RANGEFINDER
Volume 75 - Issue III
RANGEFINDER
Volume 75 - Issue III
Longtime Sedalia resident Don Barbour unfurls the American flag as the sun rises over downtown on Monday. Barbour, who is a Korean
War veteran, said the flag is one of 66 that are displayed in the city’s center. Photo by Amanda Cowan/MPW.75
MPW.6 in Mexico, Mo., in 1954.
From Italy to Missouri: A documentation of
MPW and rural America
By Jamie Maron
It all started on a bookshelf in Budapest. Fabio Aprea found a book titled Small Town America. Its pages contained photographs from the first 42 years of the Missouri Photo Workshop. The book sparked an idea–recreating photos he saw in the book and filming a feature documentary on the workshop.
“This book is our bible for the documentary,” Aprea said.
The mission was clear: Show how rural America has changed over the years, preserve this moment in time and reflect on how locals remember their history. Aprea, a filmmaker from Naples, Italy, asked his friend Raffaele Manco to join him on the journey because of their shared interest in American culture. Manco is inspired by American writers like Mark Twain, William Faulkner and the feature film “Fortune Cookies” by Robert Hoffman, so he jumped at
the opportunity.
“We both fell in love with the Missouri Photo Workshop book and the MPW experience” Aprea said.
As a film photographer, Aprea identified with the strict frame limit that is imposed on MPW participants. “I took a film photography class years back and this workshop reminded me of that time because you have to be very intentional and careful with every picture,” Aprea said. The duo took a preparatory 15-day trip in the United States, visiting small towns with the goal of experiencing classic American culture. This included everything from
cheeseburgers at small town diners to watching a high school football game.
Aprea scoured the MPW media archives to find photographers who could reconnect with their subjects. A story by Serkan Gurbuz, a 2017 MPW participant, stood out to Aprea. They connected online and Gurbuz agreed to meet the film crew in Eldon, Mo., where he participated in MPW.69.
They followed and documented Gurbuz as he reunited with the family he previously photographed. Much like the workshop this week, Aprea thinks the process of crafting the film will be a learning exercise.
He hopes the documentary will be a reflection “on the passage of time not only related to the Americans, but as a universal topic.
On the Ground at MPW.75
Photos by Clayton Steward
Lauren Spakowski, a member of the documentary team, records co-director Brian Krazter speaking at the welcome dinner with Sedalia townsfolk on Sunday at Sacred Heart School.
Co-Director Emeritus Jim Curley, Italian Filmmakers Fabio Aprea and Raffaele Manco, and Co-Director Emeritus David Rees pose for a photo before the first night of presentations.
Zakiyyah Woods photographs a La Monte High School student in her Future Farmers of America jacket after the welcome dinner on Sunday.
Behind the scenes: Coordinating with Sedalia
By Anastasia Busby
“Two worlds of mine are kind of overlapping right now; which is a little weird, but mostly exciting,” Cleo Norman, MPW.75 Local Expert, said of this week. Born and raised 20 minutes outside of Sedalia, Norman is a graduate student studying photojournalism at the University of Missouri. She was approached for her current gig in May, as MPW co-directors Alyssa Shukar and Brian Kratzer were in the midst of planning the workshop.
She acted as a liaison, putting community members in contact with the workshop. Kevin Ludjin, a local photographer and MPW enthusiast, reached out to Kratzer through Norman, and worked to get other local business owners and politicians on board with hosting the workshop.
Each workshop is years in the making. Initially, Kratzer thought Sedalia was too big for MPW.75. “Twenty-one thousand people — it’s a little bit on the upper end of how big we want to go,” he said. That was until he learned the population hadn’t grown since MPW.32 in 1980. “I think the fact that it’s a big small town is really exciting.
It’s the most diverse, I think, a small town can be,” Norman said.
Returning home as a MPW.75 crew member prompted Norman to view her hometown from the perspective of the photographers. “These past couple of days that I’ve been here, I’m driving around and I’m noticing all of these little things over again,” she said.
When the workshop directors started exploring the archives from MPW.32, they rediscovered the racial segregation of the town in 1980. While the town has progressed over
the past 43 years, Kratzer expects a few picture stories that return to this topic. “It’ll be interesting to compare and contrast these two bodies of work,” he said.
