Indian temples across the US; Bharatnatyam performance in AZ
The Truer der Union monument, dedicated to German-Texans who were killed at the 1862 Nueces Massacre for refusing to fight for the Confederacy during the U.S Civil War.
Art forms have always played an essential role in the migration experience, providing a means of cultural preservation and adaptation to new environments. For Indian migrants in Arizona, Bharatanatyam and Devanrityam serve as spiritual and cultural touchstones. These art forms help Indian and Malaysian immigrants maintain a link to their roots while adapting to American life. Ramya Ranganathan’s establishment of YADA (Youth Artists Development Association) in 2012 reflects this need. YADA empowers the younger generation to engage with Bharat’s cultural practices, helping them navigate their identity in a new world while celebrating their heritage. Additionally, BHO (Bharat Heritage Organization), founded in 2021, is dedicated to passing down cultural knowledge to the next generation, ensuring that the vibrant arts, festivals, and traditions of Bharat continue to thrive in the U.S. Through initiatives like Heritage Tours to Temples across the U.S., BHO also helps families connect to sacred spaces that represent their spiritual and cultural heritage, fostering a sense of community and continuity.
For Mexican migrants, murals serve as a powerful form of storytelling, reflecting their journeys of displacement, resilience, and resistance. In Arizona, Mexican murals are visible across the state, blending traditional Mexican motifs with American influences to depict the community's struggles, joys, and cultural pride. Inspired by the Mexican muralism movement, which emerged in the early 20th century through artists like Diego Rivera, murals in Arizona act as public declarations of identity, history, and the fight for civil rights. These murals are particularly significant for the Mexican community as they tell stories of migration, showing both the hardships faced in the U.S. and the strength of their cultural heritage.
In both communities, art forms like Bharatanatyam and Mexican murals serve as vital tools for narrating migration stories, preserving cultural heritage, and building a sense of community and identity in new, often unfamiliar lands. Art becomes a way to connect the past with the present, offering a source of pride and solidarity for migrants as they navigate their new lives in Arizona and beyond.
For German Immigrants, historical monuments throughout the U.S tell the tale of their longstanding contributions to our history in events like the American Revolution, the U.S Civil War, and even the exploration of the Wild West in Arizona as they immigrated in large numbers during the 1800s. There are even other institutions that owe their development to German immigrants like the oil industry built by JD Rockefeller, a man of German ancestry, and some food businesses like Heinz, which have a dominant share in the U.S ketchup market. In Phoenix, the "lost Dutchman" is named after Jacob Waltz, a first-generation immigrant who purported to have uncovered an ancient gold mine and have hidden it in caches within the mountains. What this all shows us is that many of the things that we consider quintessentially American today simply wouldn't exist without German immigrants having helped us along the way.
Mexican Migration:
Mexican migration to Arizona began when the territory was still part of Mexico and was taken over by the United States in 1848 through the Treaty of Guadalupe Hidalgo. The Gadsden Purchase of 1853 expanded US territory southward, allowing additional Mexican cities.
Migration increased in the late nineteenth and early twentieth centuries due to economic possibilities, particularly in agriculture, mining, and railway building. Seasonal jobs and labor shortages drew large numbers of Mexican migrants to Arizona.
Mexican migration has had a significant effect on Arizona culture, as seen by the state's food, traditions, language, and festivals. Arizona's closeness to the Mexican border means it remains a popular entry site for immigrants seeking improved living circumstances, employment, and family reunions.
Indian Migration:
Unlike Mexican migration, major Indian migration to Arizona began in the past few years. The movement was part of a larger pattern of Indian immigration to the United States, particularly after 1965, when immigration laws became broader.
Many Indian immigrants migrated to Arizona as talented professionals, mostly in technology, engineering, medicine, and academics. Major technology clusters and institutions in the state drew Indian talent.
The Indian community in Arizona has formed cultural and religious centers, festivals, and groups dedicated to preserving and promoting the traditions of Indian cultures, such as Diwali and Holi.
The Indian community continues to expand, adding to Arizona's ethnic landscape and economy via business, professional services, and cultural endeavors.
Malaysian Migration:
Malaysian migration to Phoenix, Arizona, began in the late twentieth century and was primarily caused by students at Arizona State University and professionals looking for work in industries such as engineering, technology, and healthcare. Over time, the community grew a little with newcomers contributing to the local economy and forming cultural networks to maintain traditions through festivals and food. While minor compared to other Asian immigrant groups, the Malaysian community in Phoenix reflects the city's increasing ethnic scene, providing a combination of tradition and global connectivity.
