Auditions for CCSF Spring Show 2025
Thank you for your interest! Initial Auditions will take place
November 20 Wednesday (12:30- 2)
November 22 Thursday (5:15- 6:30) for many roles and understudies. (Some additional roles to be cast early in Spring semester but this play needs advance preparation so we are casting early.)
Student Actors will sign up for classes at 1, 2 and 3 unit level according upon size of role and commitment.
Proposed rehearsals( Ocean Campus) are likely to be be Tues, Wed, Thursday 2:10- 5pm. You will be required according to to your role/commitment.
Tech Week rehearsals and Performances ( at the venue) might happen outside of these hours, advance schedule will be given.
Students are also expected to co enroll in THA 160 Vocal Production and Audition (Wednesdays 10-1pm, Ocean Campus) or demonstrate equivalent training. This class gives you a chance to develop good vocal skills needed for the play as well as professionalize your career goals and let the production start you on your way!
PERFORMANCES will be late April or early May in a professional space in SF to be announced soon!
Short Link to this site https://bit.ly/CCSF-Spring-Show-2025
Please fill out the audition form (below)
Crew and designers fill out same form.
Arthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the American anti-communist purges led by Senator McCarthy in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.
A depiction of innocent men and women destroyed by malicious rumour, The Crucible is also a powerful indictment of McCarthyism and the 'frontier mentality' of Cold War America or now.
PRESS and QUESTIONS CONTACT
Patricia Miller pmiller@ccsf.edu
YOU CAN DOWNLOAD THE SCRIPT HERE!!
Likely to be Tues/Wed/Thurs 2-5
Details and sign up on Audition Form
Details and sign up on Audition Form
Mid April 2025
Professional Theatre Space in downtown San Francisco.
"Class Sign Up details" at Audition Form
This play was written in response to a wave of persecutions in America both in Salem 1692-93 and across the US in the 1950's McCarthy era. The original play was written for a white cast and conformist gender roles however this production will not reflect that in the casting. I believe we can get caught up in the story and understand the mechanisms at play with a cast of individuals that are as diverse as our CCSF population. This means as you read it think outside the box, can you play Proctor? Can you play one of the accused/accuser girls? You dont have to audition for the original intended gender or racial roles.
An additional element will be a cast created choral sonic environment inclusive of plain song, clapping, nursery rhymes but also the sounds of nature and of terror. The ensemble roles will be very engaged in this so if you are imaginative please join us!
The minister of Salem. A former merchant, Parris is obsessed with his reputation and frequently complains that the village does not pay him enough, earning him a great deal of scorn. When the trials begin, he is appointed as a prosecutor and helps convict the majority of those accused of witchcraft. Towards the end of the play, he is betrayed by his niece Abigail and begins receiving death threats from angry relatives of the condemned. (In real life, Parris left Salem in 1696, the year his wife, Elizabeth, died. He found his situation untenable. Records from Suffolk County, Massachusetts indicate it likely he returned to business in Boston in 1697. He preached two or three years at Stow, Massachusetts before moving to Concord, Massachusetts in 1704 or 1705. He also preached for six months in Dunstable, Massachusetts in 1711, dying on February 27, 1720 in Sudbury, Massachusetts, where he had spent his final years. In 1699 he had remarried to Dorothy Noyes in Sudbury.)
The Parris family slave, Tituba was brought by Parris from Barbados when he moved to Salem and has served him since. Using her knowledge of herbs and magic, she has been secretly helping Abigail and her friends make love potions, and even conducts a seance on behalf of Ann Putnam. After being framed for witchcraft, she confesses and is subsequently imprisoned with Sarah Good. By the fourth act, she has been driven mad by the harsh conditions and her ending is unknown.
The main antagonist of the play.[8] Abigail previously worked as a maid for Elizabeth Proctor. After Elizabeth suspected Abigail of having an illicit relationship with John Proctor, Williams was fired and disgraced. Using her status as Parris's niece to her advantage, she accuses countless citizens of witchcraft, becoming one of the most powerful people in Salem. Eventually, she flees Salem with her uncle's fortune rather than face the consequences of her actions.
