This weekend we took a 3 day trip to Malham, Yorkshire to explore the Moors and setting of Wuthering Heights. This trip is so important for us to understand the history of the play and how of an important role the setting and nature has in the play. On day one we got a train from Kings Cross London to Leeds, from which we would get a coach to Malham in the North of Yorkshire. We hadn't yet reached our destination and I was already noticing how different the roads and surroundings are compared to London. The landscapes are much more vast and have more rural and uneven terrain. The big obvious change was also the weather and quality of air. It was much colder than London and it being early February, but it was very sunny on our first day, and our other two days weren't as dry...
After we arrived and had dropped off our bags we went on a walk to Janet's Foss, it is a small waterfall in Malham. It is called Janet's Foss as the name Janet is believed to refer to a fairy queen reputed to inhabit a cave at the rear of the fall. Foss is a Nordic word for waterfall, still used in Scandinavia, and is presented in a number of cases in England as 'force'. Along the walk we walked past an ancient barn called the Mantley Field Laithe that was built in 1755. This made us realised how much history here is preserved and a lot is from the time of Emily Bronte. We truly are immersing ourselves into their world and time travelling back two-hundred years. Doing this walk also made me really take in the vastness of the countryside in Yorkshire and it is uneven paths and terrain. I kept on thinking how we were still struggling to walk in certain areas with walking boots, how did they walk across for long periods of time in long dresses and skirt without appropriate footwear. As the walk progressed we really started to feel the weather difference, and how it is a different type of cold up north. Today's walk was a good trail for tomorrow in terms of how many layers for us to wear, which is a lot. But also the weather is looking to be much different than todays, with much more rain and less sun.
After returning from the walk we just had free time at the hostel. This was time for us to bond as a cast, not just in a co-actor way but as friends which is so important as when we return back to the rehearsal room we will feel more comfortable with each other and have a closer bond. In the evening we played different games a group favourite was 'Up Jenkins Down Jenkins.' Today we all already were starting to notice all the difference's being up north and noting how much history is preserved. We hadn't been to the Moors yet but we already able to paint a picture of the plays setting and what weather and climate the character's are referring too.
In the evening for some entertainment we made a music video to Wuthering Heights By Kate Bush. Enjoy
Today we travelled to Haworth, where the Brontes lived which is right next to the vast landscape known as The Moors. We firstly had a talk with one of the people from the museum which is the Bronte house. But the building we were in used to be the school their father built/owned. We had a presentation on the whole family and their history, what was interesting is a lot of the information about the family is mixed in with opinion as a lot of mystery surrounds them as most of them died quite young. The family was socially in a strange position as their father came from a poor family in Ireland but with his job got the house, which is the museum. What is very interesting about the house is it's location. The house was located next to a graveyard, so the family were constantly surrounded by death, not only with many family members dying young but seeing people being buried right on their doorstop. This begins to explain why there is so much death in Wuthering Heights, it's all Emily really knew and had such an intense experience with. Emily Bronte also difficulties with religion and orthodox, we don't really explicitly know her full opinion on religion and her beliefs but we can see through some of the characters in the play she questioned it. When Wuthering Heights was first published people couldn't put it in a category, it was gothic but not traditionally gothic, it was a romance but had so much hate and death. She had written such a tale people couldn't digest as it explore such grotesque and extreme characters.
After the talk we proceeded to go through the museum and each room was kept as it was back when they lived there. It was interesting to see the plan of the house and what rooms you saw first, as well as the size of rooms. The most fascinating room for me was the servants quarter/kitchen as I could really picture where Nelly would spend majority of her time and what particular household object she would use. I took notice of how there were bells on the wall, that would be run by the members of the household when in need of something, and each bell is connected to a particular room in the house. Seeing this room made me think of many other additional jobs Nelly has, on top of her routine work. We made our way through the different rooms taking note of small objects that have been meticulously placed in the rooms. Each room in the house had a purpose and was used only for that set purpose which is what I found interesting.
Most of the rooms were much smaller than I expected and were filled with a lot of furniture, portraits and books. Seeing how the family lived their everyday lives really helped me to picture what people in the play would be doing around me as I do housework. Seeing the layout of rooms will also help me on stage picture my surroundings, particularly as we have an abstract set made up of rocks that you find on The Moors. I found looking at all the costumes as well, really helpful as it will give me and idea of what I will be wearing on stage and how that will change my physicality. They had some original dresses that Emily and Charlotte wore. As well as information on particular items they wore and their purpose.
All information that I gathered on the Bronte family from the museum can be found here.
After the museum we began our 10 mile walk across The Moors. The weather considerably different than yesterday, it was heavily raining with hail with strong wind. We thought that it would slow down and clear up but it got heavier and heavier. The paths were now just puddles of mud, all our clothes very quickly were all soaked through. However, despite the very extreme weather conditions we were able to get a true feel of the climate of the play. We now understood what all those lines about storms and wind meant. Whilst walking I wanted to get the experience of all different terrains, so I walked along the path, but also walked up to the grass and through the other plants common to The Moors. I truly got to feel all the elements of The Moors and I began thinking about how all the character's in the play would've done this walk regularly in long dresses and not appropriate footwear. We walked along a path for quite a while but then we really entered The Moors where the roads were uneven, there were rocks a slight stream trickling down from the heavy downpour of rain.