German Migration:
Germans came to the Americas the earliest out of these migrant groups as indentured servants. This was because just like the British, they sought economic opportunity and the cheap land offered to them overseas was perfect for this. Most German migration, though occurred during the century of the 1800s.
During this time period, German Americans have helped support the development of the industries like the banking industry (Lehman Brothers), the tire industry (Goodyear), and some food industries (Heinz Ketchup). German Americans have been successful in holding positions of political power as well.
However, like many migrant groups, they also faced discrimination, especially during both world wars. In the modern day though, many can still draw their ancestry back to Germany and some cultural staples like hot dogs and hamburgers just wouldn't exist without German Americans.
Migrant art serves as a vital tool for expressing the unique experiences, challenges, and cultural identity of migrant communities. For both the Mexican and Indian communities in Arizona, art forms such as murals and architecture have become powerful vehicles for storytelling, community building, and cultural preservation.
Mexican murals in Arizona are especially significant. Influenced by the Mexican Muralism Movement, murals have historically depicted themes of social justice, identity, labor, and immigration. Mexican-American artists in Arizona use murals to communicate their migration stories, struggles, and the blending of Mexican and American cultures. These murals can be found in public spaces, schools, and cultural centers, often portraying scenes of resilience, unity, and resistance against marginalization.
For the Indian migrant community, temple architecture has been an essential form of cultural expression. Hindu temples, like the Ekta Mandir in Arizona, combine traditional Indian architectural elements such as Dravidian-style towers and pillars with local materials and design sensibilities. These temples not only act as spiritual centers but also serve as cultural landmarks that reinforce the community’s connection to their heritage. Similar temples can be found in Berlin, where Indian architecture blends European styles with traditional Indian elements.
For German Americans, there are various historical monuments commemorating the contributions of German Americans. For example, we have the von Steuben Monument at Route 23 which recognizes Baron von Steuben for his contribution to the American Revolution. We also have the Pastorius monument for Franz Daniel Pastorius who established Germantown, which is now part of Philadelphia, PA.
These art forms—whether murals, architecture, or religious symbolism—allow migrant communities to express their cultural identity, create spaces of belonging, and bridge the gap between their homeland and their new environment. Through these artistic practices, migrant communities in Arizona and Berlin connect to their roots while contributing to the cultural fabric of their new homes.
Ramya Ranganathan: Bridging Cultures and Building Community Through Art and Heritage
Ramya Ranganathan, an Indian immigrant from Chennai, has dedicated her life to connecting the cultural heritage of Bharat with the diaspora community in the United States. After moving to the U.S. in 2004 to pursue her master's degree at USC, Ranganathan found herself drawn to the vibrant Indian community in Arizona. As a trained Bharatanatyam dancer and practitioner of Devanrityam, she soon realized the need for platforms that could blend culture, religion, and the arts to deepen the connection with the divine and preserve heritage.
In 2012, she founded YADA (Youth Artists Development Association), just as WhatsApp was becoming popular. YADA empowers youth by organizing cultural festivals and performances that celebrate Indian heritage and spirituality, providing a platform for artistic expression and learning.
In 2021, Ranganathan launched BHO (Bharat Heritage Organization) to raise awareness of India’s cultural and spiritual practices. BHO focuses on passing down these traditions to the next generation, bridging the gap between Bharat and the U.S.
During the COVID-19 pandemic, Ranganathan initiated Anand Utsav, a weekly virtual gathering that brought artists from around the world to share their beliefs and connect spiritually. This platform evolved into a community celebration where families could virtually celebrate festivals like Diwali, Janmashtami, and Durga Puja, strengthening cultural ties.
Ranganathan’s work is focused on passing on Bharat’s cultural and spiritual knowledge through organizing carnivals like Sharad Mela and Chaitra Mela, to name a few, and youth performances. Her mission is to ensure that both Indian and American cultures can coexist and thrive while preserving the essence of Sanatan Dharma through art, faith, and community.
Lester: Loving Traditions of Culture and Festives Through Art and Heritage
Malaysia is known for its multicultural beauty, embracing multiple ethnicities. The Muslim, Christian, Hindu, Buddhist, Sikh, and Kaadazan Dusun all lived together peacefully ever since Malaysia was declared freedom. Lester is a Kaadazan Dusun, a Malaysian migrant from Sabah, Malaysia, who originally migrated to Boston in 2015 after losing his job as a flight attendant. Lester migrated here looking for job opportunities after spending almost 30 years as a Malaysian flight attendant. Lester expressed that it was tough for him in the beginning as he didn’t know how or what to start with. However, he was determined to explore a new beginning of his journey.
