Ensemble Kamerad: Fauré mit Kameraden

アンサンブル・カメラート: 戦友たちのフォーレ

血湧き肉躍るフォーレ!全ての演奏をYoutubeにアーカイブとして公開しました。Electrifying Fauré! All performances are now seeable at Youtube. 

2024年9月22日(日)15時開演 14時30分開場 September 22nd Sunday,  2024 15:00 Doors open 14:30

フォーレ ピアノ四重奏曲 第2番 ト短調 作品45 作曲年: 1885-1886

フォーレ ピアノ五重奏曲 第1番 ニ短調 作品89 作曲年: 1887-1906

Fauré Piano Quartet No. 2 in G minor, Op. 45 Composed in 1885-1886

Fauré Piano Quintet No. 1 in D minor, Op. 89 Composed in 1887-1906

「戦友たちのフォーレ」

室内楽というのはソリストが何人か集まって成立する音楽のジャンルである。それぞれの演奏者の中にはソリストとしての自分をいかにしてアンサンブルの一員に「なだめすかす」心的力学が実は渦を巻いているのだ。演奏者がソリスト的な演奏をしてそれを加算すると室内楽が出来上がるのではない。逆にアンサンブルの一員だからといってソリスト的表情を消し去ってしまっても魅力的な演奏は生まれてこない。戦友たちのフォーレ、ここで彼らが戦っている相手は実は自分自身であり、ソリストとしての自分とアンサンブルの一員としての自分をバランスさせる絶妙な力学の上にフォーレのピアノ四重奏曲、ピアノ五重奏曲が奏でられる。

Fauré mit Kameraden

Chamber music is a genre of music in which several soloists come together. There is actually a psychological dynamic swirling within each performer to " coax" himself/herself as a soloist into becoming a member of the ensemble. It is not the case that chamber music is created when the musicians play as soloists and add to it. An attractive performance will not be created if the soloist's expression is erased just because he or she is a member of an ensemble. In the Warriors’ Fauré, the person they are fighting against is in fact themselves, and Fauré's piano quartets and piano quintets are performed based on the exquisite dynamics of balancing oneself as a soloist with oneself as a member of the ensemble.

アンサンブル・カメラート Ensemble Kamerad

京都市交響楽団コンサートマスター泉原隆志の呼びかけで集まった戦友 -Kamerad- たちによるアンサンブル。2022年京都ALTIで旗揚げ公演、2023年には大阪・東京で演奏会を開催し絶賛を集めている。

Ensemble of Kamerad - "warriors" who came together at the invitation of Takashi Izuhara, concertmaster of the Kyoto Symphony Orchestra, to give the inaugural performance at ALTI in Kyoto in 2022, followed by concerts in Osaka and Tokyo in 2023, to critical acclaim.

Ensemble Kamerad アンサンブル・カメラート 森岡 聡  Satoshi Morioka 泉原 隆志  Takashi Izuhara 北口 大輔  Daisuke Kitaguchi 木下 雄介  Yusuke Kinoshita佐藤 卓史  Takashi Sato 左→右 From left to right

泉原 隆志  Takashi Izuhara (Violin)

東京で生まれる。桐朋女子高校音楽科(共学)ヴァイオリン科を首席で卒業。桐朋学園大学ソリストディプロマコース修了、ディプロム取得。その後、ブリュッセル王立音楽院に留学。ロームミュージックファンデーション奨学生、文化庁芸術家在外研修員としてさらに研鑽を重ね、ハンブルク国立音楽大学大学院を首席で卒業しディプロム取得。法然院「室内楽の夕べ」シリーズ、アンサンブル・ベガにゲスト出演。「メリメロアンサンブル」「アンサンブル・カメラート」「トリオ・スペリオール」を自ら結成し、室内楽奏者としても注目を浴びている。日本の主要オーケストラの客演コンサートマスター、サイトウ・キネン・オーケストラのメンバーを務める。現在は京都市交響楽団コンサートマスター、京都市立芸術大学非常勤講師。2012年京都市芸術新人賞、2019年京都府文化賞奨励賞を受賞。

Born in Tokyo. Graduated at the top of his class from the Violin Department of Toho Girls' High School (co-educational). Completed the soloist diploma course at Toho Gakuen School of Music and received a diploma. Later studied at the Royal Conservatory of Brussels. Further studies as a Rohm Music Foundation Scholar and as an overseas trainee artist with the Agency for Cultural Affairs, and graduated at the top of her class from the postgraduate course at the Hamburg State University of Music, where he obtained a diploma.

Guest performer in the Honenin 'Chamber Music Evening' series and Ensemble Vega. He has founded her own ensembles, the 'Melimero Ensemble', 'Ensemble Camerato' and 'Trio Superior', and has attracted attention as a chamber musician. He has been guest concertmaster of major Japanese orchestras and a member of the Saito Kinen Orchestra.

Currently concertmaster of the Kyoto Symphony Orchestra and part-time lecturer at Kyoto City University of Arts, he was awarded the Kyoto City Art Newcomer Award in 2012 and the Kyoto Prefecture Cultural Prize Encouragement Award in 2019.