A servant girl and part of Abigail's inner circle.
Ann Putnam
A rich and well-connected member of Salem's elite. She has one daughter, Ruth (in real life, Ann Putnam Jr.), but has lost seven other children to illness. Believing witches to be responsible, she eagerly sides with Abigail. (In real life, Ann Putnam (née Carr) had twelve children, ten of whom survived their parents, who both died in 1699).
One of the richest men in Salem. He is greedy and conniving, using the accusations as cover to purchase land seized from convicted witches.
The ten-year-old daughter of Samuel Parris and one of the primary accusers.
Another primary accuser. In the fourth act, she flees with Abigail to avoid arrest for deceiving the court.
The Proctor family's servant. She initially helps John, but later turns on him to save herself.
The play's protagonist and husband of Elizabeth Proctor. A local farmer, John is known for his independence and temper, which often gets him into trouble with the authorities. Contemporary notes describe him as a "strong-willed beast of a man".[9] Shamed by an affair with Abigail, John tries to stay out of the trials, but when Elizabeth is charged, he tries to reveal Abigail's deception in court. Betrayed by his maid Mary Warren, John is accused of witchcraft and sentenced to hang. He refuses to confess out of anger towards the court, but ultimately relents. After learning that his confession will likely drive his wife and children into disrepute, he decides to instead admit guilt. He is finally hanged along with several other convicted witches.
(The real John Proctor was also an innkeeper as well as a farmer, and was aged 60 when executed; Elizabeth was his third wife. He was strongly and vocally opposed to the witch trials from their beginning, being particularly scornful of spectral evidence used in the trials. As in the play, Elizabeth was accused of practicing witchcraft and arrested before John. Unlike the play, John maintained his innocence throughout the ordeal. He was hanged in August, 1692.)[9]
A close friend of Proctor's. He becomes convinced that the trials are being used to steal land from the guilty and presents evidence to prove his claim. When the court demands to know where he obtained it, he refuses to cooperate and is sentenced to be pressed to death. (The character is based on a real person of the same name, who was also pressed when he would not plead guilty to charges of witchcraft.)
Although an elderly, respected member of the community, she is sentenced to death on charges of witchcraft (and, in the play, infanticide). (In real life, the jury initially acquitted Nurse but were ordered by William Stoughton to deliberate further. One of her two sisters, Mary Easty (or Eastey), was also hanged for witchcraft in real life, and the other, Sarah Cloyce, narrowly escaped.)
A young minister from Beverly, Massachusetts, known for his knowledge of witchcraft. He starts out as a fervent and devoted servant of the court, using his position to investigate and charge suspected witches. Disillusioned with the corruption and abuses of the trials, he later tries to save as many suspects as possible by getting them to confess. (In reality, Hale was in his mid-fifties when the witch trials commenced.)
John's wife. She is also accused of witchcraft, but is spared the death penalty due to being pregnant. She distrusts her husband for his adultery, but eventually chooses to forgive him when he refuses to confess to false charges.
Ezekiel Cheever
The clerk of Salem's General Court. He is responsible for crafting the warrants used to arrest suspected witches.
Herrick is the town marshal of Salem, and leads the effort to find and arrest those accused of witchcraft until he falls into despair and turns to alcoholism. Willard is one of his deputies until he refuses to carry out any more arrests, at which point he is charged with witchcraft and hanged.
Judge John Hathorne
One of the two judges presiding over the court. Hathorne is a deeply pious man whose blind faith in Abigail's trustworthiness is largely responsible for the destruction wrought by the trials.
Deputy Governor Thomas Danforth
The chief judge of the court. He views the proceedings as an opportunity to cement his power and influence, eagerly convicting anyone brought before him. His refusal to suspend the trials even as they tear Salem apart makes him, according to Miller,[verification needed] the true villain of the play.[citation needed] (Most of the characterization of Danforth actually comes from the real life Magistrate William Stoughton, who accepted spectral evidence, and as chief judge inclined to believe that all the accused were guilty. In fact, the real Danforth opposed the use of "spectral evidence" and was much more inclined to believe the accused.)[original research?]