The ancient Tagalogs believed in one creating god based on the early accounts of the Spanish conquistador Miguel de Loarca. They had no power to communicate directly with him, however. There was a need for an intercessor or "middleman."
The spirit of their deceased parent or any of the lower deities may be the intermediate. Old gods are generally worshiped as adobe carvings called likha, whereas the dead ancestors revered themselves by offering food or gold to wooden images known as anito.
The Tagalog Pantheon refers to the collection of deities and supernatural beings revered by the Tagalog people in the Philippines. It includes a wide range of gods and goddesses, each associated with different aspects of the natural world, human life, and the cosmos.
Bathala, also known as Bathalang Maykapal or simply Bathala, is the supreme deity and creator god in the ancient Tagalog mythology of the Philippines. He is considered the highest-ranking deity and is often associated with the concept of a creator god who oversees the cosmos and all life within it.
Originally this god was worshipped as the god of Hunters.
In more modern stories he has become associated as the ill-tempered god of the sea, replacing Aman Sinaya among of the first generation gods (aside from Bathala), he was never married after his love was spurned by a beautiful mortal maiden, Maganda. In frustration, he swore vengeance against the humans by sending turbulent waves and horrible tempests in order to wreck boats and to drown men.
Mayari is a prominent deity in Philippine mythology, specifically within the pantheon of Tagalog mythology. She is known as the goddess of the moon and is often associated with beauty, strength, and bravery.
In Philippine mythology, Tala is a significant deity, particularly among the Tagalog people. She is known as the goddess of the stars and is often associated with the evening star. Tala is one of the children of Bathala, the supreme god in Tagalog mythology, who is the creator of the universe and everything in it.
The goddess of morning; sister of Mayari and Tala and one of the three daughters of Bathala by a mortal woman.
The strong, agile guardian of mountains and the son of Idiyanale and Dimangan. His sister was Anitun Tabu. He later married Anagolay.
The fickle-minded goddess of wind and rain. She was the daughter of Idiyanale and Dimangan and the sister of Dumakulem.
The goddess of lost things and the only offspring of Ikapati and Mapulon. She was married to Dumakulem.
The deity of the wind. Amihan is a significant figure in Philippine mythology, particularly in the mythology of the Tagalog people. She is often depicted as a bird and is considered one of the first beings in the universe. Amihan plays a vital role in the creation story involving the deities Bathala (the supreme god), Aman Sinaya (the god of the sea), and Amihan.
Dumangan was the Tagalog sky god of good harvest, the husband of Idiyanale, and father to Dumakulem and Anitun Tabu.
Idiyanale is the goddess of labor and good deeds. Natives used to call for her guidance to make their work successful.
In Philippine mythology, Lakapati is a prominent deity revered by the Tagalog people. She is considered the goddess of fertility, agriculture, and cultivated fields. Lakapati is often depicted as a hermaphroditic deity, embodying both male and female attributes, symbolizing the encompassing and nurturing nature of fertility and the bountiful earth.
Apolaki is a prominent deity in Philippine mythology, particularly within the pantheon of the Tagalog and Pampangan ethnic groups. He is often recognized as the god of the sun and war and is considered a major figure in pre-colonial Filipino beliefs.
In Philippine mythology, specifically within the pantheon of deities of the Tagalog people, Dian Masalanta is recognized as a significant goddess. She is the deity associated with love, conception, and childbirth. Dian Masalanta is revered for her role in overseeing and blessing relationships, fertility, and the safe delivery of children.
Sitan is a figure in Philippine mythology, particularly in the Tagalog folklore. She is often regarded as the goddess of disaster, sickness, and death. In some versions of the myth, she is depicted as a sister or consort of Bathala, the supreme god in Tagalog mythology. Sitan Masalanta is believed to be responsible for bringing calamities, diseases, and misfortunes to humans.
When we think of Ilokano Mythology, we are often referred to Biag ni Lam-ang ( “The Life of Lam-ang”), the epic poem of the Ilocano people from the Ilocos region of the Philippines. It is notable for being the first Philippine folk epic to be recorded in written form, and was one of only two folk epics documented during the Philippines’ Spanish Colonial period, along with the Bicolano epic of Handiong.
