While initially well known for her acerbic, raw songwriting and lo-fi instrumentation than anything else, Angel Olsen’s 2016 “My Woman” pushed her into a more produced sonic world, and her new record “All Mirrors” blows the lid off her entire catalogue to craft an overwhelming, cinematic album of isolation, heartbreak, and recovery. Utilizing a 12 piece orchestra to bolster her intimate songwriting forward from the bedroom to a near-theatrical stage presence, Olsen has never been stronger than she is here, and sacrifices none of her lyricism at the cost of grander soundscapes: “Lark” opens the album with a recognition of a toxic relationship, “Too Easy” flirts with the desire to submit to a romantic interest, “Tonight” and its solitude are palpable. Best of all, lead single “All Mirrors” builds and climaxes multiple times through its run, a series of emotional epiphanies that are both devastating and affirming. There is a wonderful meeting of content and form on the entire album, and it is Olsen’s best work to date.