森岡 聡  Satoshi Morioka (Violin)

都立芸術高校を経て東京藝術大学音楽学部卒業。在学中に安宅賞、卒業時に同声会賞を受賞。北ドイツLübeck音楽大学に留学。これまでにヴァイオリンを砂原亜紀、栗原尚子、霜佐紀子、服部芳子、岡山潔,寺岡有希子、森悠子、青木高志、Stefan Wagner、Elisabeth Weber各氏に師事。日本国内にとどまらずリサイタル、オーケストラとの共演、音楽祭出演など幅広い演奏活動を行う。2021-2024年 東京藝術大学大学院室内楽科非常勤講師。現在、名古屋芸術大学非常勤講師、紀尾井ホール室内管弦楽団メンバー、神戸市室内管弦楽団コンサートマスター、名古屋フィルハーモニー交響楽団コンサートマスター。公式ホームページ http://moriokasatoshi.com/

Graduated from the Faculty of Music at Tokyo University of the Arts after attending Tokyo Metropolitan Art High School. Received the Ataka Prize while still a student and the Doseikai Prize upon graduation. Studied at the Lübeck University of Music in Northern Germany. Has studied violin with Aki Sunahara, Naoko Kurihara, Sakiko Shimo, Yoshiko Hattori, Kiyoshi Okayama, Yukiko Teraoka, Yuko Mori, Takashi Aoki, Stefan Wagner and Elisabeth Weber. From 2021 to 2024, he was a part-time lecturer at the Graduate School of Chamber Music, Tokyo University of the Arts. Currently part-time lecturer at Nagoya University of Arts, member of the Kioi Hall Chamber Orchestra, concertmaster of the Kobe Chamber Orchestra and concertmaster of the Nagoya Philharmonic Orchestra. Official website http://moriokasatoshi.com/

木下 雄介  Yusuke Kinoshita (Viola) 

8歳から25歳までの17年間をイギリスで過ごす。マンチェスター・チータムズ音楽学校、英国北王立音楽大学を卒業。これまでにハリー・ケイウッド、ウェンジョウ・リ、アネット・イッサーリス各氏に師事。2010年ロンドン交響楽団のオーケストラアカデミーでトレーニングを受ける。2010年よりバロックオーケストラ:ウォルフィッシュ・バンドのヴィオラ奏者として活動後、2012年日本帰国。これまでにイギリス、倉敷、広島、大阪、西宮、マニラにてソロリサイタルを開催。元大阪フィルハーモニー交響楽団首席ヴィオラ奏者。第41回神戸灘ライオンズクラブ音楽賞受賞。パトス四重奏団メンバー。水瓶座。B型。犬派。公式サイト www.yusukekinoshita.com

Born in Okayama, Japan. He moved to the UK at the age of 8 where he learned the violin from Ted Wilson and Harry Cawood. He studied at Chetham’s School of Music and the Royal Northern College of Music in Manchester with Wen Zhou Li and Annette Isserlis. He moved back to Japan where he was appointed Principal Viola player of the Osaka Philharmonic Orchestra and played there between 2016 and 2021. He is now based in Tokyo where he is in demand as a soloist and chamber musician, as well as a photographer shooting mainly promotional materials for musicians. On his free days he likes to cook.

北口 大輔  Daisuke Kitaguchi (Cello)

東京藝術大学卒業、同大学院修士課程修了。ソリストとしてオーケストラとの多数の協演や幅広いレパートリーでのリサイタル、また室内楽奏者として、音楽専門誌等からも高い評価を得ている。アゼリア推薦新人賞、平成12年度大阪府舞台芸術奨励新人賞。平成31年度大阪文化祭賞奨励賞、令和2年度兵庫県芸術奨励賞など受賞多数。東京都交響楽団チェロ奏者、九州交響楽団首席奏者、同楽団首席客演奏者を歴任し、現在、日本センチュリー交響楽団首席奏者。パシフィックフィルハーモニア東京客演ソロ首席奏者。大阪音楽大学特任准教授。

Daisuke Kitaguchi obtained his bachelor’s and master’s degrees from the Faculty of Music at the Tokyo National University of Fine Arts and Music. In addition to taking part in music festivals in the United Kingdom, Germany (Dresden, Cologne) and Austria (Graz), he has performed in numerous music festivals throughout Japan, including the Affinis Music Festival in Nagaoka, Niigata Prefecture; the “Argerich’s Meeting Point in Beppu” Music Festival, Oita Prefecture; and the Kitakyushu International Music Festival. In addition to his orchestral work, Kitaguchi has gained prominence as a soloist and performer of chamber music, and he has pioneered new areas of performance in particular through his activities as an arranger and composer of works for unaccompanied cello. His innovative arrangement for unaccompanied cello of Bach’s Goldberg Variations (BWV 988), published this year by Zen-On, was met with high praise and won the Encouragement Prize at the 2022 Music Critics’ Awards. Daisuke Kitaguchi has been awarded the Azalea Commendation Newcomers’ Prize, the Newcomers’ Prize at the 2000 Osaka Stage Arts Incentive Awards, the Incentive Prize at the 2018 Osaka Culture Festival Awards, and the Incentive Prize at the 2020 Hyōgo Prefecture Art Awards. As a cellist, Kitaguchi has performed with the Tokyo Metropolitan Symphony Orchestra and served as principal cellist and guest principal cellist with the Kyushu Symphony Orchestra. He is currently principal cellist with the Japan Century Symphony Orchestra and guest solo-principal cellist with Pacific Philharmonia Tokyo. He holds the position of Specially Appointed Associate Professor at the Osaka College of Music.

