When I’m told my writing is feminine
I wonder what it means to write like a man,
Oh to have that Godly, guided hand
To write like all wars have commenced at once
Then ceased at my doing
And tell stories of fine, dark hotels
With forgotten fishnet stockings
I’m falling in and out of spaces
Full of graffiti walls
And folded napkins
I won’t have cigar smoke wrinkles
Or watch my broad shoulders
Sink into collarbones
But I can buy you a drink at the bar,
Still be sober enough to walk you home,
and write that Godly, gilded poem.
I love being twenty
and easily amused,
I love dogs and summer,
and hand-poked-tattoos.
I love crying on Kimball Avenue,
shameless sorrow shared with strangers.
I love enjoying the rain
for the first time in a while.
I love the numbness of cold
and stiff fingers on a glass cigarette.
I love regretted feelings
rolled up and smoked into dust.
I love falling too quickly in every direction,
up, down and out with hopeless affection.
I love the voices of poetwomen,
and their hands with stories in them.
I love stringing together a conversation,
knowing nothing of natural inclinations.
I love anxiety-influenced moments of nervous
knee-touching anticipation.
I am the backyard pines
with the flimsy branches I climb,
I come from sap-sticky palms
and green needles in my blonde hair.
It’s the same pine where we
buried the family dog
when I was fourteen.
I come from broken bones and
bloody noses, always
falling up the stairs,
always landing at the foot of
my grandmother’s bed,
eyes locked and last breath,
Yes, I come from there.
I come from the Simon and
Garfunkel CDs tucked in to
my mom’s glove compartment.
I am my mother,
she is sixteen and
train station bound.
I’m her when she
races down the hill and
slips into the last car.
I am my mother when
she puts on lipstick
while riding the metro north.
I come from my mother,
always running late.
I come from divorce papers
on laminate countertops.
I’m from the kitchen table chaos
and ceilings collapsing in.
I am the ghost of each of them,
all the women of my lineage.
I’m everyone that will ever be,
but first, I came from the trees.
I dreamt I swallowed snails,
A sick, cyclical nightmare,
don't know how they got in there
Esophagus villains
With shells nestled in my tonsils
When I woke,
they'd slithered
to my lymph nodes,
A streptococcus circus
I can no longer focus,
succumb to fatigue
melt into the sheets
and fall back into dream
Meeting old lovers in the Netherlands
when the antibiotics and melatonin kick in
We're at the Lakes of The Clouds
we're swimming,
we're naked,
we're freezing,
I'm waking up sweating
hair soaked in fever and
each muscle cramping
I try to wash the snails down
with water, swallow harder
and choke
fall into the pillow,
We're at Walden Pond,
peeling mollusks from our skin and
skipping them like stones
Yours jumps six times
across the sunny surface and
Thoreau himself is there!
He’s patting you on the back,
we’re all laughing
and he’s pulling the snails from
my throat and it is so funny.
Then I’m conscious and still coughing,
sitting up spitting,
I’m alone in tangled bedsheets,
I'm resting,
I’m sleeping,
I’m waiting it out
Lately I’ve been grieving everyone I’ve ever met:
the bodega lady who paid for my drink,
the shirtless man that crossed the street,
dead pets, living friends,
and anyone who has laid in my bed.
I got a job as a cemetery caretaker,
burial site custodian.
I am so good at dusting down graves and
peeling moss from granite.
I am truly good at keeping records,
both vinyls and handwritten notes.
Someone reminded me,
Autumn is the mourning season.
Something about dead perennials
and rotting roots.
I’m writing obituaries in the form of poems
because it’s cold out and I’m bad at remembering faces.
I’m digging up lost lovers and runaway dogs,
We’re holding a funeral, we’re singing a song.
We are quickly forgetting each other’s voices and hands,
clinging onto the things we remembered to write down.
My graveyard’s in The Andes but next to Central Park,
under the subway station, behind The Pacific.
I’d let you visit but you wouldn’t be able to decipher my script,
The endless lists of those I miss.
