Now that you know how to create melodies using a single voice in the chord (top, middle, or bottom), it is time to expand our palette with other voices in the chords (and, hopefully, make our melodies a bit more interesting!)
Multi-voice melodies are simply melodies that use different voices from the chord for their content. They have a bit more freedom of movement than our single-voice melodies did.
Note: Please understand that our melody will be a single note at a a time. Melodies are monophonic, meaning "single voice". The "multi-voice" designation here refers to chord tones used, NOT multiple melodies played concurrently.
When we are constructing a multi-voice melody, bear these two things in mind:
Change voices inside of each measure
stay on the same voice when switching chords to add shape to the melody.
Let's use our same chord progression example from 5.2:
Now, let's create a "path" through the chords to create a mult-voice melody:
Note the following:
In measures 1, 3, and 4, there are two notes used, moving between adjacent voices.
When the measure changes, the first note of the new measure is the same voice as the previous measure. This helps us to create some stability in our melody.
When filling out the organizer for this project, you'll indicate which chord voice the pitch comes from:
The letters used are simple: T=TOP, M=MIDDLE, B=BOTTOM
For project 5.3, do the following:
// Record the drum, bass, chords, and melody
Create a drum groove
Record four measures of a drum groove
Create a bass track
Record a performance of the moving bass line
Create a keyboard track
Record a performance of chordal part
Create a synth track
Record a performance of the multi-voice melody
Quantize the performance for the drum, bass, keyboard, and melody to the correct subdivision
Trim the ends of the notes in the bass line, chord part, and melody to match the organizers
Submit project 5.3 LASTNAME to Schoology.