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Talent is nothing without dedication and discipline, and dedication and discipline is a talent in itself. It's not all about talent. It's about dependability, consistency, and being able to improve. If you work hard and you're coachable, and you understand what you need to do, you can improve.
Week 8 - Show your talent (16th November to 22 November):
Activity: Cultural Showcase
Coordinators: Dr. Melissa G. Wallang
Description: Organize a cultural showcase where students can present their talents, whether it's traditional dance performances, music recitals, or art exhibitions. This event allows students to express themselves creatively while celebrating India's diverse cultural heritage.
Performers: B. Ed Students of NERIE
“U Maw-nguid-briew”
This folksong narrates the tale of "u maw nguid briew," translated as 'the rock that swallows humans.' Generations have passed down this story, recounting the tragic incident where a mother, engrossed in her work, left her two kids on a rock in a paddy field. The older son, entrusted with his younger brother's care, witnessed the rock swallowing his sibling's leg. His desperate cries for help were unheard, and despite attempts to rescue his brother, both boys succumbed to the rock's engulfing force.
The mother, initially dismissive, only realized the gravity when she found her son's hand protruding from the rock with a banana. Unable to free them, she wailed in despair. Villagers, drawn by her screams, failed to break the rock. The tragic incident serves as a poignant reminder that every child's cry for help should be heeded. People believe the hand with the banana remains on the rock.
The song, accompanied by a guitar, delivers a powerful message about the importance of listening to children, especially in times of distress.
Title: "Oishe Ishou" (Alas! My Friend) A poignant Sumi Naga folk song recounts the tragic tale of two inseparable friends, Ghoshito and Zuqhevi. During a hunting expedition, a fateful misidentification led Ghoshito to mistakenly shoot Zuqhevi. The shocking realization of his mistake struck Ghoshito as he found his friend in agonizing pain, pleading for water. Desperate, Ghoshito rushed to a nearby stream, using a leaf to fetch water for his ailing friend. Unfortunately, Zuqhevi's fate was irreversible, and he uttered his last words, "God, take care of my soul," before passing away. The haunting narrative of "Oishe Ishou" captures the tragedy that unfolded in the depths of the forest.
A Nepali ‘Tamang selo' dance from Sikkim, an Assamese dance from Assam and a Tagin dance from Arunachal Pradesh.
The dance ensemble, themed 'Unity in Diversity,' beautifully combines three distinct folk dances: the Nepali 'Tamang Selo' from Sikkim, an Assamese dance from Assam, and a Tagin dance from Arunachal Pradesh. The Nepali dance features the use of a "Damphu," a percussion instrument resembling a large tambourine but smaller in size.
The dancers are adorned in the traditional attire of the Gurung Nepali community known as "ghalek." This garment, worn by Gurung women, drapes elegantly from the shoulder to the opposite waist.
Song: "Dite Mopang Lokke" - Adi Cultural Anthem
In the spirit of Solung gidii sipe, "Dite Mopang Lokke" signals us to embrace the cultural legacy. Adorned in Galey, Gol pota, Sondorong, and Sumbing, they gather to preserve their ancestors' pride and keep their festivals vibrant.
Through the harmonies of this song and the graceful movements of Ponung for women, coupled with the spirited beats of Delonge for Adi men, they pledge to uphold our cultural traditions.The pride in their ancestors becomes a beacon for peace, dispelling communal discord. We stand firm, refusing to let their sacrifices fade away. "Dite Mopang Lokke" is their perpetual homage—a celebration that fills us with enduring pride and gratitude.
As they wear their traditional attire and jewelry, let it symbolize the commitment to cultural preservation, a vibrant connection to their roots.
Song: "Dite Mopang Lokke" - Adi Cultural Anthem
In the spirit of Solung gidii sipe, "Dite Mopang Lokke" signals us to embrace the cultural legacy. Adorned in Galey, Gol pota, Sondorong, and Sumbing, they gather to preserve their ancestors' pride and keep their festivals vibrant.
