Prudence Perry is a legacy Ladybird Scout, born to a family of hunters sworn to protect humans from mulligrubs--interdimensional parasites who feast on human emotions like sadness and anger. Masquerading as a prim and proper ladies' social organization, the Ladybirds brew poisons masked as teas and use knitting needles as daggers, at least until they graduate to axes and swords.

Three years ago, Prue's best friend was killed during a hunt, so she kissed the Scouts goodbye, preferring the company of her punkish friends lovingly dubbed the Criminal Element much to her mother and Tía Lo's disappointment. However, unable to move on from her guilt and trauma, Prue devises a risky plan to infiltrate the Ladybirds in order to swipe the Tea of Forgetting, a restricted tincture laced with a powerful amnesia spell.

But old monster-slaying habits die hard and Prue finds herself falling back into the fold, growing close with the junior scouts that she trains to fight the creatures she can't face. When her town is hit with a mysterious wave of demons, Prue knows it's time to confront the most powerful monster of all: her past.

Malena Rosario is starting to believe that catastrophes come in threes. First, Hurricane Maria destroyed her home, taking her unbreakable spirit with it. Second, she and her mother are now stuck in Florida, which is nothing like her beloved Puerto Rico. And third, when she goes to school bra-less after a bad sunburn and is humiliated by the school administration into covering up, she feels like she has no choice but to comply.

Ruby McAllister has a reputation as her school's outspoken feminist rebel. But back in Seattle, she lived under her sister's shadow. Now her sister is teaching in underprivileged communities, and she's in a Florida high school, unsure of what to do with her future, or if she's even capable making a difference in the world. So when Ruby notices the new girl is being forced to cover up her chest, she is not willing to keep quiet about it.

Neither Malena nor Ruby expected to be the leaders of the school's dress code rebellion. But the girls will have to face their own insecurities, biases, and privileges, and the ups and downs in their newfound friendship, if they want to stand up for their ideals and--ultimately--for themselves.

Jemima Kincaid is a feminist, and she thinks you should be one, too. Her private school is laden with problematic traditions, but the worst of all is prom. The guys have all the agency; the girls have to wait around for "promposals" (she's speaking heteronormatively because only the hetero kids even go ). In Jemima's (very opinionated) opinion, it's positively medieval.

Then Jemima is named to Senior Triumvirate, alongside superstar athlete Andy and popular, manicured Gennifer, and the three must organize prom. Inspired by her feminist ideals and her desire to make a mark on the school, Jemima proposes a new structure. They'll do a Last Chance Dance: every student privately submits a list of crushes to a website that pairs them with any mutual matches.

Meanwhile, Jemima finds herself embroiled in a secret romance that she craves and hates all at once. Her best friend, Jiyoon, has found romance of her own, but Jemima starts to suspect something else has caused the sudden rift between them. And is the new prom system really enough to extinguish the school's raging dumpster fire of toxic masculinity?

Tania de Batz is most herself with a sword in her hand. Everyone thinks her near-constant dizziness makes her weak, nothing but "a sick girl." But Tania wants to be strong, independent, a fencer like her father--a former Musketeer and her greatest champion. Then Papa is brutally, mysteriously murdered. His dying wish? For Tania to attend finishing school. But L'Académie des Mariées, Tania realizes, is no finishing school. It's a secret training ground for new Musketeers: women who are socialites on the surface, but strap daggers under their skirts, seduce men into giving up dangerous secrets, and protect France from downfall. And they don't shy away from a sword fight.

With her newfound sisters at her side, Tania feels that she has a purpose, that she belongs. But then she meets Étienne, her target in uncovering a potential assassination plot. He's kind, charming--and might have information about what really happened to her father. Torn between duty and dizzying emotion, Tania will have to decide where her loyalties lie...or risk losing everything she's ever wanted.

On her eighteenth birthday, Hilde leaves her orphanage in 1930s Berlin, and heads out into the world to discover her place in it. But finding a job is hard, at least until she stumbles into Café Lila, a vibrant cabaret full of expressive customers. Rosa, one of the club's waitresses and performers, immediately takes Hilde under her wing. As the café denizens slowly embrace Hilde, and she embraces them in turn, she discovers her voice and her own blossoming feelings for Rosa.

But Berlin is in turmoil. Between the elections, protests in the streets, worsening antisemitism and anti-homosexual sentiment, and the beginning seeds of unrest in Café Lila itself, Hilde will have to decide what's best for her future . . . and what it means to love a place on the cusp of war.