Buni, sometimes referred to as Bunian, is a deity found within Ilokano mythology, a subset of Philippine mythology. The Ilokano people, who primarily reside in the northern regions of the Luzon island in the Philippines, revere Buni as a deity associated with the creation of the world.
While specific details about Buni's attributes, characteristics, and associated legends are scarce in the document, in many indigenous Filipino cultures, deities associated with creation are often ascribed significant roles within their respective pantheons. They are typically portrayed as powerful entities, possessing the ability to shape the world and all life within it.
Despite the limited information available on Buni, the very association of this deity with the creation of the world underscores the importance of Buni within Ilokano mythology. The belief in such a deity reflects the Ilokano people's understanding of the origins of the universe and their place within it.
In the broader context of Philippine mythology, the presence of a creation deity like Buni is not unique. Across the various ethnic groups and regions of the Philippines, there are diverse interpretations and versions of creation myths, with different deities playing central roles. This diversity is a reflection of the rich cultural heritage and spiritual beliefs of the Filipino people.
In the rich tapestry of Ilokano mythology, Parsua holds a special place as a revered deity. The Ilokano people, who predominantly inhabit the northern regions of Luzon within the archipelagic country of the Philippines, have a deep respect and veneration for Parsua.
As with many deities and figures in mythology, the specific details about Parsua's attributes and the legends associated with them can vary. These differences can be attributed to a multitude of factors including regional variations, storytelling traditions, and the passage of time. However, in the grand scheme of the Ilokano pantheon of deities, Parsua remains a constant.
Despite the variations in the depictions and stories, Parsua is universally accepted as a significant part of the cultural and spiritual beliefs of the Ilokano people. These beliefs, carried from generation to generation, are woven into the very fabric of their communal life, shaping their understanding of the world and their place in it.
Apo Langit is a deity in Ilokano mythology, often recognized as the Sky God or the Supreme God. He is associated with the heavens and is considered one of the primary deities in the Ilokano pantheon.
As the Sky God, Apo Langit is believed to have dominion over the celestial bodies and the weather. The Ilokano people often attribute phenomena like rain, thunder, and lightning to his actions. He is also seen as a provider, with the rain he brings nurturing the land and helping crops to grow.
Apo Langit is often presented as a benevolent and caring deity who watches over the Ilokano people from his place in the sky. Prayers and offerings are made to him to seek his blessings and protection.
Despite the passage of time and the influence of foreign religions, the reverence for Apo Langit persists in the cultural memory of the Ilokano people, a testament to their enduring spiritual heritage.
Apo Angin is a deity in Ilokano mythology, which is part of the traditional belief system of the Ilokano people in the Philippines. In Ilokano culture, Apo Angin is known as the god of the wind. The name "Apo Angin" itself translates to "Lord Wind" or "God of the Wind," reflecting his domain over the air and the winds.
As the god of the wind, Apo Angin is often associated with weather phenomena, particularly those related to wind, such as storms and gentle breezes. His influence is seen as both beneficial and potentially destructive, much like the wind itself can bring both refreshing coolness and devastating typhoons. In some stories and traditions, he is invoked for good weather and protection against harmful storms.
The reverence for Apo Angin and other deities in Ilokano mythology highlights the deep connection of the Ilokano people with nature and their environment, embodying the respect and awe for natural forces that play a crucial role in their daily lives and agricultural practices.
In Ilokano mythology, "Apo Init" is a significant deity who is revered as the Sun God. The name "Apo Init" translates to "Lord Sun" or "Lord Heat," highlighting the deity's association with the sun and its vital role in the natural world.
Apo Init is often invoked for blessings related to sunlight, warmth, and agricultural growth, reflecting the sun's importance in the daily lives and agricultural practices of the Ilokano people. This deity's prominence in Ilokano belief systems underscores the cultural importance of the sun in sustaining life and ensuring the prosperity of crops and communities.
Apo Tudo is considered the rain god and is believed to have control over the weather, particularly rainfall, which is crucial for agriculture in the predominantly farming communities of the Ilokano people. As a rain deity, Apo Tudo's role would involve ensuring the timely arrival of rain to nourish crops and sustain the livelihoods of the people.
