Eugene Bourdin
Eugène Louis Boudin was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the "King of the skies".
Edouard Manet
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting
Claude Monet
Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it
Edgar Degas
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist, and did not paint outdoors as many Impressionists did.
Paul Gauguin beach paintings
Eugène Henri Paul Gauguin was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that was distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia
Edvard Munch
Edvard Munch was a Norwegian painter. His best known work, The Scream, has become one of Western art's most iconic images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family.
Emil Nolde
Emil Nolde was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and one of the first oil painting and watercolour painters of the early 20th century to explore colour. He is known for his brushwork and expressive choice of colours.
Kirchner
Ernst Ludwig Kirchner was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art.
Schmidt-Rottluf
Karl Schmidt-Rottluff was a German expressionist painter and printmaker; he was one of the four founders of the artist group Die Brücke
Heckel
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Willem de Kooning
Willem de Kooning was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter, Elaine Fried.
Winslow Homer
Winslow Homer was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator.
Winslow Homer beach paintings (Caribbean islands, America and Yorkshire)
Andrew Wyeth
Andrew Newell Wyeth was an American visual artist, primarily a realist painter, working predominantly in a regionalist style. He was one of the best-known U.S. artists of the middle 20th century.
Edward Hopper
Edward Hopper was an American realist painter and printmaker. While he is widely known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching. Hopper created subdued drama out of commonplace subjects layered with a poetic meaning, inviting narrative interpretations
Ashcan school
The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.
Caspar David Friedrich
Caspar David Friedrich was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation.
John Constable
John Constable RA was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham ... he also spent time painting the coast and views of Brighton and the surrounding areas
Philip Wilson Steer
Philip Wilson Steer OM was a British painter of landscapes, seascapes plus portraits and figure studies. He was also an influential art teacher.
Dame Laura Knight
Dame Laura Knight DBE RA RWS was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain.
Fred Cuming
Frederick George Rees Cuming RA, normally known as Fred Cuming, was a contemporary British landscape painter, who worked in a traditional manner.
Suzanne Vaughan
'I am a professional full time artist living in Portland, Oregon. My art is an expression of colour, light and positive energy, from my vibrant modern colour field abstracts to my minimal atmospheric landscapes. They capture the fresh vitality of nature’s essence infused with uplifting energy to convey feelings of hope and optimism.'
Joyce Dunn
'Joyce Dunn is an experienced Italian painter with international exposure. Confusion, noise, traffic, buildings, graffiti and the chaotic atmosphere of the urban city are her inspiration as well as the work of classic action painters such as Jackson Pollock and Mark Rothko. Her paintings are minimal, emphasizing colour over form and are created by an intricate layering process in order to bring a sense of depth to the canvas.'