In this article, Be will highlight Julia Cuppy, one of the incredible educators at GPHS.
GPHS theatre teacher Julia Cuppy is an incredible educator, but she is so much more. She gives students a chance to grow and thrive in her classes. She allows students to trust and support both each other and her. She is a kind, caring, intelligent teacher. Grants Pass High School is lucky to have her.
Cuppy has been teaching at GPHS for six years, bringing with her nearly two decades of theatre education experience that spans program building, curriculum design, and directing at multiple public high schools, as well as regional theatres. Over the course of her career, she has been honored through both local and national recognition, including the Outstanding Teacher Award from Jackson County, the Educational Theatre Association’s New Theatre Teacher Award, and the Reba R. Robertson Outstanding Teacher of America Award sponsored by the Children’s Theatre Foundation. Beyond these accolades, she has served in leadership roles with organizations such as the Oregon Arts Education Collective, Oregon Thespians, EdTA, and the Musical Theatre Educators Alliance, and has been invited to present nationally and internationally on theatre education, accessibility, and student-centered learning.
For Cuppy, the most rewarding part of teaching is watching students discover their voices, not only as artists, but as people. When asked about her favorite production she has directed, she chose Peter and the Starcatcher, describing it as the perfect blend of imagination, ensemble storytelling, and student ownership. The production challenged students to be bold, not just as performers but as collaborators, and reminded her why she loves directing educational theatre. She remains deeply involved with the Educational Theatre Association, Oregon State Thespians, the Musical Theatre Educators Alliance, and the Connected Arts Network. At GPHS, she also serves on the AVID Site Team and as the Fine Arts Department Chair.
For her, teaching is the intersection of artistry, mentorship, and service-- a way to guide students through those transformative moments when they realize their voice matters and that they can use it to create positive change in their community through theatre. When asked why she chose GPHS, Cuppy explained that the school is unique among public high schools. The community truly values the arts, and that commitment is reflected in the facilities, programs, and personnel support dedicated to making art with youth. When she considered returning to southern Oregon from San Diego, she weighed the priorities of this community and was convinced that the Grants Pass School District doesn’t just talk about supporting the arts; they actively do it. Coming back to GPHS felt like coming full circle, bringing everything she had learned nationally back to the community that first supported her journey. Cuppy wanted to mention that she would not have been able to be an educator at GPHS for this long without the support of Wayd Drake, Andrew Eddy, Juliet Meredith, and the support of the other teachers in the PAC.
Cuppy has helped students find themselves and their paths in this world, and amazingly enough, she does it all with a smile on her face. Students who go through her class grow as both students and as humans. When some of her previous students were asked about their favorite qualities of Cuppy, they said her honesty, her willingness to be completely truthful with other people, and the fact that Cuppy has always tried to flip situations into a positive light and find a bright side, even if she doesn’t really see it herself. She supports her students with positivity and light, even on rainy days. Her classes have a wide range of students, and she is able to get each and every one of them to try and to learn, even if they are hesitant. From Cuppy's teaching, students have learned how to be more considerate and compassionate and learn to understand others' perspectives, even on hard topics. Cuppy has taught students to understand others' perspectives and really listen, as well as understand that we may not agree or both be happy with a decision but, at the end of the day, we are still an ensemble, and we have to roll with the punches.
As a child, Cuppy was a military brat, moving often and attending 13 different schools during her K–12 education, including several overseas. Through all that change, the one constant that gave her certainty was participating in the arts. School theatre became her place of belonging, a space where she found leadership opportunities, creative purpose, and ultimately the inspiration to pursue theatre education as a profession. Her academic journey reflects that passion. She earned an MFA in Musical Theatre from San Diego State University, a performance-based terminal degree, completed professional musical theatre training at CAP21 in New York City, and studied both performance and theatre education at Southern Oregon University, where she received her Master of Arts in Teaching. Her education intentionally blended rigorous performance training with pedagogy because she believes that truly excellent theatre educators must understand not only the art form itself but also how students learn.
Cuppy has built a rich professional career in regional theatre, performing in a wide range of new plays, musicals, and classic roles. Her work has included projects with La Jolla Playhouse, The Old Globe, Collaborative Theatre Project, Rogue Music Theatre, and multiple fringe festivals. Through these experiences, she earned membership in the Actors’ Equity Association, the national labor union for professional actors and stage managers. Of all the roles she has played, the most rewarding was the Baker’s Wife in Into the Woods. The character’s blend of humor, vulnerability, and complexity reminded her how storytelling can capture the contradictions of real human life. Performing Stephen Sondheim’s intricate score was both a challenge and a joy, pushing her to grow as an artist. Her favorite production, however, was Rogue Music Theatre’s Singin’ in the Rain in 2011, where she had the rare opportunity to perform opposite her husband. Reflecting on that experience, she said: “It was pure joy to fall in love with my husband each night, collaborate with so many, to this day, theatre friends, and celebrate one of my all-time favorite musicals.”
When asked what she has learned from being an actor, Cuppy shared: “Acting is living truthfully under imaginary circumstances.” That philosophy has shaped her approach to both performance and life. Acting taught her to empathize deeply with her characters, to step into their perspectives, and to carry that same empathy into her relationships offstage. She believes that, even if someone is not actively performing, they do not stop being an actor; the training and mindset remain. Though her personal journey has required her to step back from acting professionally, she continues to use her training every day. Whether navigating difficult conversations or managing anxious feelings, she draws on techniques like “relaxed readiness,” skills that have only strengthened through her years of performance. For Cuppy, acting is not just a profession; it is a lifelong practice that continues to shape how she moves through the world.
Not only is Cuppy an incredible educator, but she is also the co-founder of the Aggregate Collective, a group dedicated to bringing theatre to youth audiences. The Collective is made up of diversely-skilled theatre makers from diverse backgrounds and experiences, all working together to support new creative work in its earliest stages of development. Every summer, the Aggregate Collective hosts the Loop Festival, a unique opportunity for young actors to collaborate directly with playwrights who are writing scripts specifically for youth performers. Over the course of a four‑day intensive, these actors dive into the creative process and conclude with a staged reading of the new work. It is a truly special experience, offering young performers the chance to explore fresh material, grow their skills, and connect with the vibrant world of theatre in a meaningful way.
GPHS is truly fortunate to have Julia Cuppy. She shows up for every one of her students, offering kindness, compassion, and unwavering support. Through her teaching, she reminds us that acting isn’t just something that happens on stage; it is a form of expression we all use in our everyday lives, whether we realize it or not.
Sources:
Interview with Julia Cuppy
Interview with GPHS Students