佐藤 卓史  Takashi Sato (Piano)

秋田市生まれ。高校在学中に日本音楽コンクールで優勝。東京藝術大学を首席で卒業後渡欧、ドイツ・オーストリアで研鑽を積む。その間、シューベルト国際コンクール第1位、エリザベート王妃国際コンクール入賞、カントゥ国際コンクール第1位、メンデルスゾーン国際コンクール最高位など受賞多数。2014年ライフワークとなる「佐藤卓史シューベルトツィクルス」をスタート、未完成作品の補筆を含む前人未踏のシューベルトピアノ曲全曲演奏に取り組んでいる。近年は作編曲の分野でも活動を本格化させるほか、放送・レクチャー・執筆など活躍の場は幅広い。

公式サイト www.takashi-sato.jp

    Since winning first prize at the 70th Music Competition of Japan in 2001, Takashi Sato has been regarded as one of the most outstanding Japanese pianists of his generation. He is the youngest recipient ever of the Frédéric Chopin Society of Japan Award which was granted for the success of his debut recital in Tokyo in 2003. Takashi has also distinguished himself at several international competitions, such as ARD International Music Competition 2006 in Munich (special prize for the best interpretation of a 20th-century piano work), International Piano Competition Francis Poulenc 2006 (third prize), Sydney International Piano Competition of Australia 2008 (fourth prize and special prize for the best performance of Chopin), Concours Géza Anda 2009 in Zurich (special prize), Queen Elisabeth Competition 2010 in Brussels (laureate), International Piano Competition "Città di Cantù" 2011 (first prize at section for classical concertos), Mendelssohn International Piano Competition 2011 in Taurisano (second prize, no first prize awarded) and 8th Hamamatsu International Piano Competition 2012 (third prize and chamber music prize). Most noteworthy among them is his victory at the 11th International Piano Competition Schubert in Dortmund 2007, establishing him as a world-class interpreter of Schubert's music.

     Early on in his artistic career, Takashi was chosen to be soloist for the Tokyo Geidai Sinfonia's tour in the United Kingdom in 2003, where his charismatic performance contributed to the tour's success. He has also worked with numerous major orchestras, including the Tokyo Metropolitan Symphony Orchestra, Central-Aichi Symphony Orchestra, Tokyo Philharmonic, Tokyo Symphony Orchestra, Century Orchestra Osaka, Munich Chamber Orchestra, Dortmund Philharmonic Orchestra, Sydney Symphony and National Orchestra of Belgium. He has been invited to perform in such countries as Japan, United Kingdom, Germany, France, Austria, Netherlands, Belgium, Poland, Greece, Korea, Australia and Syria.

    Since the solo debut CD "La Campanella: Gems of the Keyboard" (Live Notes, 2007), Takashi has issued several recordings including Schubert album (Bella Musica, 2008), Chopin albums (Live Notes, 2009), Burgmüller albums (Live Notes, 2012 and 2014) and Beethoven album (Tactual Sound, 2013) receiving much acclaim from the Japanese and European press.

    Alongside his accomplishments as soloist, he is equally appreciated as an adept chamber musician, and has collaborated with many renowned artists, such as Karl Leister, Masafumi Hori, Nobuko Yamazaki, Yuzuko Horigome, Ryoichi Fujimori, Reiko Watanabe, Shunske Sato, Kyoko Yonemoto and Mayuko Kamio. A recording of Edvard Grieg's complete sonatas for violin and piano with Shunske Sato, released in 2007, was awarded Grand Prize by the Agency for Cultural Affairs of Japan at the 62nd National Arts Festival.

    Born in Akita, Japan in 1983, Takashi Sato began piano at age of four under the guidance of Kumiko Meguro, and studied several years later with Okitaka Uehara. Between 1999 and 2006, he studied with Hitoshi Kobayashi, Katsumi Ueda and Kikuko Ogura (fortepiano) at the Tokyo Geijutsu Daigaku (Tokyo University of the Arts), as well as at its music high school division, graduating from both with top honors in 2006 and 2002 respectively. From 2006 he studied with Arie Vardi at the Hochschule für Musik und Theater Hannover (Hanover University for Music and Drama) where he graduated in 2011 obtaining "Diplom-Konzertsolist". He also attended Universität für Musik und darstellende Kunst Wien (University of Music and Performing Arts Vienna) under the tutelage of Roland Keller. Since 2014, he has been giving a recital series, "Schubert-Zyklus" in Tokyo, presenting the complete works for piano of Franz Schubert.