“There’s gonna be some wonderful things in Sedalia that people are happy to see that we document, and there are going to be things in Sedalia that people will be maybe surprised that happens in their town,” Kratzer said,
“Neighbors will learn something new about neighbors.” Despite all the work over the past year that’s gone into planning MPW.75 in Sedalia, Kratzer feels the town is “cautiously excited.” “It takes courage to open up your town, open up your house, open up your home, open up your family, to a photographer,” he said.
Cleo Normal, left, speaking to a group of high school students with Brian Kratzer, center, and Kim Komenich at the Daum Museum of Contemporary Art on Monday in Sedalia, Mo. Photo by Clayton Steward/MPW.75
Ana Arteaga, left, and Dalton Perry, students from Smith-Cotton High School, look at MPW.32 photographs in an exhibit at the Daum Museum of Contemporary Art on Monday in Sedalia. Perry recognized the setting of one of the images as the same cemetery where his grandfather was buried earlier this year. Photo by MaKayla Hart/MPW.75
Local Students Revisit Sedalia’s Past Through MPW.32 Gallery
By MaKayla Hart
A piece of Sedalia’s history filled the auditorium and walls of the Daum Museum of Contemporary Art as students from Smithton and Smith-Cotton High Schools spent the morning learning about both photojournalism and the workshop. In their high school classes, students are honing skills as photographers, videographers, and designers.
Last year the staff of the Smith-Cotton yearbook earned the Jostens National Yearbook Program of Excellence award at the Bronze Level.
MPW.75 co-director Brian Kratzer joined Kim Komenich, journalism faculty advisor at San Francisco State University, and Cleo Norman, a graduate student at the Missouri School of Journalism, led the presentation.
“The work that you do for your yearbooks and newspapers is important now but in 20 years, 30 years, 40 years, the work you do is going to be looked at and appreciated in a different way,” Kratzer said. Sierra Essley, a sophomore at Smithton who hopes to pursue photography professionally, was struck by how the photos captured life in Sedalia. “I think it’s really cool how you see every emotion,” she said.
Along with compositional and technical advice, the presentation also touched on the elements of slow journalism that strengthen a visual narrative. One student mentioned his daily routine of balancing school and working at a restaurant. Kratzer used this as an example to illustrate how a visual journalist might tell this story; by being present for key moments such as a student closing the restaurant for the night silhouetted by fluorescent lights.
After the presentation, several students asked questions about the photos in the exhibit. “I was impressed by how engaged they were with photojournalism,” Komenich said. The curated display of images at the museum from MPW.32 was crafted by David Rees and Jim Curley.
Meet the Photographers
Amanda Andrade-Rhoades
Michael Gonzalez
Stephanie Keith
Sara Konradi
Isaac Wasserman
Brian Munoz
Owen Zilliak
Seth Berry
Christiana Botic
Gina Castro
Amanda Cowan
Zach Wilkinson
Adam Gray
Leung Man “Harry” Hei
Eleanor Moseman
Alex Kent
Matthew Maran
Jabin Botsford
Pedro Brazil
Sarah Mosquera
Jacob Spetzler
Katina Zentz
Caroline McCone
Kang-Chun "KC" Cheng
Vincent Alban
Annie Barker
Jordana Bermúdez
Erin Schaff
Alejandra Rubio
Vanta Coda III
Christian Monterrosa
Erin McIntyre
Jon Cherry
Anne Moffat
Thor Morales
Zakiyyah Woods
Yannick Peterhans
Henry Taylor
Emily Whitney
Gabrielle Lurie speaking during her presentation at MPW.75 in Sedalia, Mo., on Sunday. Photo by Clayton Steward/MPW.75
Finding Art in Photojournalism
By Cara Penquite
Gabrielle Lurie has always had an interest in documentary storytelling. Unlike many of her colleagues, however, she attended art school as opposed to journalism school. Lurie, a staff photographer at the San Francisco Chronicle, honed her photojournalism skills on the job rather than in the classroom.
“I kind of learned as I went and got a lot of quick schooling from people around me,” she said.
With each assignment, she now balances her eye for art photography with journalistic ethics like a dance. Toggling between the two, she tries to use her training to create narrative stories with emotional depth. While photographing the border wall, Lurie leans into her artistic side.