Worship and rituals dedicated to Apo Tudo would typically focus on invoking his blessings for favorable weather conditions, particularly in times of drought or when good harvests were needed. This reflects the agricultural reliance and the importance of rain in the lives of the Ilokano people.
The Bicolano pantheon consists of deities and spirits worshipped by the Bicolano people in the Bicol region of the Philippines. This pantheon reflects their animistic and polytheistic beliefs, with gods and goddesses overseeing various aspects of nature, life, and the universe.
The supreme deity and god of good. He is the chief god who rules over all other deities and spirits. Gugurang is considered the guardian of the sacred fire and is responsible for maintaining balance and order in the world.
The god of evil and chaos, often considered the antagonist to Gugurang. Asuang is associated with malevolence and is believed to bring misfortune and disaster.
The goddess of the moon, known for her beauty and mysterious nature. Haliya is also worshipped as a protector against Asuang and is often depicted as wearing a mask to hide her beauty.
The god of gold and wealth. Bulawan is associated with prosperity and abundance, often invoked by those seeking material wealth and success.
The god of the forest. Okot is revered as the protector of wildlife and nature, embodying the spirit of the forest and its creatures.
A dragon or serpent deity associated with eclipses. According to mythology, Bakunawa attempts to swallow the moon, causing lunar eclipses. Rituals and offerings are made to appease Bakunawa and prevent it from consuming the moon.
Batala was a special being inferior in power to Gugurang whose mission was to provide peace to a village under its special care. Thus it was believed that the village that enjoyed peace and was successful in its wars was due to the influence of a Batala which Gugurang has assigned to it as its custodian.
Languiton was the primal Bicolano god representing the sky. sovereign of all the flying creatures in the skies. He associated with the clear blue skies that represent purity of soul, truth, and stability
The god of water and the celestial ocean ruled over all the swimming beasts. The deity is associated with material abundance.
Dagat the divine embodiment of the seas and ocean and daughter of Tubigan (In some stories she is the daughter of Langution). Some stories she was the daughter of Laguiton who took Paros the winds to be her husband and equal, they ruled over the skies and the seas. Love is one thing stronger than the gods for it killed her and Paros, other belief that they have found contentment and had simply slept, the sky and the sea. When she died/slept from the waters the god Magindang was born.
Paros the divine embodiment of the winds, was ever-changing, arrogant and polygamous until he was bested by Dagat, he fell in love with her and changed his old ways, they ruled over all the skies and seas. He and Dagat had four powerful children (Daga, Adlao, Bulan and Bituoon).
Daga is enormous as he is strong, and his body is made of rocks. Arrogant that he had inherited most of his father's powers of the wind in addition to his strength. Daga persuaded his brothers to attack Languiton to steal his power but failed. He was struck down and his body became the earth
Son of Dagat and Paros; joined Daga’s rebellion and died; his body became the sun; in another myth, he was alive, and during a battle, he cut one of Bulan’s arms and hit Bulan’s eyes, where the arm was flattened and became the earth, while Bulan’s tears became the rivers and seas.
Son of Dagat and Paros; joined Daga’s rebellion and died; his body became the moon;in another myth, he was alive and from his cut arm, the earth was established, and from his tears, the rivers and seas were established.
Daughter of Dagat and Paros; accidentally killed by Languit during a rage against his grandsons’ rebellion; her shattered body became the stars.
Former supreme to Gugurang and Asuang, until Gugurang proved to be far more powerful and superior. Cagurangan had control over the winds and all the flying beast.
The god of fishing who leads fishermen in getting a good fish catch through sounds and signs.
Kanlaon is an Evil god of destruction that rules over the other side of the sea(Visayas) believed to send loci and create wildfires in Ibalong. He is the enemy of Gugurang.
Onos is a god of storms, deluge, and flood waters. He is muscular and tall with white tattoos all over his body. He sends storms to villages and farmlands when people forget their "atang(offerings or prayers)”.
Ancestral spirits venerated in communities and households, little wooden idols depict them. Believed to guide their living descendants and bring graces and good fortune.
A demi-goddess in Bicolano myths, she is mentioned in the Ibalong Epic. A wily serpent who appeared as a beautiful maiden with a seductive voice; admired the hero Handyong’s bravery and gallantry, leading her to aid the hero in clearing the region of beasts until peace came into the land.