RICERCA

A multilevel dynamic model for documenting, reactivating and preserving interactive multimedia art

Alessandro Fiordelmondo, Alessandro Russo, Mattia Pizzato, Luca Zecchinato, Sergio Canazza

Frontiers in Signal Processing, Lausanne, 2023


Spherical tendency of wrist movement

Julian Scordato

Proceedings of the International Conference on New Interfaces for Musical Expression, Auckland, 2022


Scramble Live: Combining LSTM and Markov Chains for Real-time Musical Interaction

Nicola Privato, Omar Rampado, Alberto Novello

Proceedings of the 19th Sound and Music Conference, Saint-Étienne, 2022


A Creative Tool for the Musician Combining LSTM and Markov Chains in Max/MSP

Nicola Privato, Omar Rampado, Alberto Novello

Proceedings of the 11th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) , Madrid, 2022


Media archaeology-based Visual Music

Alberto Novello

Musica/Tecnologia, Firenze, 2021


Generative Scores and Data Mining: W.E.I.R.D. Enters the Stage

Nicola Privato, Alberto Novello

Proceedings of the 9th xCoAx - Conference on Computation, Communication, Aesthetics & X, online, 2021


SST: a IanniX tool for composing the electroacoustic space

Julian Scordato, Nicola Privato, Nicola Raccanelli

Proceedings of the 18th Sound and Music Computing Conference, Torino, 2021


Augmented Drums: Digital Enhancement of Rhythmic Improvisation

Matteo Amadio, Alberto Novello

Proceedings of the 8th xCoAx - Conference on Computation, Communication, Aesthetics & X, Graz, 2020


Sketching Sonic Trajectories

Julian Scordato, Marco Barberis, Niccolò Matteo

Proceedings of SIIDS 2020 - Sound, Image and Interaction Design Symposium, Madeira, 2020


A Neural Network Based Framework for Archetypical Sound Synthesis

Eric Guizzo, Alberto Novello

CoRR, 2020


Laser Drawing

Alberto Novello

Proceedings of the 7th xCoAx - Conference on Computation, Communication, Aesthetics & X, Milano, 2019


PhOS: light-sensitive gestural surface

Alberto Novello, Alessandro Fiordelmondo, Arcangelo Di Donato

Atti del XXII Colloquio di Informatica Musicale, Udine, 2018


Il controller pittorico: uno strumento gestuale per la sintesi sonora

Arcangelo Di Donato, Alberto Novello, Alessandro Fiordelmondo

Atti del XXII Colloquio di Informatica Musicale, Udine, 2018


Il gioiello elettroacustico

Arcangelo Di Donato, Alberto Novello, Giorgio Klauer

Atti del XXII Colloquio di Informatica Musicale, Udine, 2018


Composing with IanniX

Julian Scordato

Proceedings of the 5th xCoAx - Conference on Computation, Communication, Aesthetics & X, Lisbona, 2017


Living Lab Music 5 + di_stanze

SaMPL Sound and Music Processing Lab

Conservatorio di Padova, 2015


Rendering and Subjective Evaluation of Real vs. Synthetic Vibrotactile Cues on a Digital Piano Keyboard

Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Giorgio Klauer, Lorenzo Malavolta

Proceedings of the 12th Sound and Music Computing Conference, Maynooth, 2015


Wave field synthesis from sound design to composition to concert performance

Giorgio Klauer, Matteo Girardi

Atti di Living Lab Music 5, Padova, 2015


A Sonic Art Book (Little Red Riding Hood)

Giorgio Klauer, Annalisa Metus

Proceedings of the Digital Research in the Humanities and Arts Conference 2014, Londra, 2015


Study of the Perceptual and Semantic Divergence of Digital Audio Processed by Restoration Algorithms

Sonia Cenceschi, Giorgio Klauer 

Proceedings of the 40th International Computer Music Conference | 11th Sound and Music Computing Conference, Atene, 2014

 

Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano

Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini 

Proceedings of the 40th International Computer Music Conference | 11th Sound and Music Computing Conference, Atene, 2014

 

La Libreria OpenMusic OMChroma: Documentazione online

Luca Richelli 

Atti del XX Colloquio di Informatica Musicale, Roma, 2014


PianoSpace: modelli morfologici virtuali e mappe compositive

Luca Richelli, Sergio Canazza 

Atti del XX Colloquio di Informatica Musicale, Roma, 2014


Augmenting traditional instruments with a motion capture system

Amalia De Götzen, Alvise Vidolin, Nicola Bernardini 

Atti del workshop "Crafting Interactive Systems: Learning from Digital Art Practice", Parigi, 2013


Visions of sound: The Centro di Sonologia Computazionale, from Computer Music to Sound and Music Computing

Sergio Canazza, Giovanni De Poli, Alvise Vidolin 

Proceedings of the 10th Sound and Music Computing Conference, Stoccolma, 2013


Restauro e falsificazione: potenzialità e rischi delle pratiche di conservazione e di restauro dei documenti sonori di musica elettronica

Sergio Canazza, Giovanni De Poli, Alvise Vidolin 

Atti e Memorie dell'Accademia Galileiana di Scienze Lettere ed Arti, Padova, 2013


Paper Mechanisms for Sonic Interaction

Stefano Delle Monache, Davide Rocchesso, Jie Qi, Leah Buechley, Amalia De Götzen, Dario Cestaro 

Proceedings of the 6th International Conference on Tangible Embedded and Embodied Interaction, Kingston, 2012


Foley Sounds vs. Real Sounds

Stefano Trento, Amalia De Götzen 

Proceedings of the 8th Sound and Music Computing Conference, Padova, 2011


Musica, Ricerca e Tecnologia: il ciclo virtuoso della creatività

Giovanni Marchesini, Nicola Bernardini, Sergio Canazza, Giovanni De Poli, Alvise Vidolin 

Atti e Memorie dell'Accademia Galileiana di Scienze Lettere ed Arti, Padova, 2011