Artwork by Olive Hannigan
I remember my father
curled up with a Miller Lite dripping condensation,
rage-watching ‘This Old House.’
He was very convinced of the fallibility of
their electrical work, and I was very convinced of his ability to make anything spark up.
I remember my father
holding me upright by my scruff while his bare foot
thumps against my chest as though it is my heart.
For as angry as I am and have historically been
I cannot presently muster up anything but sorrow
for him, and thankfulness he was not wearing his
steel-toed work boots.
I remember my father
handing me homebrewed moonshine before I
guzzle it like gasoline.
That night, I went to bed dreaming
of his gun locker, fidgeting at the sheets,
praying for his new wife.
That night, the house burned down. Prayer becomes
fire. Fire is the worst way to go.
In my father’s juvenile photographs there appears
to be a deep sickness in his eyes which I know to be illusory.
The skin drink stitched onto him
was grandfathered in—
he has defected from the faith and is jonesing
for a hatred he’s never known, a sadism he’s worn only
incidentally, as costume.
I remember my father
drunker than Hell, slumped and
urine-soaked in a dining room chair.
My mother had called me from bed
to smell his breath and tell her if he’d been drinking beer or vodka.
I asked her why it had to be me and she told me
‘because he got sober
for you, and he should look his shame in the eyes.’
They conceived me on purpose,
an anniversary gift for a spoiled marriage,
and I wonder if, during the moments where ghosts of agony briefly
became ghosts of pleasure, where their
lesions became orifices, they imagined who I’d become.
During which thrust—or was it during orgasm?—
did they decide I was to be a daughter—
a cop; some beer-soaked apple slices;
the side effect of self-medication?
There are many questions I will carve into the
marble of my father’s gravestone.
[Why can’t I write about your
childhood despite your redemption hinging upon its horror?
What darkness enshrouds your point of origin, Dad?
Why can’t I go there except for in dreams?]
I leaned in to smell his breath and that was the closest we
had ever been. He had been drinking vodka, if you were wondering.
Voltaire tells us if God did not exist
it would be ‘necessary to invent Him.’
Mary Shelley tells us whoever creates us is our ‘god,’
but whoever abandons us is our ‘father,’
and that there is a very thin line which is sometimes dissolved.
No one makes any mention of ‘human’—
I imagine this is due to the fact we, as a species, have
failed in divorcing ourselves
from our self-preservatory nature.
Riley James Russo is a teenaged author and poet split between Ohio and Pennsylvania who endeavors to localize and examine the human condition through horror-litfic and poetry.