The craft of conducting the basics

Video 7Conducting in compound time

Teacher music resource developed by The Arts Unit

Video 7 and supplementary materials

Conducting compound time signatures

Time to be an octopus and learn how to conduct compound time signatures in:

  • 6

  • subdivided 3

  • subdivided 4.

Learn some really handy physical warm up exercises for you and your players too!

Watch Video 7 as Stephen explains conducting in compound time.

Conducting in compound time - video chapter markers

You may like to use the video chapter marker timings to review and revise areas of interest. Select the collapsible text arrow to view.

Please note: chapter markers are also provided on the video.

  • 00:45 Time to stretch!

  • 01:36 Conducting focussed warm-ups

  • 04:08 Compound time signatures

  • 05:16 6/8 pattern on whiteboard

  • 06:00 6/8 visual demonstration

  • 06:50 6/8 Sicilienne by Faure

  • 08:46 In 6 but in sub-divided 3 on whiteboard

  • 09:25 n 6 but in sub-divided 3 demonstration

  • 10:38 Nimrod by Elgar

  • 11:45 Sub–divided 4 explanation

  • 12:15 Sub–divided 4 on whiteboard

  • 13:05 Sheep May Safely Graze by Bach.

Divided and changing meters

Divided meter patterns can be used in a variety of musical contexts:

  • for compound meters such as 6/8, 8/8, etc.

  • to indicate subdivisions in slow tempos

  • to facilitate a ritardando.

All divided beat patterns are subdivisions of other patterns:

  • 8/8 is a subdivided 4/4 pattern

  • 9/8 is a subdivided 3/ 4 pattern

  • 6/4 can be indicated either with a subdivided two or three beat pattern.

Determine which pattern (2, 3 or 4) will serve as the framework.

For each subdivision needing an ictus, move in the direction opposite the next ‘big’ or ‘main’ beat.

Conductor with orchestra and choir at Festival of Choral Music 2013 at Sydney Opera House
Festival of Choral Music 2013
Stephen Williams conducting students at In Concert
In Concert

6/8 pattern - basic

Visual representation of conducting in 6/8 in basic form

6/8 pattern - legato

Visual representation of conducting in 6/8 in basic form and legato

Compound subdivided meters

6 beats in the bar

‘Ye Banks and Braes o’ Bonny Doon’ by Robert Burn
1.	8 bar conducting exercise in 6/8 time, legato style based on a theme from ‘Ye Banks and Braes o’ Bonny Doon’ by Robert Burn

Subdivided 3 (6 subdivisions using an overarching 3 pattern)

Stephen Williams
8 bar conducting exercise in subdivided 3 time (6 pulses per bar) by Stephen Williams

Subdivided 3 - 9 beats per bar (9 subdivisions using an overarching 3 pattern)

Stephen Williams
8 bar conducting exercise in subdivided 3 time (9 pulses per bar) by Stephen Williams

Subdivided 4 - 8 beats per bar (8 subdivisions using an overarching 4 pattern)

Stephen Williams
4 bar conducting exercise in subdivided 4 time (8 pulses per bar) by Stephen Williams
Stephen Williams
8 bar conducting exercise in 8/8 (8 pulses per bar) by Stephen Williams

Subdivided 4 - 12 beats per bar (12 subdivisions using an overarching 4 pattern)

Stephen Williams
8 bar conducting exercise in 12/8 (12 pulses per bar) by Stephen Williams

Enjoy

Frederick Fennell was an internationally recognized conductor who, as the music director of the Eastman Wind Ensemble commissioned hundred's of new works for bands and greatly influenced music education in both the USA and around the world.

Enjoy the following 2 videos of renowned conductor Frederick Fennell and the Tokyo Kosei Wind Orchestra.

Frederick Fennell - The U.S. Field Artillery March - John Philip Sousa

Duration: 02:42

Walton - Crown Imperial [Fennell, TKWO]

Duration: 13:19

Third-party content attributions - Syllabus

  • The Arts Unit music festivals images, photographer: Anna Warr.

  • Pulse Concert images, photographer: Anna Warr.