The postmodern frame is used to interpret artworks that challenge mainstream and traditional ideas about the artworld.
Through the postmodern frame, the meaning of art is understood in relation to the complex, changing nature of contemporary life.
Artists may use new technologies and experimental artmaking practices. They communicate meaning through techniques like appropriation and intertextuality, humour, parody, satire and irony.
The Artist
Through the postmodern frame, artists are aware of trends and issues in contemporary art and use innovative practices to explore new ideas and techniques that challenge traditional or mainstream values.
The Artwork
Through the postmodern frame, artworks are thought of as visual 'texts' that may feature reconfigurations or responses to previous texts, explore popular culture, or represent innovative applications of new ideas or technologies.
The Audience
Through the postmodern frame, audiences are aware of power relationships within the world and artworld, and are also empowered to bring their own challenge, doubt, and scepticism to their interpretations of artworks.
The World
Through the postmodern frame, the world is thought of in terms of power relationships that are challenged and exposed. Artists look to other artworks and texts from the world to reference and re-interpret in their artmaking.
Artist
How has the artist used experimental or innovative practices to explore new ideas?
How has the artist challenged mainstream or traditional ideas?
Artwork
How does this artwork break, challenge, or re-interpret any artmaking rules, traditions or conventions?
Does this artwork use any new or innovative technologies? How does this impact the work’s meaning?
Audience
How might audiences be challenged by this artwork?
Do audiences have to interact with the work to understand its meaning? Does this act of participation change their understanding of the work?
World
Have existing or historical artworks been referenced, re-interpreted, or appropriated? How does this create new meaning?
What power relationships are challenged and exposed in the world and/or artworld?
Banksy, Flower Thrower, 2005.
Stencil and spray paint, dimensions variable.
Accessed 23/07/2021.
'This work, now covered and protected by a Perspex overlay, features a man dressed up in what we associate with traditional riot gear, with a bandana obscuring his face, and his cap on back-to-front. His stance is one of a person about to lob a Molotov cocktail; he's taking aim and is ready to throw his weapon. However, instead of a weapon, he holds a bunch of flowers (which are the only part of the mural to appear in color.) This piece is located on a wall on the side of a garage in Jerusalem on the main road to Beit Sahour, Bethlehem.
By substituting a weapon with a bunch of flowers, Banksy is advocating for peace, and he opted to install this particular message in a high-conflict area. The work also carries the message idea that peace comes with active hard work. In addition, the bouquet may as also represent a commemoration of lives lost in the long-running Israeli-Palestinian conflict - and thus, his use of art to relay messages of social importance.'
Text from Banksy Artworks & Famous Street Art | TheArtStory, accessed 23/07/2021.
Refer to the artwork image and text to learn about Banksy's artwork, and then complete the following activities.
Record your responses in a document to share with your teacher, including images of your artwork and any planning sketches or research material.
Critical and historical studies
Paste a copy of the artwork image and citation into your document.
In 'Flower Thrower', Banksy creates meaning through the use of ironic juxtaposition – placing images with contrasting meanings together to make a statement. What different meanings do the flowers and the figure throwing them have? What new meaning is created through this contrast?
Banksy is a famous street artist, but their real identity is a closely guarded secret. Why do you think Banksy keeps their identity a secret?
What makes 'Flower Thrower' an artwork, rather than just a piece of graffiti? Would the meaning of this work change if it was displayed in an art gallery or museum?
How does 'Flower Thrower' challenge mainstream or traditional ideas in the artworld? How does it challenge ideas or values in the real world?
Artmaking
Choose two images with opposite meanings. You might explore themes like war/peace, love/hate, abundant/scarce, natural/artificial, happy/sad, dangerous/safe or active/passive. For each image, explain how it represents your chosen theme, then discuss how the combination of these opposing images creates new meaning.
Create an artwork that combines your two images as a Banksy-inspired stencil style artwork. You might choose to create your artwork by cutting out shapes of different coloured paper, drawing using pens or markers, or manipulating a digital image using the Photoshop's 'threshold' adjustment (or a similar filter in your preferred image editor).
Photoshop is available for free to NSW school students via OnTheHub. For technical guidance, refer to the Adobe Photoshop tutorials on combining multiple images and using adjustment filters.