“We try to convey emotion and mood without a person necessarily in the photo, and you have to lean on the art side,” Lurie said.
Separating art photography from journalism often comes down to the edit and photographing what is around her with honesty.
“Mostly not censoring yourself, and not saying, ‘oh, someone doesn’t look good or this is messy,’” Lurie said. “That’s where I don’t make it about me or make it about how I would want to be perceived. It’s just true to the situations.”
Lurie, now a two-time Pulitzer Prize finalist and three- time Photographer of the Year in the Pictures of the Year International competition, first came to the Missouri Photo Workshop in 2015 for MPW.67 in Perryville, Mo. This is her second consecutive year as a faculty member at the workshop.
Storytelling in a Small Town
By Anastasia Busby
For local residents, the Sedalia Democrat has been an important news source since its founding in 1868. With this week’s photographers coming from publications and jobs ranging in scale, Nicole Cooke, the paper’s editor, hopes that everyone remembers the value of local news.
“It might not be the big story you see on the front page of The New York Times or star of the Post-Dispatch, but there are always stories to be told in a small town,” said Cooke.
Cooke started as a reporter at the paper 10 years ago, and became editor in 2017. In 2020, her managing duties expanded when the Democrat purchased the Warrensburg Star Journal, making Cooke the editor of both papers.
Ten years of experience taught her that story ideas can be found in every aspect of life in rural Missouri. The stories published in the Sedalia
Democrat are a reflection of the town and its people. Agriculture and industry play large roles in the community and the paper’s coverage. Other stories stem from the nonprofit sector, such as the Boys and Girls Club or a local domestic and sexual abuse advocacy and shelter program.
“Sometimes you have to look past the obvious a little bit in local news,” Cooke said. “But there’s always something going on to find a story.” Larger news outlets in St. Louis and Kansas City rarely cover Sedalia and neighboring communities. Sedalia residents appreciate the smaller stories that otherwise wouldn’t be recognized by regional outlets.“It’s rewarding to know that we are the ones reporting these important stories that wouldn’t get told otherwise,” Cooke said.
Cooke looked forward to MPW’s arrival.“We’re a small newsroom, there’s not very many of us, so to have a crew of this many journalists coming in is pretty cool,” she said. “I’m excited to see what they uncovered during the week here.”
Check out the Sedalia Democrat’s website for more info: https://www.sedaliademocrat.com
8:00 a.m. - 9:00 a.m. Bill Marr “Editing a Body of Work: Finding one narrative from many
stories
8:00 a.m. - Noon Story consultations
Noon - 1:00 p.m. “Everyone Eats” Ray Wong & Mardy Fones-sponsored lunch
Q&A: Alyssa Schukar moderates a discussion: “Working with Photo Editors”
with Sarah Leen, Idris Solomon, Ariel Zambelich, Jennifer Mosbrucker, Jessi Dodge
1:00 - 5:00 p.m. Story consultations
7:00 p.m. Evening program:
David Barreda: “Pitching, Photographing and Publishing Story Ideas”
Melissa Farlow: “Maintaining Relationships and Pivoting in the Field”
Ariel Zambelich: “Seeing the Bigger Picture”
Mallory Benedict: “Structuring Story”
8:00 p.m. Critique of workshop photographers’ initial images
9:00 p.m. Team meetings
Each issue of the Rangefinder will include trivia questions. The first person to bring all three answers to the Rangefinder table will receive a prize. Answers will be posted daily after the winner is announced.”
Where was the first Missouri Photo Workshop held?
Who was the first person to photograph Yellowstone National Park?
Which pioneering photojournalist photographed the 1904 World’s Fair in St. Louis?
Answers from Rangefind Issue II:
1.) George Eastman, 2.) Scott Joplin, 3.) Margaret Bourke-White
Corrections: A story and caption in Rangefinder Issue II incorrectly spelled the name of MPW Co-director emeritus Jim Curley. We, the Rangefinder staff, are immensely sorry.
Brian Kratzer, Co-Director
Alyssa Schukar, Co-Director
Hany Hawasly, Technical Director
Copyright © MMXVIII Missouri Photo Workshop
All rights reserved, content not to be repurposed without permission.