Lester shared that it wasn’t easy adapting to the new culture where he said he was ready to leave the United States, saying, “The US is not for me, I’m going home.” However, Lester found a friend of his friend in Phoenix who he looked up to as a mentor, a father figure helping him learn and adapt to the new culture.
The Sabahan in Malaysia celebrates the Kaamatan festival every year on the 30th -31st of May. Lester shared that he’s the only Kadazan from Sabah, and he participates in the Kaamatan festival and event through live telecast on YouTube.
Lester said that there’s a Malaysian community in Phoenix, but due to his work schedule, he often misses the events hosted by the Malaysian community. Lester shared that the Malaysian community would host events every month, maintaining and cherishing the Malaysian culture.
Lester shares his love for his culture and home(Malaysia) by wearing the traditional attire called the “Gaung Koubananan.” The attire is known to represent the Penampang culture, one of 33 ethics in Sabah. Lester hopes to continue his love for the art of his tradition, joining Kaamatan online and offering help if ever needed. Despite the distance, his culture, tradition, and art will always be a part of Lester’s life.
Fatima Garcia: Building across borders and cultural divide
Fatima Garcia is an architect, professor, active community member, and immigrant from Hermosillo, Mexico.
Fatima graduated from a university in Mexico without any plans of emigrating to another country. Her path to immigrating to Arizona began when she was sent to Mesa to receive training for her architecture firm, and her stay was extended. After a couple years, she was involved in the professional design world in Arizona, and decided to take the plunge into the immigration process by applying for an H1B visa rather than continue applying for a TN nonimmigrant visa, which would allow her to stay longer and eventually get a green card. Shortly after this, she met her husband, and together they solidified their plan to permanently stay in their newfound home of Arizona.
Among the challenges she faced as an immigrant are adapting to the language and culture of her new home, learning new technical standards for her profession, having to prove her worth after being judged for having an accent, struggling to find a mentor to relate to, and especially stress due to the unwelcoming tension during the time of SB-1070, when Mexican and Hispanic immigrants in Arizona were required to carry important sensitive documents on their persons, without which they could be deported, and were targeted for questioning by authorities.
She says her immigrant background gives her design team a unique advantage, creating structures that utilize different perspectives to serve a purpose to the community. Growing up in a different country, yet in the same Sonoran desert as Phoenix has given her a great appreciation for the desert, and she incorporates elements that highlight its beauty while remaining functional structures that accommodate the needs of the community.
She herself also serves the community, acting as an official at NOMA, where she oversees a program that introduces architecture to minority middle- and high-school students.
Interviewing People at the Lost Dutchman Monument and delving into its history
The Lost Dutchman monument is dedicated to Jacob Waltz, a first-generation immigrant who purported to have uncovered an ancient gold mine and have hidden it in caches within the mountains. Nobody has been able to find this gold, thus earning Waltz the title of the “Lost Dutchman.” The monument was built by the Phoenix Don’s club, because to them, Jacob Waltz represented “the free spirit of the people in the desert.”
The park built around it today is an open desert trail that people enjoy viewing and walking around in. To get into the park, you must pay a $10 fee for day use parking after which you are free to explore the whole area until 8 pm. When I asked people around about what they thought about the importance of the area and its history, people seemed to be only vaguely aware of the history and valued the area mostly for the natural landscape that it was.
There is media about the story though in the form of movies and there are songs written by German musicians about the Wild Western theming the monument exemplifies. Its cultural significance seems to have faded away though. Also, there seems to be nothing particularly “German” about the monument though this itself can be thought of as a testament to how some of the things that we consider quintessentially American like the Wild West, were contributed to by German Americans as well, and this shows us how well they’ve managed to integrate into U.S culture.
The Bharat Heritage Organization (BHO), based in Arizona, is dedicated to supporting Indian immigrants and preserving Indian culture and heritage. BHO fosters cultural exchange through events, educational resources, and community engagement. Their initiatives include hosting Indian cultural festivals, and organizing tours to Hindu temples across the U.S. BHO's mission emphasizes the values of unity, inclusivity, and the idea that 'the world is one family' (Vasudhaiva Kutumbakam), promoting a deep connection to both Indian traditions and the broader global community.
This group offers support and outreach for minority and immigrant architects working in Arizona. They offer scholarships and participate in community building with their other chapters across the country. The Arizona chapter hosts events for local architects and those looking to build their careers as immigrants.