Hotel of bad dreams
And blonde hair.
My sister and I
Played in the bedroom
Then fought in the kitchen ‘til
Our forearms were bloodied, finger-
Nail marks in our skin.
Fears I forgot to pack in cardboard
Are still lying underneath
Lavender paint and I’m
Lamenting their loss in
Secret.
Realistically, I’m mourning that
Old house loudly, making a scene
And haunting the property as some ghostly
Deity wrapped in the living room’s curtains.
I’m sinking in the grey couch.
Feeling disconnected in
My sister’s apartment until
My cat crawls
Up onto my thighs,
Tickling my femurs
With kneader’s fists.
White warm paws
Step awkwardly across
My boney lap.
He clumsily settles
Onto my belly,
Humming contentedly.
We exchange body heat.
I wonder what it’d be like
To exchange worries.
How would the furball be
At making money and
proving people wrong?
This morning I saw tissues,
Scratchy snowballs,
White on green fallen sheets.
This morning the ambulance
Alarm woke me up.
It was louder
Than the robin’s chirp.
I worry often about getting sick.
It’s a side effect of
The two year pandemic.
A symptom of
March’s cold.
I dreamt I fell through
The earth’s crust.
It was freezing,
I shivered and
Saw carpet crumble
As my mom screamed.
I read somewhere the
Earth is filled with magma.
Gooey, thick fire. It glows.
When I broke ground,
I felt cold air, saw nothing.
I watch my roommate
Drop paper wads
Into paper bags
At her bedside.
My toxic cough made her
Sick so I pour the
Red syrup and
Green tea and
Serve them at her desk.
I carry pepper spray to CVS,
Wear the blue scarf and
I’m consumed by the scuba-diver sound
Of sniffing the drip back into my head.
I’m the drowning victim of shipwreck.
Everybody says better days are ahead.
Would it be a better day
if we could take a deep breath?
Would it be a better day if I could just warm up?
I wake up from dreams where
I’m in love with people I don’t trust again.
Is it this low-grade fever?
The strawberry melatonin?
Perhaps my brain is
Liquifying, clogging up
My ears and nose.
I keep my poetry in the same journal
As my notes from therapy,
I write down what she tells me:
How do others serve you?
What are you receiving?
Now I’m trying to be
Selfish for the sake of my sanity
The other day or
A few weeks ago,
I was alone in the woods
Until I wasn’t, a deer strolled up
in front of me,
Big antlers, broad shoulders
looming above as I was
sitting on the forest floor,
And he asked to borrow my lighter,
I swear, it was the pink one but
He never returned it
I used to have hermit crabs
Gifted by my grandma when I turned seven.
They were from a kiosk in the mall and
I didn’t know how to take care of them.
They grew too big for their shells,
Painted like shiny black 8-balls.
Can hermit crabs feel claustrophobic?
Am I making excuses?
A BBC documentary shows wild
Hermit crabs sizing up, then lining up,
In perfect patient synchronicity and
Trading shells in a rehearsed ritual.
My crabs played in my dollhouse and
Died of dehydration and I don’t even
Remember what I named them.
Yet they’re buried with our other pets
Beneath the backyard trees.
Maybe, I’ll return to read this poem
And clear out the weeds.
I learned in psychology class,
Sleep is essential for happiness so
I slept 13 hours last night and
still woke up feeling like shit
at 1:30pm, with the weird dreams again:
I plant peonies in the gardens
Of people who don’t like me.
And I love circular poetry and I
Wish I could seal this like Ziploc,
Like the baggie my dad put the
Brown crustacean carcass in,
Until the winter ground thawed.
I’m awake and still dreaming,
Still guilty and giving, still looking for a
bigger shell and better ending.
I’m in the ocean but I’m breathing,
Imagine me salty and thriving.
I have gils and so does the deer and the
Hermit crabs are laughing,
Look at us adapting and living.
Look at me all zipped up but
Still leaking.