Without Censure
Steve Gerson
Steve Gerson
Steve Gerson writes poetry and flash about life's dissonance. He has published in CafeLit, Panoplyzine, Crack the Spine, Decadent Review, Vermilion, In Parentheses, Wingless Dreamer, Big Bend Literary Magazine, Coffin Bell, and more, plus his chapbooks Once Planed Straight; Viral; and The 13th Floor: Step into Anxiety from Spartan Press.
6:00 a.m., three hours before opening. It’s quiet—
and dark. Philip Roth and Norman Mailer have stopped
quarrelling in their double-edged tongues about
misogyny and machismo, asleep in their corner of my
American lit aisle 846. Neither Hawthorne nor Melville
has awakened to discuss hints of homoeroticism
between Moby Dick’s Ishmael and Queequeg. Mark Twain
is smoking the first of his many pipes, imagining scenes
along the Mississippi muddied in social convention, rarely
black and white. Emily Dickinson and Rupi Kaur in adjoining
stacks murmur trochees about chiaroscuro, night succumbing to day.
Shakespeare, several time zones away in my aisle 832,
has been awake for hours, cutting quills, dipping ink,
honing iambic pentameters to best Christopher Marlowe
before the pub’s last call. They will pen murder and love
and lust and serendipity and fate, the despair and hope of humanity
caught between our winter tales and mid-summer dreams,
their prose pulsing. Across my library, Socrates ruminates
in aisle 183, Plato mumbles postulations in 184, while the
Subconscious envisions battling the Self in aisles 126 and 127,
Ego trying to rein in the fraying synapses of Id.
In between and ever on the edge, history (aisle 900) warns
about repeated pasts; science (aisle 600) invents the future.
The lights are off throughout the library’s first and
second floors, my stairs ascending like Beatrice, descending
like Dante. A glimmer of dawn is seeping through the skylights,
casting shadows on the books, painting the mahogany shelves
in the umber of café au lait, percolating to awaken ideas.
Our books smell of vanilla and mustiness, ink and paper, words
that slumber in psyches like seeds in fertile soil, philosophies that fire
in minds like Joan of Arc championing freedom on a pyre.
Every book’s spine is somewhat aligned. We try for order, but why?
My library houses dissent. Spinoza, always “a disturber of the peace”
in my aisle 190, has never been shelved properly. He juts and slants,
continually breaking with dogma. I’ll let him be. I’ll let them all be,
without censure. They have thoughts to think. When my library opens
at 9:00 a.m., light will shine; words will kindle into phosphorous
and rattle as sabers drawn, warring.
Flash Issue 18