This website catalogs and provides a look into the events, art, and architectural traces of immigrants to Phoenix. The site also provides information concerning exhibitions and events about the marks immigration leaves on Phoenix.
This group operates nationwide, offering help and resources to immigrant architects to succeed in the United States. They offer mentorship, scholarships, and advice by way of podcasts.
According to the article "Germany's Cultural Investment in Arizona" by Tony Ganzer, the German government gives The International School of Tuscon, known for teaching its students foreign languages, around $10,000 funding annually for its German programs with the intent of expanding German cultural infleunce. Surprisingly, though, donating money may actually be somewhat profitable for Germany as well. The author claims that by spreading German cultural influence, the German government is indirectly encouraging more people to study abroad in Germany.
In this way, we see that while culture is something to be enjoyed, it is also an extremely powerful tool as well to be leveraged economically. Culture is such an important part of society that it bleeds into other things as well, such as economics and politics.
This isn't the only example of governments funding cultural expansion to their own benefit, though. To this end, here's a fun fact: Thailand also similarly sponsors Thai restaurants in the U.S in order to expand its influence. This is why there is such a disproportionate amount of Thai restaurants to Thai immigrants compared to restaurants for other immigrant groups.
Treffpunkt (German for "meeting place") is a non-profit in Arizona that is dedicated to serving German speaking residents and those who would like to learn more about the language. The organization hosts various events such as language classes, uniquely German celebrations of holidays like Christmas with Weihnachtsmarkts (or "Christmas markets"), and even has its own dedicated Restaurant called Zum Treffpunkt.
Test your geographical skills and decide whether each location is in Arizona or Mexico. Note the similar architecture and which elements are originally Spanish, and which are uniquely Southwestern.
Many of the businesses we have today are here only due to Germans or German American immigrants and we often aren't even aware of it. Play this game to find out more about the products you likely use or consume in your daily life. Unfortunately you'll need a quizlet account to access these flashcards but you can try creating one using a temporary email if you'd like. We also reccomend you use auto-play for a smoother experience.
Diddams, Margaret. Resisting Displacement through Culture and Care: Workplace Immigration Raids and the Loop 202 Freeway on Akimel O'Odham Land in Phoenix, Arizona, 2012-2014, Arizona State University, United States -- Arizona, 2014. ProQuest, http://login.ezproxy1.lib.asu.edu/login?url=https://www.proquest.com/dissertations-theses/resisting-displacement-through-culture-care/docview/1640767345/se-2.
Silvia, Rodriguez V. "Borders and Badges: Arizona’s Children Confront Detention and Deportation through Art." Latino Studies, vol. 16, no. 3, 2018, pp. 310-340. ProQuest, http://login.ezproxy1.lib.asu.edu/login?url=https://www.proquest.com/scholarly-journals/borders-badges-arizona-s-children-confront/docview/2111351167/se-2, doi:https://doi.org/10.1057/s41276-018-0132-0.
Benkert, Volker, et al. "A Monument to Resilience: One Phoenix Building and the Three Communities It Served, 1955–2021." Journal of Arizona History, vol. 62 no. 2, 2021, p. 249-269. Project MUSE, https://muse.jhu.edu/article/805154.
Ganzer, Tony. (2008, September 23) "Germany's Cultural Investment in Arizona." 91.5 KJZZ Phoenix. https://www.anthonyganzer.com/radio-samples/international-appeal/germanys-cultural-investment-in-arizona/.
"Legend of the Lost Dutchman." Arizona State Parks. https://azstateparks.com/lost-dutchman/explore/the-dutchman
"Treuer der Union Monument." Texas Time Travel. https://texastimetravel.com/directory/treue-der-union-monument/
Schwantes, B. (2014). Immigrant Entrepreneurship: German-American Business Biographies, 1720 to the Present—An Online Project of the German Historical Institute Washington. Journal of American Ethnic History, 33(4), 67–72. https://doi.org/10.5406/jamerethnhist.33.4.0067
Gomez, Andrea. Steuben Monument. (2020, August 11). National Park Service. https://www.nps.gov/vafo/learn/historyculture/steubenmonument.htm
Britannica, T. Editors of Encyclopaedia (2024, September 22). Francis Daniel Pastorius. Encyclopedia Britannica. https://www.britannica.com/biography/Francis-Daniel-Pastorius
Luber, K. (2018, February 10). US immigration: America’s German roots. Deutschland.de. https://www.deutschland.de/en/usa/us-immigration-americas-german-roots