At this point we were all soaked through, could no longer feel our hands but it didn't really matter as we getting such a truthful, immersive experience from this walk. The waterfall was one of the highlights as it is one of the main landmarks of The Moors. It it really help me understand our director's vision of having rocks on stage, and I how much of The Moors they take up.
The waterfall was about halfway through our walk, we explored the surroundings taking in all the different natural elements made up this vast land. We crossed over the stream and began climbing up the hill, heading towards Top Withens which is the location that Emily Bronte supposedly based Wuthering Heights on. The tiredness really started to kick in and we were struggling to walk through such intense weather conditions, but what made us keep going was making it to the top and seeing how far we had walked and looking back on how vast the land is. That's what stuck wit me most was truly how big The Moors are and there is not a house in sight or sign of life. It really made me think about how did our character's remember what direction to go in, and also I thought about how well Nelly would've known all the routes. And on the opposite side, how lost Lockwood would've been as everything does look the same and it's hard to figure out you route back.
It took us quite a while to get to Top Withens as we were all really struggling, but at the same time I was just trying to intake everything around me and really think about how this will effect my characterisation. Top Withens was mostly ruins that was overgrown but what was most interesting about it was it's location. It is deep into The Moors so geographically it is away from majority of civilisation and a very long walk away from the village. So I was thinking about how far Nelly would have to walk to buy food or go to the village for other necessities. But also how other character's in the play travel to Wuthering Heights and how long their journey would've been. After Top Withens we had an extra 45 mins down the local village and we were walking through a more flatter landscape and there was mainly heather and shrubbery with less rocks as we were getting closer to the village.
We ended walking 10 miles and completed one of The Moor trails, we then headed back to where we staying and were able to remove all our wet clothes and put them in the drying room. We played more games in the evening that are bringing us closer together as a cast. It is also really great that our DSM Georgia came on the trip also so we were able to get to know her more as she will with us for the whole of the rehearsal process. We continued to play games like 'Up Jenkins Down Jenkins' - this one was a really cast favourite.
Today was our final day of our trip, and we talk a walk to Malham Cove which has incredible views across the North of Yorkshire. The weather was much better today, however I am glad we got to experience both sunny and stormy weather as we can now truly understand all the weather changes in the play. This walk wasn't as intense as yesterday's as it isn't as rocky on The Moors, well at the top it was. I continued to explore the surroundings more by going off the trail and walk among the grass and down by the stream. Once we had climbed to the top there were impeccable views where we can see the peaks and valleys of Malham and again I was so taken back by how vast the land is here - certainly a harsh contrast to the green spaces we consider vast in London. Exploring the rock formations up there also was fascinating and we were discussing how had they formed. But I was also taken in how I was walking across the rocks to then transfer that to the rehearsal when climbing on our set rocks.
At the very top of Malham Cove we performed the opening movement among the wind and on the rocks and grass. Every time we do that movement in rehearsal now I will think back to us doing it on The Moors and the wind that I could feel and the texture of the ground we performed on. It was such a great experience to this movement and just see the vastness of The Moors, as the purpose of the movement is to convey all natural elements of The Moors.
Walking along Malham Cove was also great because we got to experience the versatility of land in North Yorkshire as the land was very different here. It wasn't as dark on Malham cove and there was more greenery compared to The Moors where there was purple heather and less greenery. After this walk we headed back to the hostel packed up all our belongings and began the long journey back down to London. This was a truly transformative experience and made me really reevaluate how I see the play and it's world. And most importantly it brought us together as a cast more than an exercise in rehearsal ever could, as we experienced such extreme weather conditions and accomplished such a walk together
This is a video of our trip that Marley made documenting our journey to Yorkshire and back.
Reflecting back on this trip I don't not think our show would've been as successful without it. I refrained from evaluating the trip as I wanted to wait till the end of the process to truly how great of an impact on us and the play. The main part of the trip that stuck with me and us as an ensemble was experiencing the intense weather conditions and experiencing the actual world of Wuthering Heights. It has had such an impact on how I view my character and the world she lives in. Every time I perform the opening movement I picture the Moors are right in front of me and that automatically transports me the world of Wuthering Heights. Hearing the authentic Yorkshire accent also allowed me to see how they say some words and phrases differently to further my Yorkshire accent. The trip also really bonded us as a cast, after the trip the rehearsal environment had a larger sense of trust and we were all just so comfortable around each other. We formed friend ships on the trip with people we wouldn't necessarily speak to outside the rehearsal room. You can really see the cast bond on stage also which is so important. Without the trip I don't think we would've made the progress we and did and I don't think our cast would've been as close without. The trip also provided great contextual research and allowed us to see a lot of stuff in person and not just on the internet. The trip was something that we always referenced back in rehearsal and always used information and experiences in the rehearsal room. In the performance I was able to visualise the distance between the different households, and how far character's would've had to walk.