Victoria loves everything about her home in Cuba. The beautiful land, the delicious food, her best friend and cousin, Jackie, and her big, loving family.
But it's 1960 in Cuba, and as the political situation grows more and more dangerous, Victoria, her parents, and her two younger siblings are forced to seek refuge in America with nothing more than two changes of clothes and five dollars. Worse, they're forced to leave the rest of their family, including Jackie, behind.
In Miami, everything is different. And it's up to Victoria to step up and help her family settle into this new world--even though she hopes they won't be there for long. Back in Cuba, everything feels different, too. Jackie watches as friends and family flee, or worse, disappear. So, when she's given a chance to escape to America, she takes it--even though she has to go alone. Reunited in Miami, can Victoria and Jackie find a way to bring the rest of their family to safety?
Days after Japan's attack on Pearl Harbor in 1941, Hitler declared war on the U.S., unleashing U-boat submarines to attack American ships. Suddenly the waves outside Louisa June's farm aren't for eel fishing or marveling at wild swans or learning to skull her family's boat--they're dangerous, swarming with hidden enemies.
Her oldest brothers' ships risk coming face-to-face with U-boats. Her sister leaves home to weld Liberty Boat hulls. And then her daddy, a tugboat captain, and her dearest brother, Butler, are caught in the crossfire.
Her mama has always swum in a sea of melancholy, but now she really needs Louisa June to find moments of beauty or inspiration to buoy her. Like sunshine-yellow daffodils, good books, or news accounts of daring rescues of torpedoed passengers.
Determined to help her mama and aching to combat Nazis herself, Louisa June turns to her quirky friend Emmett and the indomitable Cousin Belle, who has her own war stories--and a herd of cats--to share. In the end, after a perilous sail, Louisa June learns the greatest lifeline is love.
Under the cover of night, twelve-year-old Homer flees Southerland Plantation with his little sister Ada, unwillingly leaving their beloved mother behind. Much as he adores her and fears for her life, Homer knows there's no turning back, not with the overseer on their trail. Through tangled vines, secret doorways, and over a sky bridge, the two find a secret community called Freewater, deep in the swamp.
In this society created by formerly enslaved people and some freeborn children, Homer finds new friends, almost forgetting where he came from. But when he learns of a threat that could destroy Freewater, he crafts a plan to find his mother and help his new home.
When Regina's Umpqua tribe is legally terminated and her family must relocate from Oregon to Los Angeles, she goes on a quest to understand her identity as an Indian despite being so far from home.
Regina Petit's family has always been Umpqua, and living on the Grand Ronde Tribe's reservation is all ten-year-old Regina has ever known. Her biggest worry is that Sasquatch may actually exist out in the forest. But when the federal government enacts a law that says Regina's tribe no longer exists, Regina becomes "Indian no more" overnight--even though she lives with her tribe and practices tribal customs, and even though her ancestors were Indian for countless generations.
Now that they've been forced from their homeland, Regina's father signs the family up for the federal Indian Relocation Program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She's never met kids of other races, and they've never met a real Indian. For the first time in her life, Regina comes face to face with the viciousness of racism, personally and toward her new friends.
Meanwhile, her father believes that if he works hard, their family will be treated just like white Americans. But it's not that easy. It's 1957 during the Civil Rights era, and the family struggles without their tribal community and land. At least Regina has her grandmother, Chich, and her stories. At least they are all together.
Prairie Lotus is a powerful, touching, multilayered novel about a girl determined to fit in and realize her dreams: getting an education, becoming a dressmaker in her father's shop, and making at least one friend.
Acclaimed, award-winning author Linda Sue Park has placed a young half-Asian girl, Hanna, in a small town in America's heartland, in 1880. Hanna's adjustment to her new surroundings, which primarily means negotiating the townspeople's almost unanimous prejudice against Asians, is at the heart of the story.
Narrated by Hanna, the novel has poignant moments yet sparkles with humor, introducing a captivating heroine whose wry, observant voice will resonate with readers. Includes an afterword from the author.
Hà has only ever known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her friends close by. But now the Vietnam War has reached her home. Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope--toward America.
This moving story of one girl's year of change, dreams, grief, and healing received four starred reviews, including one from Kirkus which proclaimed it "enlightening, poignant, and unexpectedly funny."
Thelma loves to watch the Sunset Limited chug through her little town of Vacherie, Louisiana. And she dreams of one day riding a real train! For now, she has her beloved schooltrain. Every morning, she and her friends walk to school, single file, chanting all the way:
"Schooltrain! Schooltrain! Don't be late! The school bell rings at half past eight!"
Then it's on to great adventures with her teacher's books -- and her own imagination!
But lately, someone named Jim Crow has been making trouble for folks in Vacherie. Aunt Bea and Uncle Ed have already moved away. When Thelma's best friend also has to leave, Thelma wonders, who is Jim Crow and why does he have to be so mean? Will he make trouble for Pop, too?
When Tai Shan and his father, Baba, fly kites from their roof and look down at the crowded city streets below, they feel free, like the kites. Baba loves telling Tai Shan stories while the kites--one red, and one blue--rise, dip, and soar together. Then, a bad time comes. People wearing red armbands shut down the schools, smash store signs, and search houses. Baba is sent away, and Tai Shan goes to live with Granny Wang. Though father and son are far apart, they have a secret way of staying close. Every day they greet each other by flying their kites-one red, and one blue-until Baba can be free again, like the kites.
It's 1918 on the Lower East Side of New York City, and Rivka is excited to start school. But when her papa gets sick with the flu, her mama has to go to work at the shirtwaist factory and Rivka needs to stay home and take care of her little sister. But Rivka figures out a way to learn anyway- she trades chores with the grocer, the tailor, and an elderly neighbor for lessons. As the seasons change, Rivka finds she can count pennies for the iceman and read the labels on jars of preserve. And one day, Papa is no longer sick, and Rivka can finally start school! Full kindness and love for your neighbors, here is a story that introduces life on the Lower East Side for a Jewish family during the flu pandemic of 1918.
1935. Twelve-year-old Cato wants nothing more than to play baseball, perfect his pitch, and meet Mr. Satchel Paige--the best pitcher in Negro League baseball. But when he and his teammates "trespass" on their town's whites-only baseball field for a practice, the resulting racial outrage burns like a brushfire through the entire community, threatening Cato, his family, and every one of his friends.
There's only one way this can end without violence: It has to be settled on the mound, between the white team and the Black. Winner takes all.
Written in first person with a rich, convincing voice, Warrior on the Mound is about the experience of segregation; about the tinderbox environment of the prewar South; about having a dream; about injustice, and, finally, about dialogue.