'In my work, I still like to question the dominant images of Australian culture, whether it is a painting by Charles Meere or a photograph by Max Dupain in order to expose the stereotypes and offer other ways of seeing ourselves. Identity is formed through our association with place and through the roles and activities played there. In some ways all this is stripped away at the beach yet we are still defined by the colours, caps, togs and even the thongs we choose to wear there.'
Text from Anne Zahalka, Playground of the Pacific, accessed 23/07/2021.
Refer to the artwork image and text above to learn about 'The New Bathers', and complete the following activities.
Record your responses in a document to share with your teacher, including images of your artwork and any planning sketches.
Critical and Historical studies
Paste a copy of the Anne Zahalka artwork image and citation into your document.
Appropriation is a technique often used by postmodern artists to make their audiences re-consider their ideas about the meaning of well-known artworks. Appropriation artworks create new meaning by borrowing, sampling, copying or altering familiar images or well-known artworks.
How has Anne Zahalka changed elements of the original work in her appropriation?
Make a list of features in her artwork and explain how they are similar or different to Charles Meere's painting. Think about: the people that are represented, what they are doing, how they are dressed, and what objects they have brought to the beach.
Read the Anne Zahalka quote. What 'dominant images' and 'stereotypes' is she referring to in her artwork? How has she questioned or challenged these? What new meaning has been created?
These two artworks were created over 50 years apart. What does Anne Zahalka's appropriation reveal about aspects of Australian society that have changed and aspects that have stayed the same?
Artmaking
Anne Zahalka has appropriated many famous artworks to comment on contemporary Australia – see her series The Landscape Re-presented and The Landscape Revisited for examples.
Create your own artwork that appropriates an existing landscape painting to make a statement about your experience of contemporary Australia.
Start by looking at some of the artists from the Heidelberg School, which Anne Zahalka references in many of her appropriated landscape works. Your artwork should have a clear reference to a famous landscape painting. Save a copy of your reference painting, with a citation, in your planning document.
To make your artwork, you could choose to take a photograph that carefully re-creates the composition and placement of figures, like in Anne Zahalka's version of 'Down on His Luck' (based on the original painting by Frederick McCubbin). Alternatively, you could use Photoshop or another image editor to make a digital collage that inserts contemporary images into a work from art history, like in Anne Zahalka's 'Spring Frost - An early morning shoot' (based on 'Spring Frost' by Elioth Gruner).
Photoshop is available for free to NSW school students via OnTheHub. An online tutorial on combining multiple images in Photoshop is available via Adobe's Photoshop Get Started course.
Visual Arts 7-10 Syllabus, NSW Education Standards Authority (NESA) for and on behalf of the Crown in right of the State of New South Wales, 2003, accessed 23/07/2021.
Painting by Banksy on a building wall in Bethlehem-Dec_07 | Flickr, accessed 23/07/2021.
Banksy Artworks & Famous Street Art | TheArtStory, accessed 23/07/2021.
Welcome | NSW Students WebStore | Academic Software Discounts (onthehub.com), accessed 23/07/2021.
Merge and combine images | Adobe Photoshop tutorials, accessed 23/07/2021.
Adjustment filters (adobe.com), accessed 23/07/2021 .
Playground of the Pacific - ANNE ZAHALKA (zahalkaworld.com.au), accessed 23/07/2021.
Australian beach pattern, 1940 by Charles Meere :: | Art Gallery of NSW, accessed 23/07/2021.
The Landscape Re-presented, 1983 - ANNE ZAHALKA (zahalkaworld.com.au), accessed 23/07/2021.
The Landscape Revisited - ANNE ZAHALKA (zahalkaworld.com.au), accessed 23/07/2021.
Heidelberg School — Google Arts & Culture, accessed 23/07/2021.
The Landscape Revisited - Down on His Luck - ANNE ZAHALKA (zahalkaworld.com.au), accessed 23/07/2021.
Down on his luck - Art Gallery WA, accessed 23/07/2021.
The Landscape Re-presented - Spring Frost - An early morning shoot - ANNE ZAHALKA (zahalkaworld.com.au), accessed 23/07/2021.
Spring frost, 1919 by Elioth Gruner :: | Art Gallery of NSW, accessed 23/07/2021.
Welcome | NSW Students WebStore | Academic Software Discounts (onthehub.com), accessed 23/07/2021.
Merge and combine images | Adobe Photoshop tutorials, accessed 23/07/2021.