Vestiges
Vestiges
So much of being human is nonhuman,
by which I mean I feel most humane
when reminded I’m animal, a bipedal ape,
what Frans de Waal called a bipolar ape.
What I’m really trying to say is
piloerection occurs whenever I hear
a tune with an acoustic guitar
in a minor key and a picking pattern
like that one ditty by that one duo
(the names of both I fail to recall),
whose short-lived popularity like
my brief week of middle-school fame
is now mostly forgettable. I loved the girl
with the locker next to mine, who loved
me back but asked me to keep our love
secret—I didn’t. She IM’d me that song
I fail to recall but still can feel because,
she said, somehow it reminded her of me.
What I’m really trying to say is
still the hair along my spine stands up
like this. And I don’t feel bigger
but smaller, as if this warmth is
not my own but one singular burn
of millennia of fire ignited here
and now by vestigial reflex.
At night, sometimes, nearing sleep,
I recall all the women I have loved.
Only a dozen or so knew my love,
only a handful loved me back.
Yet I loved them all the same, I think
(again, I fail to recall). And yet I feel
the same flames still warming. Teetering
on the edge of dream, I fall—a hypnic
jerk plunges me into the void
because my ancestors slept in trees.
What I’m really trying to say is maybe
the past is an unremembered, felt dream
playing over and over, again and again,
in always-exploding variations of here
and now, by which I mean if you tune in
to the primal stillness of your wisdom
teeth, your appendix, a hiccup or a yawn,
still, still you can feel the heat.
Winter 2021
Written by John Matthew Steinhafel.
Steinhafel studies English language and literature at Catholic University as a second year Ph.D. student. He earned a B.A. in business administration from the University of Wisconsin-Milwaukee and a M.F.A. from Western Kentucky University. His work has appeared in In Parentheses, Every Day Fiction, and Plainsongs.