RICERCA
RICERCA
Inside Andrea Molino’s ‘La Vérité, Pas Toute’: The Creation of Swarm Sounds
Nicola Bernardini, Alvise Vidolin, Luca Richelli, Alessandro Fiordelmondo, Mattia Pizzato
Proceedings of the 19th Linux Audio Conference, Villeurbanne, 2025
Interfacing musicians and technologies in a laptop ensemble
Julian Scordato
Proceedings of the 12th International Conference on New Music Concepts, Treviso, 2025
A multilevel dynamic model for documenting, reactivating and preserving interactive multimedia art
Alessandro Fiordelmondo, Alessandro Russo, Mattia Pizzato, Luca Zecchinato, Sergio Canazza
Frontiers in Signal Processing, Lausanne, 2023
Spherical tendency of wrist movement
Julian Scordato
Proceedings of the International Conference on New Interfaces for Musical Expression, Auckland, 2022
Scramble Live: Combining LSTM and Markov Chains for Real-time Musical Interaction
Nicola Privato, Omar Rampado, Alberto Novello
Proceedings of the 19th Sound and Music Conference, Saint-Étienne, 2022
A Creative Tool for the Musician Combining LSTM and Markov Chains in Max/MSP
Nicola Privato, Omar Rampado, Alberto Novello
Proceedings of the 11th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART), Madrid, 2022
Media archaeology-based Visual Music
Alberto Novello
Musica/Tecnologia, Firenze, 2021
Generative Scores and Data Mining: W.E.I.R.D. Enters the Stage
Nicola Privato, Alberto Novello
Proceedings of the 9th xCoAx - Conference on Computation, Communication, Aesthetics & X, online, 2021
SST: a IanniX tool for composing the electroacoustic space
Julian Scordato, Nicola Privato, Nicola Raccanelli
Proceedings of the 18th Sound and Music Computing Conference, Torino, 2021
Novel perspectives for graphic notation in IanniX
Julian Scordato
From Xenakis's UPIC to Graphic Notation Today, Karlsruhe, 2020
Augmented Drums: Digital Enhancement of Rhythmic Improvisation
Matteo Amadio, Alberto Novello
Proceedings of the 8th xCoAx - Conference on Computation, Communication, Aesthetics & X, Graz, 2020
Julian Scordato, Marco Barberis, Niccolò Matteo
Proceedings of SIIDS 2020 - Sound, Image and Interaction Design Symposium, Madeira, 2020
A Neural Network Based Framework for Archetypical Sound Synthesis
Eric Guizzo, Alberto Novello
Computing Research Repository, 2020
Alberto Novello
Proceedings of the 7th xCoAx - Conference on Computation, Communication, Aesthetics & X, Milano, 2019
PhOS: light-sensitive gestural surface
Alberto Novello, Alessandro Fiordelmondo, Arcangelo Di Donato
Atti del XXII Colloquio di Informatica Musicale, Udine, 2018
Il controller pittorico: uno strumento gestuale per la sintesi sonora
Arcangelo Di Donato, Alberto Novello, Alessandro Fiordelmondo
Atti del XXII Colloquio di Informatica Musicale, Udine, 2018
Il suono attuale dei luoghi perduti
Arcangelo Di Donato, Giorgio Klauer
Atti del XXII Colloquio di Informatica Musicale, Udine, 2018
Arcangelo Di Donato, Alberto Novello, Giorgio Klauer
Atti del XXII Colloquio di Informatica Musicale, Udine, 2018
Motion capture e strumenti aumentati: controllo gestuale e gesto compositivo
Luca Richelli
Atti del XXII Colloquio di Informatica Musicale, Udine, 2018
Julian Scordato
Proceedings of the 5th xCoAx - Conference on Computation, Communication, Aesthetics & X, Lisbona, 2017
Sonic Interaction Design for Paper Wearables
Giorgio Klauer, Annalisa Metus, Pietro Polotti
Proceedings of the 12th Audio Mostly Conference, Londra, 2017
Auditory, Visual And Somatosensory Localization Of Piano Tones: A Preliminary Study
Federico Fontana, Debora Scappina, Federico Avanzini, Mattia Bernardi, Devid Bianco, Giorgio Klauer
Proceedings of the 14th Sound and Music Computing Conference, Espoo, 2017
Sonic Interaction Design e Paper Wearables
Giorgio Klauer, Annalisa Metus, Pietro Polotti
Atti del XXI Colloquio di Informatica Musicale, Cagliari, 2016
L’espressività nell’esecuzione automatica di partiture di musica contemporanea: uno studio di caso
Francesco Roberto Dani, Giorgio Klauer, Antonio Rodà, Alvise Vidolin
Atti del XXI Colloquio di Informatica Musicale, Cagliari, 2016
Un prototipo di pianoforte digitale con feedback vibrotattile
Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Giorgio Klauer, Lorenzo Malavolta
Atti del XXI Colloquio di Informatica Musicale, Cagliari, 2016
Living Lab Music 5 + di_stanze
SaMPL – Sound and Music Processing Lab
Conservatorio di Padova, 2015
Vision II: an audiovisual performance with IanniX
Julian Scordato
Atti di Living Lab Music 5, Padova, 2015
Wave field synthesis from sound design to composition to concert performance
Giorgio Klauer, Matteo Girardi
Atti di Living Lab Music 5, Padova, 2015
Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Giorgio Klauer, Lorenzo Malavolta
Proceedings of the 12th Sound and Music Computing Conference, Maynooth, 2015
A Sonic Art Book (Little Red Riding Hood)
Giorgio Klauer, Annalisa Metus
Proceedings of the Digital Research in the Humanities and Arts Conference 2014, Londra, 2015
Study of the Perceptual and Semantic Divergence of Digital Audio Processed by Restoration Algorithms
Sonia Cenceschi, Giorgio Klauer
Proceedings of the 40th International Computer Music Conference | 11th Sound and Music Computing Conference, Atene, 2014
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano
Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini
Proceedings of the 40th International Computer Music Conference | 11th Sound and Music Computing Conference, Atene, 2014
La Libreria OpenMusic OMChroma: Documentazione online
Luca Richelli
Atti del XX Colloquio di Informatica Musicale, Roma, 2014
PianoSpace: modelli morfologici virtuali e mappe compositive
Luca Richelli, Sergio Canazza
Atti del XX Colloquio di Informatica Musicale, Roma, 2014
Augmenting traditional instruments with a motion capture system
Amalia De Götzen, Alvise Vidolin, Nicola Bernardini
Atti del workshop "Crafting Interactive Systems: Learning from Digital Art Practice", Parigi, 2013
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
Proceedings of the 10th Sound and Music Computing Conference, Stoccolma, 2013
Restauro e falsificazione: potenzialità e rischi delle pratiche di conservazione e di restauro dei documenti sonori di musica elettronica
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
Atti e Memorie dell'Accademia Galileiana di Scienze Lettere ed Arti, Padova, 2013
Paper Mechanisms for Sonic Interaction
Stefano Delle Monache, Davide Rocchesso, Jie Qi, Leah Buechley, Amalia De Götzen, Dario Cestaro
Proceedings of the 6th International Conference on Tangible Embedded and Embodied Interaction, Kingston, 2012
Stefano Trento, Amalia De Götzen
Proceedings of the 8th Sound and Music Computing Conference, Padova, 2011
Musica, Ricerca e Tecnologia: il ciclo virtuoso della creatività
Giovanni Marchesini, Nicola Bernardini, Sergio Canazza, Giovanni De Poli, Alvise Vidolin
Atti e Memorie dell'Accademia Galileiana di Scienze Lettere ed Arti, Padova, 2011