Through the harmonies of this song and the graceful movements of Ponung for women, coupled with the spirited beats of Delonge for Adi men, they pledge to uphold our cultural traditions.The pride in their ancestors becomes a beacon for peace, dispelling communal discord. We stand firm, refusing to let their sacrifices fade away. "Dite Mopang Lokke" is their perpetual homage—a celebration that fills us with enduring pride and gratitude.
As they wear their traditional attire and jewelry, let it symbolize the commitment to cultural preservation, a vibrant connection to their roots.
Unity In Diversity, Portraying The Vibrant Cultural Tapestry Of Assam.
As all tribes unite on stage, the performance signifies Unity In Diversity. The echoes of each dance form tell tales of resilience and adaptability, encapsulating the enduring spirit of these diverse tribes.
Sonowal Kachari Tribe (Leseri Dance)
The Sonowal Kachari, an ancient indigenous tribe of Assam, resides in scattered settlements across Tinsukia, Dibrugarh, Sivasagar, Jorhat, and Golaghat in upper Assam. Known for their rich folk traditions, the Leseri dance takes center stage in our performance. This female-dominated dance, performed during Bihu, showcases graceful hand gestures and rhythmic leg postures. Adorned in traditional attire with mugar riha, mugar mekhela, and vibrant ornaments, the dancers move to the beats of toka and dhol.
Bodo Tribe (Bagurumba Dance)
The Bodo tribe, a culturally rich community concentrated in the Brahmaputra valley, celebrates the Bwisagu festival with exuberance. Our performance highlights the Bagurumba dance, accompanied by the lively Bagurumba song. The Bodos, known for their colorful traditional attire, including Aronai, Dokhona, Jwmgra, and Gamsha, express their vibrant culture through 15/18 varieties of Kherai Dance. Various traditional instruments like Kham, Siphung, and Jabsring complement the festive atmosphere.
Koch Rajbonshi (Kushan Gaan)
The Koch Rajbonshi, indigenous people concentrated in Goalpara districts, showcase their cultural heritage through the enchanting Kushan Gaan dance. Wearing Patani, Agaran, and topor, Koch women, accompanied by men in Angcha and Gamcha, present a cultural spectacle. The performance unfolds amidst the strains of Shanai, Dotora, Khol, and Akrai. The Koch community's spring festival, Bishuwa, and Meghalaya's Pabuni are celebrated with popular folk songs and dances.
Tiwa Tribe (Borot Dance)
The Tiwa tribe, recognized as a Scheduled Tribe in Assam and Meghalaya, presents the traditional Borot Dance. A captivating expression of their cultural roots, this dance is performed during festivals like Wanchuwa, emphasizing the Tiwas' connection with agriculture. The performance is accompanied by the melodious tunes of Pangsî, a bamboo transverse flute, and the rhythmic beats of Khrám Panthái, a membrane instrument.
Assamese (Bihu Dance)
The iconic Bihu dance, an indigenous folk dance from Assam, takes center stage in our celebration of Assamese culture. Characterized by brisk steps, rapid hand movements, and colorful costumes, the dance symbolizes joy and vigor. As young men and women perform to the beats of Pepa, Dhol, Taal, and Gogona, the Bihu dance becomes a vibrant expression of happiness. Traditional Assamese ornaments, including Lokaparo, Thuriya, and Senpata, add a touch of prestige to the cultural celebration.
Mishing Tribe (Gumrag Sohman/Paksong)
In the heartland of Assam, the Mishing tribe's symphony of sounds resonates through their Gumrag Sohman and Gumrag Paksong dances. Celebrated during Ali-Aye-Leegang and Mishing Bihu, these dances, accompanied by instruments like Pempa, Ejug Tapung, and Dumdum, tell a story of vibrant heritage. The traditional attire, Gonru Ugon for men and Sampa for women, reflects the Mishing tribe's artistic elegance.
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