NOTES:
All times are in ET
In-person attendees: all locations in Pratt Music Hall, unless indicated with an asterisk *
The symposium exhibition will be open during coffee, lunch, and reception breaks throughout the weekend
11:00am-12:00noon
ACCESSIBILITY TOUR of Pratt Hall
Pratt lower lobby
12:00noon-1:15pm
CHECK-IN AND EXHIBITION
Pratt lower lobby and Music Library
1:15-1:30pm
OPENING REMARKS - conference organizers
Pratt 109
1:30-4:00pm
PAPER SESSION #1: Paradis at Work
Pratt 109
Session chair: Evan MacCarthy (University of Massachusetts, Amherst)
Evelyn Szabo (Wienbibliothek im Rathaus, Austria) - presenting online
A red book in a wooden casket: The Stammbuch of Paradis - Insights into Her Vienna Network
Sébastien Durand (Université de Tours, France) - presenting in person
A Blind Virtuoso in Paris during the Age of Enlightenment: Paradis at the Concert Spirituel (1784)
COFFEE SERVICE
Jamie Weaver (Stephen F. Austin State University, TX) - presenting online
Difficult to Read: A Study of Paradis’ Literacy and Communication with the Sighted World
Waltraud Maierhofer (University of Iowa) - presenting in person
Insight or Eyesight: Bourgeois Gender Roles, Disability, and Paradis, the Performer and Entrepreneur
4:00-4:15pm
COFFEE SERVICE
Pratt lower lobby
4:15-5:00pm
KEYNOTE #1: Selina Mills (London, England) - presenting online
Why Blindness Matters: Paradis and Blind Women in the Past
Pratt 109
Author and broadcaster Selina Mills looks at definitions of blindness across the ages, and asks why these are important to our understanding of history, not to mention our views of blind women.
5:00-5:30pm
RECEPTION
Pratt lower lobby
5:30-6:30pm
RECITAL: Fantasy and Ballad: The schweren Träumen of Maria Theresia Paradis and Her Contemporaries
Warbeke Recital Hall
The Fitz Gibbon - McCullough Duo -- Lucy Fitz Gibbon (soprano) and Ryan McCullough (fortepiano) -- perform Paradis’ Gothic ballad Lenore and other works by her and Johann Rudolf Zumsteeg.
6:30-8:00pm
DINNER BREAK
8:00-10:00pm
SCREENING: Licht (dir. Albert, 2017)
* Gamble Auditorium, Art Museum
Saturday, November 23, 2024
9:00-9:30am
COFFEE SERVICE
Pratt lower lobby
9:30am-12:00pm
PAPER SESSION #2: Technologies and Traces
Pratt 109
Session chair: Catrina Kim (University of Massachusetts, Amherst)
Stephanie Probst (Universität für Musik und darstellende Kunst, Vienna, Austria) - presenting online
Notational Systems and Appliances for Blind Musicians: Approaches, Affordances, Positionalities
Hannah Thompson (Royal Holloway University of London, England) - presenting online
Blind Women Listening, Writing and Thinking in the Nineteenth Century
COFFEE SERVICE
Michael Accinno (West Tisbury, MA) - presenting in person
Toward a Music History of Braille: Tactile Literacy in the Long Nineteenth Century
Christoph Siems and Solveig-Marie Oma (Leipzig, Germany) - presenting in person
On Retranslating Musical Scores: Blind Composing Then and Now
12:00-1:30pm
LUNCH BREAK
1:30-2:30pm
LECTURE-RECITAL: “I am the angel of sweet harmony”: Paradis between Fact and Fiction
Warbeke Recital Hall
Christopher Parton hosts a lecture-recital with Sherezade Panthaki (soprano), Allison Monroe (violin), and Jiayan Sun (fortepiano), featuring settings by Paradis, Vogler, and Kozeluch of a biographical poem about Paradis by the blind poet Pfeffel, and Schubert’s Lied Der blinde Knabe (D. 833).
2:30-2:45pm
COFFEE SERVICE
Pratt lower lobby
2:45-4:30pm
PAPER SESSION #3: Representations
Pratt 109
Session chair: Jessica Waldoff (College of the Holy Cross)
Annette Richards (Cornell University, NY) - presenting in person
Music on the Dark Side of 1800: Listening to Mlle Paradis
Kristin Franseen (Western University, Ontario, Canada) and Rena Roussin (University of Toronto, Canada) - presenting online and in person
Recovering Paradis?: Mythology, Gossip, and Anachronism in Fictional Reception History
Barbara Albert and Kathrin Resetartis (Vienna, Austria) - presenting online
Director and Screenwriter of Licht (2017) in Conversation with Christopher Parton
4:30-5:15pm
RECEPTION
Pratt lower lobby
5:15-6:00pm
KEYNOTE #2: Stefan Sunandan Honisch (University of British Columbia, Canada) - presenting online
Paradis Lost?: Talents, Misfortunes, Vulnerability, Virtuosity
Pratt 109
Honisch explores Paradis’ musical legacy in relation to the life and work of two blind women pianists who participated in the professional and amateur streams of the Van Cliburn International Piano Competition: Judyth Walker (1973) and Debra Saylor (2005). Despite their historical distance from each other, Honisch considers how capitalist political economy catches the music-making and reception of Paradis, Walker, and Saylor within an adversarial aesthetic that objectifies sensory, physical, and cognitive ability.
6:00-8:00pm
DINNER BREAK
8:00-10:00pm
GRAND FINALE SCHULKONZERT
McCulloch Recital Hall
The Mount Holyoke Symphony Orchestra, Chamber Singers, and selected faculty, students, alums, and friends perform a reconstruction of one of Paradis’ 1810s Vienna studio concerts -- featuring piano solos, duos, and instrumental and vocal chamber music by Paradis, Mozart, Wanhal, Fusz, and more; Paradis’ Overture to her Singspiel Der Schulkandidat; and the modern-day world premiere of an excerpt from her recently rediscovered cantata, Das Wiedersehen; all interspersed with excerpts from glowing accounts of these concerts in the German press.